Abstract
While Agamemnon is the title character of Aeschylus' play it is Cassandra who, both as prophetess and victim, stands at the play's center. This paper explores the circumstantial and symbolic background against which the events of this play are set and considers Clytaemnestra's motives for killing Agamemnon and Cassandra.

From the Paper
"Aeschylus calls his play Agamemnon, but this is not because Agamemnon is its main character; on the contrary, Agamemnon is actually a particularly flat character in the drama. He enters the play midway, makes two speeches (Agamemnon lines 794-839 and 907-924), each of which is paralleled in the text by a speech of equal length by Clytaemnestra. Then, after a quick interchange with his wife (11.925-955) Agamemnon enters his palace and is not heard from (with the exception of his death cries) or seen (alive) again. Even the Herald, whose role in the drama (unlike that of the messenger in Oedipus and Antigone) is not particularly important (since his main task is to confirm the signal fire's report of the victory at Troy), speaks many more lines than the title character. The real tragic hero of Agamemnon is Cassandra..."

Tags:deinara, iphegeneia, lclytaemnestra, libation, priam, trojan