Abstract
This paper discusses the way that tomb construction developed and changed in Egypt. The paper looks at three periods - The Old Kingdom (c2780-2260 BC); Middle Kingdom (c1997 -1650 BC) and New Kingdom (1552-1069 BC) - in order to compare the methods.

From the Paper
"Because of the incredible power and authority of the king at this time, his tomb was designed to exemplify his grandeur as well as serve as the final resting-place for his body and earthly possessions. In addition, the tomb complex was also the focal point of the king's cult for ritual prayer and for worship. Unfortunately, the roles of the king's tomb proved to nullify each other; the builders tried to "hide" the king's body and possessions while at the same time allowing the public in to worship him at the same time. As a result, the whereabouts of the king's treasure were common knowledge and over time each of these tombs was stripped of everything of value, not excluding the king's corpse itself? "

Tags:architecture, bahri, chefren, cheops, dier, egypt, el, giza, hatshepsut, khafre, khufu, kingdom, menkaure, middle, mycerinus, new, old, sakkara, tomb

Abstract
This paper examines in brief the history of this monumental stone circle, its construction and the myths that have grown up around it especially during the 20th century. The paper concludes that the monument remains so compelling in large measure because we know so little about it.

From the Paper
"Stonehenge, a monumental circular setting of large standing stones surrounded by a circular earthwork, was constructed in several phases about eight miles north of Salisbury in Wiltshire, England. It was begun as long as 5000 years ago with the outer bank, the ditch, and the Aubrey holes encircling the main construction dating from probably the late Stone Age or early Bronze Age (circa 2000BC). The main structure dates from between the early Bronze Age and the end of the Iron Age. The sarsen or sandstone stones date from the about 1500BC (Chippindale 18)."

Tags:monument, Roman, alter, Druidism, Druid, Celt, relgion, myth, Europe, Christianity

Abstract
This paper examines how a society's ideals are reflected in its sculpture, through the example of comparing Egyptian, Greek and Roman Sculpture. The author describes the characteristics of these societies as seen through their art and that their sculptures are a reflection on the perspective on the same world.

From the Paper
"Different cultures see the world in different ways. Religion, society, and even politics, shape our views, and give form to our human environment. Architecture, music, literature, dress all are visible manifestations of a people's values. This is no less true in the realm of sculpture. A religious people will create works of art that express its most deeply held spiritual beliefs; a cerebral people, sculptures that capture humankind's highest ideals, while the politically minded turn out statues and busts that represent their world's movers and shakers. Styles can range from the formal and the symbolic, to the ideal and the real. Each serves its cultural purpose. As all peoples have done, the Egyptians, the Greeks, and the Romans produced sculptures that testify to the beliefs of their respective societies."

Tags:egyot, greece, rome, italy, culture, cultures, society, religion, human, environemnt, architecture, music, literature, dress, religious, people, spiritual

Abstract
This paper focuses on the new evolved state of human beings where we are actually questioning our origins and how we came to be. The paper focuses on the different stages in the evolution of man, providing examples of fossil discoveries to show how humans have changed over time.

From the Paper
"With our knowledge of geological processes we are now able to determine the biological and cultural development of the species "Homo sapiens," or human beings. A large number of human fossil bones and teeth have been found at various places throughout the world along with tools of stone, bone, and wood. As a result of these discoveries, a picture of human evolution during the past 4 to 5 million years has emerged."

Tags:africa, archaeology, creation, darwin, darwinian, development, devloping, evolution, evolve, evolving, fossil, fossils, homo, man, migration, primate, sapien, sapiens, science

Abstract
This paper examines human culture and how intelligence is determined by biological factors. The author discusses the origins of the human brain, and how it evolved into a tool of intelligence more than two million years ago, and how societal cultures are learned and shared.

From the Paper
"According to Wolpoff, ?while a human culture cannot be linked to a particular biology, or vice versa, for humans culture is biology.? Wolpoff, 1999, p.164. This statement means that development of a culture is dependent on biologically determined factors. The most important reason for the development of culture is adaptation for survival under changing environment, which in turn requires, on the one hand, natural selection, and on the other making choices, rather than merely acting on instinct. Intelligence, needed for the purpose of making choices has been the product of biological factors. It should be noted that even though some animals such as wild dogs also live in societies, only humans have developed culture. Culture developed side by side with the evolution of certain physical features in the human species, Homo sapiens that made intelligence possible."

Tags:paleoanthropology, origins, neanderthal, dna, communication, wolpoff

Abstract
The paper shows that ancient Roman architects implemented the elements of space, symmetry and construction with exceptional innovative skill. Although their most notable achievements, the arch and vault construction, was first conceived by the Etruscans and had a profound influence on Roman architectural style and design, the paper shows that the innovations made by the Romans were still tremendously substantial and distinct.

From the Paper
"Another revolution can be seen in the Roman network of roads. The Romans were the first civilization to make well-designed roads. Around the time of Augustus the major roads were constructed to keep the incredibly large empire linked to avoid collapse. The Romans contributed a number of things to the basic idea of roads, such as archways, city streets, and arch bridges. This greatly increased the ability to build because of the way the roads were laid out. The roads allowed the Roman Empire to expand Rome in every direction; hence the saying "All roads lead to Rome". In fact, they were so abundant and well constructed that many of them still exist today as memorable landmarks today."

Tags:caesar, history, rome, empire, cavea

From the Paper
"The purpose of this research is to examine the emerging field of forensic radiology. The plan of the research will be to set forth a working definition of the discipline of forensic pathology and then to discuss the ways in which the discipline is developing, not only on account of methods employed in recent years to exploit the technical capabilities of x-ray technology but also (and more crucially) on account of the enlarged range of medical and legal applications implied by improved technical capabilities.


What must be understood first about forensic radiology is that as of late 1998 it is not a term in wide and common use in the professional literature. To be sure, forensic medicine has long been a part of scientific discourse, associated in both the popular culture and in scientific, professional, and law-..."

Abstract
This paper traces the history of the architectural form and cultural function of the amphitheatre from its modest beginning in ancient Greece through to the Roman influenced theatre of today. It examines how, although some aspects of their design and function are debatable because so little of their physical structure exists today, Greek theaters can be chronologically classified into three categories: The early Athenian, Hellenistic and Graeco-Roman. It discusses how all of these theaters could be divided into essentially three parts: the theatron (or auditorium), the orchestra and the skene (or scene building) and how these standards developed over time.

From the Paper
"In its simplest form the orchestra of a theater is simply a circular plot of land designated as a place for dance and this idea defines the orchestra employed during this time. It was circular in shape with a diameter of about 66 feet and was believed to be a locus for supernatural powers. An altar (or thymele), described as "a short drum of marble decorated with low-relief carvings of garlands and satyrs, or other Greek icons? was usually erected in the epicenter of the orchestra. It was primarily used prior to performances for sacrifices in honor of the god Dionysus, however plays with religious content often incorporated the altar into the performance. A level surface area, raised one foot from the orchestra and situated below the skene, termed the proscenium, served as the area in which the majority of the dramatic action transpired."

Tags:ancient, architecture, building, drama, roman, rome, stage, skene, orchestra

Abstract
This paper discusses the Egyptian funerary rituals and equipment, which eventually became the most elaborate the world has ever known. The author states that Egyptians began the art of embalming in the very earliest dynastic times because the body had to remain intact to grant to the dead the illusion of life. The paper presents in detail the many processes of embalming.

From the Paper
"The Predynastic Cultures of Ancient Egypt, for example, were relatively simple in their material possessions, including their grave goods, although these cultures seemed to enjoy a substantial degree of prosperity compared to the peoples around them and a relatively constant level of prosperity. As early as about 4000 B.C., some people were being buried with a relatively high number of grave goods compared to others, indicating that a complex society with a number of different social ranks had already evolved and was established well enough for people to want it to be reflected through eternity. The bodies of this time do not bear the elaborate preparations that they would by the New Kingdom thousands of years later. But, they do bear signs of an attempt to preserve them against the elements, including the wrapping of the body in cloth and at least sometimes the treating of the body with preservative chemicals sometimes by simply immersing or coating the body with these chemicals, sometimes by infusing the cloth wrappings with these chemicals. Except for the simplicity of this treatment, it resembles in essential ways later mummification techniques."

Tags:cloth, wrappings, mummy, tomb, kingdom

Abstract
The Parthenon (447-32 BCE) was a crowning glory of Athenian civilization of the classical era and, what is more important, it was intended as such at the time. Thus, nearly 2,500 years later, it is possible to view the building as incorporating all of what the Athenians saw as beautiful, sacred and of civic importance in architecture. The paper shows that as its overwhelming position and the nature of its sculptural decoration make clear, it was the focal point of the religious-civic identity of the Athenian polis. The paper describes how the Parthenon housed the great statue of Athena Parthenos, was the main building in the complex of temples dedicated to the gods on the sacred rock of the Acropolis, depicted some version of the most important Athenian religious ceremony (the Panathenaic procession and festival) and loomed over the city as a reminder and a promise of Athenian greatness.

From the Paper
"But there was also a contradiction in being expected to achieve the perfection of the Doric order on a much larger scale, for which adjustments had to be made to the greater number of columns. As Boardman points out, however, the wider facades lent the building a "reassuring breadth which is enhanced by the way its proportions then seem to match those" of the Acropolis on which it stands (112). But this breadth might have been oppressive in its effects if the architects had not devised a means of avoiding too great a visual equivalence between the rock and the temple. Their solution was a very subtle curvature of the stylobate, and the rest of the floor, which is also reflected in the entablature. This also affects the columns which "lean slightly in while the upperworks [that they support] lean slightly out" (Boardman 112). This gives the entire facade a "pyramiding movement" to which all the external lines contribute; ever so subtly, therefore, the columns' inward inclination lends itself to a slight triangular effect that is enhanced by the surmounting pyramid of the pediment (Martin 292)."

Tags:Piraeus, Phidias, Iktinos, Kallikrates