Abstract
The paper focuses on the relationship between Daru and the Arab prisoner and how it expresses Camus' ideology of existentialism. The paper describes how Daru takes on the role of an existentialistic character who not only participates in the process of thinking, but who also acts, feels and lives an individualistic life. The paper highlights how both Daru and the Arab face parallel existentialist dilemmas where they face the consequences of being true to themselves and the morals they have chosen.

From the Paper
"In the short story "The Guest," Albert Camus crafts three main characters full of more complexity than what the reader might first suspect. The complexity of character is especially true of the Arab prisoner who was under the custody of Balducci, a policeman born on the island of Corsica, but who now was nearing retirement after working many years in Algeria. Yet Daru is equally as complex as the Arab prisoner. He is the schoolteacher who hosts Balducci and the Arab prisoner after their trek up the Atlas Mountains. Though Balducci is an interesting formidable foil character for Camus's compassionate Daru, it is the awkward yet respectable relationship that forms between the complex characters of Daru and the Arab prisoner that offers much pathos and the interesting complications of moral conduct that the narrative captures."

Tags:honor, law, moral, conduct, Daru, Arab, prisoner

Abstract
This paper discusses Albert Camus' book, "The Guest." The paper specifically analyzes the role of the main character, Daru and his actual and symbolic role as teacher in the story. It describes, through examples from the storyline in the book, Camus' use of symbolism and discusses how this symbolism is present in every aspect of his story. The paper concludes by discussing what he feels President George Bush could learn from the character of Daru.

From the Paper
"Daru, although angry at the Arab for being a murderer, cannot turn him in "That man's stupid crime revolted him, but to hand him over was contrary to honor" (pg. 24). Daru has been handed the power over someone else's life but, instead of abusing that responsibility, Daru does what a thinking, respectful human being would do. Without forgiving the Arab, without restraining him, judging him or withholding life from him, and also without deliberately setting him free, he gives the prisoner the choice to either take the road to his judgment and doom, or to take the other road where he will be safe - and does not offer an opinion of either. Daru does not interfere in the Arab's choice, but only offers him knowledge of his options. Daru, of course, will pay the price, no matter which course he takes, but he stays true to his integrity and honor, and treats the prisoner as an equal human being, knowing that the Arab, too, will pay his own price, accordingly."

Tags:Daru, text, conscience

Abstract
This paper looks at the different characters in Camus' short story "The Guest" in order to illustrate his use of language and symbolism. This use of symbolism is central to the understanding of the story and the message that Camus was attempting to convey. The school master's survival instinct is drawn from Camus' own experiences, as is the Arab rebel, the guest, who like Camus has never really fit into society and must wander in order to find solace. The sterile schoolhouse is also representative of Camus' solitary life, like that of Daru, who has always felt different and separate from other members of society. According to the author, the unlikely friendship that grows between these two people, and the generosity that the solitary Daru is able to bestow upon this unlikely guest is the moral of the story and message that Camus intended to deliver to the reader.

From the Paper
"A third symbol is the hillside itself where the school stands. This is Camus' solitary, separate, cold and cruel habitation. It is something he hates and loves at the same time. The coarseness of the rocks, the desert's aridity, the vast expanse that forebodes "an eternal summer" of void and helplessness is his home. He has been in it for a year, which is long enough and slow enough to come into grips with all the features of his exile into it, "a solitary expanse(which) had no connection with man" He loves it perhaps because he has established comradeship with his function as a schoolmaster and identification with the physical space. Daru has also reached a level of acceptance of what fate brings him without losing himself with what he loses."

Tags:daru, arab, rebel, solitude, universe, revolution, alliance, freedom, instinct, fate

Abstract
The paper discusses how the the oppressor and the oppressed in Albert Camus story, "The Guest" have entirely opposite views. It shows that what is not clear at all, however, is who exactly is the oppressed and who is the oppressor - characters Daru and the Arab or Balducci The paper also discusses the message of "The Guest" - that try as we may, we cannot avoid the bleakness of the future; control and oppression may spare us temporarily, but eventually, they will catch up.

From the Paper
""The Guest" proposes a very bleak future. As much as Daru tries to keep to himself, his isolationist ways are consumed by the tumultuous world around him. This message carries particular meaning for America. America has always striven to stay aloof of the world's problems, but again and again " for instance, in World War II and in today's crisis " we are thrust against our will into the thick of disheartening world events."

Tags:Dominance, destruction

Abstract
How much control, if any, does a person have over his/her destiny? Does fate already hold the answers, or is someone faced with decisions that will result in other choices? What happens when one has to make a decision? Is it necessary to follow through, or can it be ignored? The paper explores these questions and others that are faced by the characters in the stories "Sonny's Blues" by James Baldwin and "The Guest" by Albert Camus.

From the Paper
"Balducci, a soldier who Daru knows, approaches with an Arab prisoner. Balducci's government papers give custody of the prisoner to Daru, who must now take him to the French colonial jail in Tinguit. Personally upset, Daru wishes to refuse. He does not want to become involved in this situation. Balducci likewise does not want to be in the lawmaker role. "You don't get used to putting a rope on a man even after years of it, and you're even ashamed-yes, ashamed" (95). Balducci, in fact, is shirking his responsibility for decision making by passing the buck on to Daru."

Tags:Greenwich, Village, Daru, Algeria, Tinguit, Arab

Abstract
This paper analyzes the short story "The Guest" and the novel "The Outsider" (also known as "The Stranger") by Albert Camus. It depicts the lead characters of these two works and describes their ways of coping with ethical dilemmas.

From the Paper
"There is a concern with death and its inevitability in the works of Camus, and The Outsider is one such novel that involves a character faced with an ethical dilemma. The issue of moral responsibility is a difficult one in the universe of the Absurd, since there is no God, no caring or concerned universe, and ultimately no meaning beyond death. For Camus, though, there is a responsibility placed on every individual for making this world more livable, and this is the moral responsibility that man should respond to in life. Camus's characters do not always follow this precept, however, for the absurdity of life overwhelms their moral sense."

Tags:ethics, death, god, afterlife, meursault, daru

Abstract
The concept of a task to be completed as portrayed in literature is addressed through an examination of two of Camus's works, "The Guest" and "The Myth of Sisyphus".

From the Paper
"The concept of a task to be completed in literature is one that is revered highly. Hercules, for instance, is immortalized by virtue of his labors: he is presented with challenge after challenge, and though he struggles at first, somehow he prevails despite weaknesses, betrayals and even the gods' wrath. In Abraham Cahan's "The Rise of David Levinsky," the protagonist rises from poverty and discrimination to running his own successful business by the end of the novel. Camus, however, takes a different tilt on tasks. His view is that tasks and challenges endure and victory comes in how one deals with the daily repetition and lack of respite: the mettle of his characters is measured in their ability to deal successfully with tasks that persist despite all efforts to escape them."

Tags:tasks, Sisyphus, Hercules, Cahan, Daru, success, labor