A look at the views of Mary Daly on women's spirituality.
Term Paper # 137025 |
1,000 words (
approx. 4 pages ) |
6 sources |
MLA |
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Abstract
The paper introduces Daly as a noted scholar, humanist and liberationist who saw women's spirituality in a new consciousness, letting them move beyond the results of patriarchy. The paper addresses some criticism of what she saw in the North American feminist movement of the 1980s and discusses her reminders of the need to improve women's consciousness, to avoid scapegoating and create the lives and societies that reflected new consciousness.
From the Paper
"The famous works of Mary Daly (B 1928) in "Beyond God the Father" (1973) and "Gyn/Ecology" (1978) have been read by many thousands of feminists aware of patriarchy's influence on how women are regarded in different traditions and societies. Daly knew that the work of exploring historical and cultural mistreatment must be taken up by millions of women across the world and by the 1990s commented on what she saw as a strong sense of women's indignation. (1992) She saw patriarchy as very deeply entrenched in the Judeo-Christian tradition, the Old Testament's Book of Genesis to..."
Tags:daly bio, criticism of feminism, spirituality
An examination of the controversial philosophies of Mary Daly.
Term Paper # 108080 |
1,419 words (
approx. 5.7 pages ) |
6 sources |
APA | 2008
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$ 28.95
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This paper traces the background and life of radical feminist philosopher and theologian, Mary Daly. It discusses her education and her career at Boston College and describes her struggles. The paper also discusses her evolving philosophy regarding women in society. The paper particularly focuses on the controversial aspects of Daly's philosophies.
Table of Contents:
Early Life and Education
Career at Boston College
Daly's Feminist Philosophy
Working from Within the System
Post-Christian Feminism
All Religions are Patriarchal
Other Destructive Aspects of Patriarchy
Utopian Society of the Future
From the Paper
"Such hard-core feminism in her philosophy, which leaves absolutely no room for compromise with the patriarchal world, however, has evolved over the years. In her first book-- The Church and the Second Sex (1968), for example, Daly had begun with the naive hope of working from within the system and reforming the blatantly patriarchal nature of Christianity that degrades women's humanity and undermines their spirit. She reviewed in the book the historical record of Christian theory and practice to highlight its inherent misogyny. She notes that Christianity has sought to oppress and deceive women from its very inception by putting up unattainable visions of the Virgin Mary as an example of the "good Christian woman," while also affirming that Mary was made pure only through the act of a male god and only for the sake of a male savior--Jesus Christ. The exemplary woman in Christianity is, hence, depicted as passive, asexual, and submissive who is supposed to show patience and suffer silently in the face of oppression, awaiting some sort of reward in the life hereafter."
Tags:patriarchy, Christianity, society
A comparative analysis of the views of Mary Daly and R. Neibuhr's views on that which is holy.
Comparison Essay # 48888 |
1,559 words (
approx. 6.2 pages ) |
3 sources |
MLA | 2004
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$ 30.95
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This paper discusses how beings seek a greater power to give their lives meaning and purpose and looks at the theology behind the need to make such a connection with God. It shows how, at this point, Mary Daly's feminist theology parts ways from R. Neibuhr's radical monotheism teachings. It explores how Daly has constructed an image of that which is holy in her own image and bowed down to her own idol, while Neibuhr has attempted to clear the entrance to the path of discovering that which is holy outside our own existence, a God in the heavens and, ultimately, a God who came to earth in the form of a man. It examines the wholly uninspiring teachings of Daly and how she draws her definition of a Holy God and then compares her self-centric ideas to the theo-centric writings of Neibuhr.
From the Paper
"Daly's approach to finding that which is holy is self-centric. Her needs, her ideas, and her interpretation of her experiences limit her ability to seek a loving God outside of her own experiences. It has been said that we become that which we spend the most time thinking about. That which we focus our attention on is the power that has the strongest pull in our life. Daly is still exerting a huge amount of her mental and emotional resources trying to defeat the Roman Catholic churches ideas of women's subjugative roles. Her bitterness is blinding her to the reality of a god who looks beyond sex, and sees a valuable and important person in each one of his human creations."
Tags:god, heaven, monotheism
An essay with explores the concepts of philosophy of Kierkegaard, Nietzsche and Mary Daly.
Essay # 7811 |
1,650 words (
approx. 6.6 pages ) |
6 sources |
APA | 2002
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$ 32.95
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A paper which introduces the different philosophical views of Kierkegaard (father of "Existentialism", whose philosophy was a direct contradiction to German philosopher Hegel), Nietzsche (one of the most influential philosophers of the 20th century) and Mary Daly (a radical feminist philosopher who has written against the Christian tradition). The paper summarizes their philosophies and written works.
From the Paper
"In the postmodern world Daly recognizes the shift towards the linguistic paradigm and gives analysis of language and the professions is central to her thesis that to bring about any genuine social transformation, or create a New World women cannot merely seek equality or civil rights. She finds the domination of male society and institutions inherent in the very language. She says that women must exorcise the internal demons that hold us in a state of "robotitude". According to Daly gyn/Ecology means a journey through the history of women, a journey in which we begin to listen about the women. A "metaethics" of racial feminism involves witnessing, asking deep questions, analyzing patterns, attending to those, which destroy women. She argues against the ethic of prudence in favor of existential courage ."
Tags:Absolute, Truth, World, Spirit, Ethical, stage, Plato, Gyn/Ecology
Critical review of 1988 work on social, psychological & evolutionary factors of murder.
Analytical Essay # 12666 |
1,125 words (
approx. 4.5 pages ) |
1 source |
1997
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$ 23.95
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From the Paper
"Martin Daly and Margo Wilson's Homicide is a lengthy, scholarly examination of the topic of people killing each other. As the authors state in their introductory remarks,
Killing one's antagonist is the ultimate conflict resolution technique, and our ancestors discovered it long before they were people. Homicide is a life-and-death issue to the protagonists, of course, but it is also profoundly interesting to those not immediately involved (p. ix).
The justification for writing the present volume is to conduct and "exercise in 'evolutionary psychology': the attempt to understand normal social motives as products of the process of evolution by natural selection" (p. ix).
According to the authors, their specialization in the area of homicide is the result of some eight years of research into.."
Tags:BOOK REVIEWS (NON-FICTION)
This paper analyzes the post-war themes in a Dali painting 'The Disintegration of the Persistence of Memory'.
Essay # 71862 |
675 words (
approx. 2.7 pages ) |
6 sources |
APA | 2004
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$ 14.95
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This paper relates the personal and sociological aspects of the Dali painting, "The Disintegration of the Persistence of Memory". The author examines Dali's surrealist aesthetic belief.
From the Paper
"Salvador Dali is without question one of the most famous artists of the twentieth century. One of his most recognizable works is his painting titled 'The Persistence of Memory'. However, a less well-known but equally significant work is Dali's sequel titled 'The Disintegration of the Persistence of Memory'. The personal and sociological journey represented by 'The Disintegration' demonstrates the search for meaning and stability that characterized much of the artwork created during the latter half of the twentieth century. Dali ..."
Tags:dali, post war painting
An overview of the life and influences of Salvador Dali.
Term Paper # 116759 |
3,108 words (
approx. 12.4 pages ) |
6 sources |
MLA | 2009
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$ 54.95
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This paper talks about the life of Salvador Felipe Jacinto Dali I Domenech, more commonly known as Salvador Dali. Dali's childhood is summarized, as well as the influence his family, especially the death of his mother had on him. The paper tracks Dali's artistic career, his meeting with Pablo Picasso in Paris and his move back to Spain after having lived in the US. Also discussed are Dali's contributions to theater, fashion, and photography.
From the Paper
"Salvador Felipe Jacinto Dali I Domenech, more commonly known as Salvador Dali, was born on May 11, 1904 in the small town of Figueres, Spain. He spent his childhood living in Figueres, and his family's summer home in the coastal village of Cadaques where his parents built his first studio. He was very well-off as a child growing up, as his father was a prosperous notary. He also had an older brother and sister. His brother died a year before Salvador was born. His brother's name was also Salvador, and his parents told him that he was his brother reincarnated, which he came to believe."
Tags:art, surrealism
An examination of the affect of Salvador Dali's characteristic of paranoia, combined with his artistic techniques on his paintings.
Analytical Essay # 2216 |
3,885 words (
approx. 15.5 pages ) |
9 sources |
2001
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$ 63.95
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An examination of the affect of Salvador Dali?s characteristic of paranoia, combined with his artistic techniques, on his paintings. It explains how Dali used his paranoia to his advantage, and created a system of interpretation called his Paranoiac Critical Method, which is considered his ?liquid revealer of images?. The writer states that Dali's technique allowed him to give realistic accounts of his mental images. When Dali combined his technique and paranoiac characteristics, he created some of the most phenomenal boundary breaking art the world has ever seen.
From the Paper
"The artwork of Salvador Dali has always been intriguing, but in 1929 his artwork reached a whole new level when he began to enter his paranoiac stage. A few factors brought on this change, which he would focus on until the 40's. A very important factor was Dali's interest in dreams. At that time, Dali had become fascinated with the works of Freud, and followed his teachings as an attempt to interpret his dreams for self analysis. The more Dali analyzed his dreams, the more he noticed that many images in his mind reoccurred; and eventually, he began to paint them. Many of the dreams that reoccurred to Dali were life obsessions and fears that had developed through his life and would have a great affect on his paintings. Some of these reoccurring themes included: William Tell, Lenin, Hitler, Anthropomorphic images, Millet's Angelus, Vermeer paintings, and childhood images (Fetzer, 1)."
Tags:breton, color, critical, double, drawing, image, ink, revolutionary, sketching, surrealism, surrealist, art
A discussion on the changing styles of Salvador Dali.
Essay # 62260 |
1,245 words (
approx. 5 pages ) |
4 sources |
MLA | 2005
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$ 25.95
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This paper looks at how Salvador Dali went through several evolutions in his painting career from Impressionism, Cubism, Surrealism and Classicism in his painting. The author points out that Dali's entire life was a journey towards perfectionism as an artist, which was attained through his technique of the Paranoiac Critical Method, a psychological paradigm through which Dali was able to instill paranoia in himself and use his visions in his painting. The paper describes three paintings: "The Great Masturbator" (1929), "The Invisible Man" (1929-1931) and "Slave Market with Disappearing Head of Voltaire" (1940) .
From the Paper
"This precision is used in "The Great Masturbator" (1929). Part of the revulsion and fear mentioned above lies in sex and the power of the sexual partner to dominate, castrate and kill. "The Great Masturbator" is an example of this. Inspired by his father's books on venereal diseases, the grasshopper over the mouth of the artist represents revulsion and impotence. Impotence, castration and masturbation are the subjects of obsession in this painting. The head of the artist metamorphoses into the body of a woman whose oblivious pleasure indicates sexual self-stimulation and fantasy. The man however remains limp, impervious to the pleasure experienced by the woman. Her presence, coupled with that of the grasshopper, indicates that the artist feels that the only sexual safety is in masturbation."
Tags:masturbator, paranoiac, surrealism, freud, mysticism
An analysis of the life and works of world-famous Spanish artist, Salvador Dali.
Analytical Essay # 58623 |
2,286 words (
approx. 9.1 pages ) |
3 sources |
MLA | 2004
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$ 42.95
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This paper discusses the life and works of one of the most important artists in the 20th century, Salvador Dali. The paper examines the influence Dali had in the art world. The paper contends that his work was highly influenced by the Surrealist and Dada movements, and his spectacular appearance, with a large waxed moustache and big eyes, helped him become even more memorable to the world. The paper explores Dali's theories on art and science that changed the way many people viewed art and artistic pursuit.
From the Paper
"Salvador Dali was born in Figueres, Spain, located in the Catalonia district, on May 11, 1904. He had a younger sister, and his father, also called Salvador, was a notary. He attended a private school operated by the Brothers of the Marist Order in his hometown, and was an average student. In 1916, on vacation, he viewed his first modern paintings, and remembered the experience, because he began to study drawing with a teacher in Figueres after he returned home. By 1918, he enjoyed two small exhibitions of his work in his hometown, and began to explore other modern painting techniques such as impressionism and pointillism. During this time, Dali also dabbled in writing. He published an article in a college magazine and wrote poetry. This indicates how multi-faceted the artist was. This would show up later in his career when he continued to experiment with many different art forms, and even tried his hand at filmmaking. He also began to publish an unconventional newspaper for his fans later in his life."
Tags:surrealism, nuclear, mysticism