Abstract
This paper explains that the moral of the story of Icarus and Daedalus, as she applies it to the relationship of her father and brother, is "fly too close to the sun, dream too big, and you'll get burned." Next, the author describes the desire of her gym teacher father, who played college football but never made the pros, to have his son have a successful football career. With descriptive detail, the author compares her high school days to that of her brother and compares her success to his failure.

From the Paper
"Didn't they see that my brother walked on the clouds, on water, that he was above the normal laws of man? He didn't need to get a 4.0, only made touchdowns. So long as he made the minimum requirement the NCAA stipulated for the SATs, he didn't need to memorize vocabulary words and formulas, and agonize over drilling multiple-choice questions or the five-paragraph essay format for standardized exams. Instead of figuring out how to fill out college applications online his senior year, college recruiters would be calling our house, practically drooling over him, like a hungry dog over a bone."

Tags:football, glory, teacher, rejections, touchdowns

Abstract
This paper analyzes Stephen Daedalus' struggle for freedom in "A Portrait of the Artist as a Young Man", by James Joyce. It evaluates whether Stephen strives for and gains freedom, how and why he achieves his freedom, and focuses upon the master/servant relationships in the novel.

Abstract
The paper shows that for both Stephen Dedalus in James Joyce's novel "A Portrait of the Artist as a Young Man" and Andrea del Sarto in the poem of the same name by Robert Browning, art is a means of self-expression and achieved when the artist satisfies himself. It discusses how art comes from within and satisfies an inner craving - others may enjoy what is produced, but it is essential that the artist does. The paper shows that for both characters, their medium is how they relate to the world, how they understand the world, and how they shape the world, and all this constitutes a definition of art.

From the Paper
"For Andrea del Sarto as for Stephen Dedalus, many of the things of this world stand in the way of the artist, whether that be the need for money, frustration with religion, political realities, interpersonal relationships, or similar concerns. Both artists are also faced with the reality of learning to master their media. Even then, as with Andrea del Sarto, this may not be enough if that spark that sets the artist apart is not present or is not as effective as for some other artist. Art for both is also a rivalry with other artists, and that in itself is both a spur and in some ways a barrier preventing the complete freeing of the inner artist."

Tags:language, Jesuit, boy's, boarding, school, Lucrezia

Abstract
The paper examines how mythology plays a significant role in James Joyce's novel, "A Portrait of the Artist as a Young Man". The paper looks at how Joyce, via images and symbolism, parallels Stephen's story with that of Daedalus, the mythological character. The paper describes how like the mythological story, the protagonist in this story must escape the hindrances of family, friends, and life in general through a means of escape that is extraordinary.

From the Paper
"The most obvious parallel in the novel is Stephen's last name, Dedalus. This reference operates as a symbol as Stephen begins searching for his identity. The first chapter establishes the mood and tone for the novel with this parallel and symbol as we learn about Stephen, the young boy that is embarking upon his journey to self-discovery. Dedalus parallels Daedalus in that the myth of Daedalus is one of escape and discovery. Daedalus is a smart man and a great artist. As a result of his art, he suffers. The ultimate plan is to escape captivity on Crete and this is the only way to any sort of freedom. On the island, there is oppression. In A Portrait of the Artist as a Young Man, Stephen encounters figures of authority at an early age and his desire is to escape from them. The first forms of authority in Stephen's life appear in the form of his parents, Dante, and his uncle. Later in his life, he yearns to be free from his friends and teachers because of their expectations of him."

Tags:images, symbolism, Stephen, Daedalus, self-discovery

Abstract
This paper takes a look at the character of Stephen Dedalus in James Joyce's "Portrait of the Artist as a Young Man." In introducing the protagonist, the reviewer first elicits Jung's theories of a metaphysical system, known as "Seven Sermons to the Dead". The reviewer argues that the ideas expressed in Jung's "Seven Sermons to the Dead" closely relate to the intellectual and artistic growth of the character of Stephen Daedalus. The paper continues by tracing Stephen's development, citing salient events from the novel. The paper concludes by suggesting why the main character chose to leave Ireland and how this is connected with acceptance of adulthood.

From the Paper
"James Joyce's Portrait of the Artist as a Young Man, follows the development of Stephan Dedalus, whose identity is torn between that of the particular and that of the universal, the rational and the unconscious. He, like Ovid's Icarus, must find a middle way between the thrill of flight and turbid responsibility. Stephen's daemon, the mythical Dedalus, directs him away from the trappings of self and society and toward the expression of the universal, much in the same way that a room pregnant with demons (who 'found not what they sought' upon their return from Jerusalem) impels Jung to communicate a universal metaphysics. Moreover, it is a dialectical understanding of the fallen world that Septum Sermones communicates that is also central to Stephen's realization as an artist. Thus, it will be argued that the ideas expressed in Jung's Seven Sermons to the Dead closely relate to the intellectual and artistic growth of Stephen Daedalus. "

Tags:Ireland, protagonist, Stephen Dedalus

Abstract
This paper will discuss how, in Chapter one of James Joyces' "Portrait of the Artist as a Young Man", Stephen Daedalus' feelings about religion develop or change within the scope of Joyce's vision. This will tell us the nature of the main character's direction on a theological level and will give us an understanding of Joyce's concept of religion through this medium.

Abstract
This paper examines James Joyce's "Portrait of an Artist as a Young Man" and discusses how through his novel literary techniques Joyce is trying to redefine literature so that it becomes relevant to the modern age characterized by fragmentation and alienation. The paper looks at how the protagonist in the novel is trying do discover his artistic self but, in the process, discovers loneliness, because everything that society has to offer is outmoded and redundant. The paper also discusses how, apart from the strained techniques, the novel is also worthy for its rich symbolism, which exists on many planes, and for the significant allusions to literature and culture.

From the Paper
"The novel describes the several stages by which it protagonist Stephen Dedalus discovers himself as an artist. In the process he takes refuge in the conventional identities provided by society in the various stages of his growing up. But Stephen is meant for greatness, and the conventional identities are only refuges for mediocrity, and this is what he discovers time and time again. The transition from one stage to the next is marked by epiphanies - sudden bouts of realization that transform the inner self. Apart from the many minor epiphanies that accompany the growing young man, there are two major such occasions. The first is his discovery of conventional faith. The second occurs when he comes to realize that the Church is a restricting influence, and that he must escape if he is to express himself as an artist. It occurs when he must make a choice between training to be a Catholic priest, or to enter the secular domain of university."

Tags:Modernism, postmodernism, Stephen, Daedalus, existentialism

Abstract
The paper focuses on the motif of birds and their association with flight and explores the use and development of this theme throughout Joyce's novel "A Portrait of the Artist as a Young Man". The paper points out that the prevalent motif of birds and their association with flight directs the reader toward Stephen Dedalus' own artistic flight, which is essentially a mirror for Joyce's own departure from Ireland.

From the Paper
"The motif of flight is presented to the reader at the novel's outset and is initially communicated through allusion. Joyce, and other writers besides, have used allusion to reference works with which the reader is assumed or expected to be familiar. "By drawing attention to it the author establishes a kind of parallel situation in which both the present work and the work alluded to illuminate each other" (Ramsey 11). The Latin epigraph which follows the book's title, "Et ignotas animum dimittit in Artes" (Joyce 6), is derived from the first century Roman poet, Ovid, and may be translated as "and he sets his mind to work upon unknown arts" (Ramsey 11). The source of the quote, Metamorphoses, is the well-known classical story of Daedalus. Daedalus is a mythological figure, a renowned craftsman who designs the famed Labyrinth of Crete for King Minos."

Tags:birds, imagery, Daedalus

Abstract
This paper examines the lessons that can be learned from many of the stories in Ovid's "Metamorphosis". The paper explains how these stories, based on myths and mythical characters, can still provide insight into the human psyche and, if we learn from the examples of some of these characters, we can avoid some of the tragedies that they experienced.

From the Paper
"Another story that operates on two levels is "The Story of Echo and Narcissus." In this story, Echo is punished for helping Jove meet with the nymphs on the mountains. Narcissus is punished for not only spurning Echo, but other that he "had visited frustration" (69). Echo's lesson for us story is to always tell the truth. Narcissus' lesson for us is to avoid self-love, for Narcissus "wanted himself" (70) and, as result, died trying to kiss his image in the water."

Tags:phaeton, echo, narcissus, daedalus, icarus, pygmalion, midas, adonis, nymphs, chariot

Abstract
This paper examines how author, James Joyce makes up for lack of plot with the use of symbolism in his autobiographical novel "A Portrait of the Artist as a Young Man". Joyce tells us, in this short novel, about Stephen's growing self-awareness as a person and as an artist, a growing self-awareness that will cause him by the end of the book to cast off the nationalism, the Catholicism and the sense of clannishness that defines other members of his family and to set off to Paris to become a writer. The paper shows that Joyce's use of symbolism is far more important in conveying what he has to say about these themes than what actually happens in the plot.

From the Paper
"While it might be tempting to view the image of the bird in Stephen's life (and in the novel) as a relatively straightforward one of liberation and of the release of the authentic self from social bounds, in fact (as Thornton argues) it is a complex and to some extent contradictory one that contains at least three different elements. These are first the threat of punishment (regardless of specific guilt on Stephen's, although given the way in which the novel is embedded in Catholicism, certainly not regardless of the general sin of all humanity in the echoes of the fall of the species from grace); secondly, the metaphor and reality of sight; and thirdly the bird itself, the real birds that appear in Stephen's life and the mythical one that appears in his name (after Thornton)."

Tags:Daedalus, Bird, Motif, Weldon, Thornton