Abstract
This paper explains that the discussion of creation science is inherently highly controversial because it seeks the mantle of scientific prestige for what many consider not to be science at all. The author demonstrates that such claims, or such questions, have a millennia-old tradition within the West, extending back at least to the writings on medicine by Hippocrates.

From the Paper
"If people, who were interested in teaching the biblical version of God'secretion of Adam and Eve, referred to this story as the biblical version of the creation of Adam and Eve, very few people could object There is most certainly a book referred to as the ..."

Tags:Hippocrates, Creation Science, science, medicine

Abstract
This eleven-page paper uses four creation accounts from different cultures. These are: Australia, Africa, the Algonquin Indian, and Japan. Certain aspects are found to be common to all, and there are some major differences.

Tags:analysis, creation, stories

Abstract
This paper explains that the basic philosophical revelation which leads from the idea of "being" and "not-being" into the theory of forms, is, if truth does not reside in objects or in names or semantics, then truth must be external to the physical and mental experiences of humankind. The author points out that the dichotomy between "being" and "not-being" becomes a dichotomy between "being" and "becoming", based on the same principles; the ideas of "being", "not-being" and "becoming" are all tied together in a single purpose, which is to make the ever-changing, yet ever-constant, world intelligible. The paper concludes that Plato establishes many impressive ideas in his work on "being" and "becoming" particularly when one takes into consideration the heavy intellectual load of previous Sophism, which he had to overcome.

From the Paper
"So Plato and Socrates had from these forerunners a heritage of thought which may have distorted their own vision to some degree. As the introduction to the Project Gutenberg edition of Plato's Sophist suggests, the idea that ""no-being" or reality can be ascribed to "not-being", and therefore not to falsehood, which is the image or expression of "not-being". Falsehood is wholly false; and to speak of true falsehood, as Theaetetus does (Theaet.), is a contradiction in terms...The fallacy to us is ridiculous and transparent... It is a confusion of falsehood and negation, from which Plato himself is not entirely free." Yet this was a vast, overarching preoccupation among philosophers at the time, and much of what might now be considered somewhat absurd in the argument was at the time a very serious question of the questionable possibility of full human communication, or as to whether humans could truly affect the world around them and see it change, or if it was essentially unchangeable."

Tags:sophism, not-being, forms, external, fallacy

Abstract
This paper summarizes Martin Heidegger's existential analysis of death, as set forth in his work "Being and Time," and then focuses on his claim that death is non-relational and realizes Dasein's utmost potential for being. The writer analyzes these aspects of death as possible sources of individuality for Dasein, and questions why Heidegger believes death is a completely individual experience. The writer extends Heidegger's arguments in order to answer some of the questions that his work evokes, and concludes that since these qualities of death can only be realized in life, they belong to the possibility rather than the actuality of death.

From the Paper
"Heidegger begins his analysis by setting forth the problem of death as constitutive of Dasein's Being-a-whole. If death is the totality of Dasein's existence, the one point at which Dasein has extinguished its possibilities and we can "get a whole Dasein into our grasp" (281), then shouldn't this moment be realizable? Instead, the point of actual death is when Dasein ceases to be, and thus wholeness or completion cannot be realized, for Dasein no longer exists as Dasein. As Heidegger states it, "As long as Dasein is as an entity, it has never reached its 'wholeness'. But if it gains such 'wholeness', this gain becomes the utter loss of Being-in-the-world" (280)."

Tags:ontological, ownmost, ambiguity, mortality, Being-with-others, authentic, attitude

Abstract
This paper focuses on Heidegger's central concern, which was with the nature of Being. Unlike many of his contemporaries, who were most interested in questions of epistemology, Heidegger was interested not in how we know things, but rather in what is the essential nature of these things, or the essential nature of Being. In this essay, the origins of Heidegger's lifelong fascination with this foundational, ontological issue will be discussed, as well as Heidegger's contention that science has lost much of its philosophical perspective.

From the Paper
"Heidegger's central concern was with the nature of Being. Unlike many of his contemporaries, who were most interested in questions of epistemology, Heidegger was interested not in how we know things, but rather in what is the essential nature of these things, or the essential nature of Being. In this essay, the origins of Heidegger's lifelong fascination with this foundational, ontological issue will be discussed. As will be shown, Heidegger succeeded in making a compelling argument that in building the edifice of sciences, philosophers had forgotten a question first raised by Aristotle - what is the nature of Being upon which, and from which, we are ..."

Tags:heidegger, being, ontology

Abstract
This paper is an outline for an experiment to be carried out to examine the interrelationship between hostility and well-being. The paper consists of a literature review, proposed methodology, and general discussion of implications of possible results, limitations and future research ideas.

From the Paper
"Previous studies have suggested that hostility may play a role in some disease processes, particularly heart disease and depression, and may contribute to morbidity and mortality. The current study will be undertaken to further examine the relationship..."

Tags:hostility, well-being

Abstract
This essay describes the mythology of creation and its lineage of being passed down over generations. The writer presents various myths over the centuries and discusses their meaning with symbolism and metaphor. Some myths the writer uses are from the Zuni tribe, early Chinese cultures and also some baBylonian myths. In the end, the paper concludes that all myths essentially tell the same tale and that the basic purpose of mythology is to explain the creation of the cosmos and the maintenance of a social order.

From the Paper
"Perhaps it is more imperative that the world be organized in a way that can be universally explained that drives the power of comparative myth. It is this very similarity
and thematic commonality that not only poses questions, but proves, in some small way, of the universality of human though patterns, of the way humanity structures its idea of the universe, and of the cross cultural importance of a shared set of basic beliefs. Three of the most interesting creation myths; one from the Zuni tribe in North America, one from China, and one from the very heart of Middle Eastern Civilization, Mesopotamia, show interesting commonalties and perceptions about humanity.
"The Enuma Elis is the Sumerian/Babylonia creation myth. Rather than simply an oral tradition, the Enuma Elis was recovered in 1849 from the Mosul, Iraq area, on seven clay tablets, no all of which have been recovered and translated. It is one of the seminal studies for understanding the early Mesopotamian worldview, which was centered on the supremacy of the Gods, and the creation of man to serve those Gods. However, modern scholarship holds that rather than being a sole exposition of the power of a certain religion or philosophy, the primary purpose was to unify the city-states into a nation in which the chief god, Marduk, became the prime God of the culture (Dalley, 2009)."

Tags:creation, myths, gods, humanity

Abstract
This article offers a discussion of the two creation stories in the Genesis book of the Bible. In this paper, the writer compares and contrasts the two versions. The writer discusses their similarity to creation stories of other religions. The writer examines the two varying creation myths and attempts to identify reasons for the different creation stories appearing in the same source.

From the Paper
"The purpose of this research is to compare and contrast the two creation stories that appear in the book of Genesis. The plan of the research is to set forth the basic components of each of the stories and then discuss ways in which the pattern of ideas contained in each resonates with the other, with a view toward identifying reasons grounded in theology for which two disparate creation myths might be deliberately included in a single scripture source. Anybody who does not have a religious background ... "

Tags:Creation, J, Text, P, Text

Abstract
In this article, the writer notes that Mary Shelley's 'Frankenstein' is a highly prescient work that anticipates the nature of the new technology that was emerging in the wake of the industrial revolution. The nature of this new technology was to challenge the natural order, and this is symbolized through Victor Frankenstein mimicking the function of the Creator. The writer points out that Shelley wishes to convey the horror inherent in this act. The writer maintains that what is created is a monstrosity, and the consequence is doom, for both creator and creation. The novel is also the first example of science fiction, a genre that continues to examine the relationship between man and technology. This essay examines the novel intricately in the light of this theme. It follows the steps in which the naive view of science leads on the creation of monstrosity. It then examines why it is a monstrosity, and spells out the full consequences.

From the Paper
"Mary Shelley's Frankenstein is clearly a cautionary tale that spells the moral and sociological implications of the philosophy of the Enlightenment. There is a tendency to limit the theme of the novel to science, and thereby to ignore the underlying philosophy. But the scientist is only encouraged, or discouraged, by the social and philosophical milieu in which he exists. In this sense the rise of modern science must be properly attributed to the philosophy of Enlightenment, that which believed in the infinite perfectibility of man through the strict practice of reason. If experimental philosophy is one expression of this philosophy, then philosophic individualism is another. This latter philosophy maintains that the human being is intrinsically free, and therefore his nature is ultimately good, which also implies that it is devoid of evil. Apparent evil only reflects the constraints of man as a social being."

Tags:creation being anarchism, horror, naive, scientist

Abstract
This paper aims to connect the ideas of absurdism in Kafka's "The Metamorphosis" as it related to the new emerging Industrial Revolution at that time. The paper explains that absurdism is closely related to existentialism and nihilism; however, in the novel, the idea is brought to a higher level by the absurd premise of a backward biological progression. The paper asserts that "The Metamorphosis" is also indirectly related to the revolutionary ideas of Charles Darwin, which had challenged long-held ideas about Man's origins as preached in religions as creationism. The paper discusses in broad lines how the exploitation and squalor of the early Industrial Revolution society in England contributed to a sense of utter futility in the working masses and how this might have influenced Kafka's great novel. The paper opines that "The Metamorphosis" is a microcosm of what was happening in the Industrial societies at the time in which family became dysfunctional. The paper concludes that the novel contains a great lesson to be learned in that today's society must remain vigilant in the face of temptations to get rich quickly in a materialistic, capitalistic society in which social contracts are often thrown out the window.

From the Paper
"The absurdity of the situation is exemplified by Gregor becoming an insect while his father who depended on him to support the entire family is not considered a vermin. In communist theory, it is the capitalist who depended on the working masses as the real parasite of society who performs no work. The excesses of early capitalism are clearly evident during the time of Kafka that may have prompted him to draw parallels in his novella. The father of Gregor is only concerned with further exploitation of his son's boring and repetitive work by trying to borrow money from the Chief Clerk and is indeed the real parasite in the story and not Gregor. There are other veiled similarities between the story's themes and capitalism arising from the Industrial Revolution such as Gregor's sister substituting his income by working as a saleslady. This type of worker substitution is also reminiscent of the way capitalism treats its workers, as mere inputs to production who can be replaced just as easily like any machinery."

Tags:absurdism, anarchism, existence, evolution, Industrial, Revolution, Marxism, nihilism