This detailed paper explores the origins and major centers of the Indus civilization, focusing on Indus culture and its art, including architecture, seals, beads, figurines, and personal accessories.
Abstract This paper explains that the Indus civilization, one of the most geographically extensive ancient civilizations ever discovered, demonstrates patterns of centralization or standardization in its art and architecture. The author points out that the art produced by this empire is seen by most scholars to be far ahead of its time and more sophisticated than many ancient cultures with which it can be compared. The paper relates that the art and architecture of the Indus civilization is highly detailed, representational, and sophisticated in production and craftsmanship, reflecting an efficient culture.
From the Paper "Architecturally, the sophistication of the Indus civilization can be seen to have progressed rapidly during these two eras also. From domesticating plants and animals and settling down into what could be called prototypical cultural methods, the Indus people had advanced to building large, intricately-planned cities and towns. Apparently,
these cities were planned on a universal design that was either widely copied or mandated for use throughout the vast civilization. The cities were walled, and were planned on an efficiently-measured and -executed grid pattern that allowed for the formation of rectangular blocks and cross-streets. As was mentioned, the eastern ends of the cities were traditionally made up of residential areas, and the western ends were dominated by a large sort of citadel. This perhaps reflects upon a separation of public and private function. The residential areas also had a large courtyard through which community interface was assumedly integrated into the plan."
Abstract The paper reveals that the Rolex brand is recognized everywhere as a sign of quality watch manufacturing, discernment and good taste. The paper discusses how the Rolex Company, by virtue of its sustained hard work over time, has achieved consistent creativity and innovation and superior quality and craftsmanship.
From the Paper "Rolex is arguably the most recognizable watch name brand worldwide; and the best, most versatile; durable, and prestigious watch of any. The Rolex Company has its headquarters in Geneva Switzerland, but also maintains branches in many major cities worldwide (Liebskind, Fall/Winter 2004). Moreover, "Today, Rolex is the largest single luxury watch brand, with revenues of about $3 billion and annual production of between 650,000 and 800,000 watches" (Liebskind) Many innovative, superior qualities of Rolex watches have over time given the brand its iconic status and helped build and maintain the company's considerable success. "
Abstract This essay examines the question of law and values by briefly reviewing the opinions of two prominent American leaders, one a Court of Appeals judge and the other a Republican politician and lawyer. The primary focus of this paper is to discuss the role of government in regulating, standing neutral or being protective and even supportive of free artistic expression.
From the Paper "I take issue with Hyde's essay and many of his assumptions and interventionist thoughts, but first I must say that I do believe that government sponsorship of the arts, if it has no limits on its content or scope, is a mistaken public policy that causes more societal division and debate than any benefits that comes from the policy. Even the acceptance of Hyde's extreme positions on the purpose of art will not help solve this unavoidable problem of differing views of artistic merit. A libertarian like John Hospers would say that the government has no power to take taxes from all of us and give the money to artists anyway. My fundamental problem with Hyde's views on society and the control of art rests on some of his assumptions. First, his is a pessimistic view of the modern artist and human nature. Allowing artistic freedom seems to me to be a positive and non-skeptical view of humankind and a recognition of our fundamental desire to cooperate and learn from each other. He assumes that Andres Serrano meant to offend with his Piss Christ work, despite the artist's protestations that the work is a Christian commentary on the debasement of religion in modern America (Burr and Goldinger 355)."
This paper discusses "Death of a Salesman", with particular emphasis on Arthur Miller's technical and scenic craftsmanship, his concept of social realism and tragic elements of the play.
1,575 words (approx. 6.3 pages), 6 sources, 1990, $ 55.95
From the Paper "The purpose of this paper is to discuss "Death of a Salesman", with particular emphasis on Arthur Miller's technical and scenic craftsmanship, his concept of social realism, and tragic elements of the play.
Many American critics with a political bias saw Death of a Salesman and, later, The Crucible (1953) as political statements antithetical to the establishment. During the McCarthy era, Miller was refused a passport to attend the opening of The Crucible in Brussels. In 1956, he was called before the House UnAmerican Activities Committee, where he refused to name suspected communists and was consequently convicted of contempt of Congress. Although the conviction was unanimously reversed by the Supreme Court in 1958, it brought him a good deal of adverse publicity."
Abstract This paper summarizes lives of the Jivaro (Shuar) tribe which was once revered for their fierceness and head-shrinking rituals. The paper states that the Jivaro tribe is being forced from their lands and further into the jungle by white civilization. The author feels that the Jivaro tribe is in a more positive position because they have an incredible knowledge of the anti-cancerous plants that grow in the rain forests.
Table of Contents
The Jivaro
The Region and Language
A Patrilineal Society
Life in One House
Survival
Craftsmanship Head Hunters
Religious System
Marriage, Birth and Death
Saving Their Culture
The Jivaro Today
Conclusion
From the Paper "The Jivaro's, who prefer to be called Shuar Indians, are caught between the cultures of the past and the encroaching modern civilization. Some of the problems they are dealing with on a daily basis include deciding whether ?a new, paved road to the outside world" will help the tribe or destroy them. The tribe feels roads would enable them to take their cattle of market and buy needed supplies but are concerned because the roads bring white men who destroy the jungle."
Abstract This paper shall demonstrate how the short story by Edgar Allen Poe entitled "The Fall of the House of Usher" is actually not a horror story in the conventional understanding of the term. Instead, Poe manages to create a horror story from the psychology of the story's craftsmanship.
Abstract This paper will discuss, by means of close textual reading, the art of the Hebrew Bible as seen in chapters 12, 15, 18 and 22 from the book of Genesis. It will be shown that, although these chapters are of profound religious significance for believers, they are also brilliantly crafted literary texts. In this analysis, much of the power of these narratives lies not so much in the religious inspiration of the writers as in their literary craftsmanship.
Abstract Examines Coleridge's craftsmanship and definitions of poems and poetry. Analyzes "Rime of the Ancient Mariner" and "Christabel." Considers the suppression of the power of human reason in both poems. Discusses the poetic ambiguity in "Mariner" and "Christabel".
From the Paper "A cursory glance through Coleridge's literary and dramatic criticism vividly illustrates that he valorizes the imaginative aesthetic faculty, much preferring it to constructing drama and poetry according to literary convention, still less rules of ..."
A comparison of two figures on display at the Los Angeles County Museum of Art: the 'Fertility Goddess' from Pakistan and 'Landsdowne Artemis' from Rome.
900 words (approx. 3.6 pages), 0 sources, 2006, $ 35.95
Abstract This paper compares two figures in the collection of the Los Angeles County Museum of Art, the 'Fertility Goddess' from Pakistan, and the 'Landsdowne Artemis' from Rome, both of which are from around the first century AD. The comparison illustrate differences in culture such as different world views, different traditions, different religious meaning, different mythologies, differences in dress, and so on, and differences in craftsmanship.
From the Paper "In comparing works of art from different cultures in the ancient world, two major differences can usually be noted. The first involves differences in culture, meaning different world views, different traditions, different religious meaning, different mythologies, differences in dress, and so on. The second involves differences in craftsmanship, with works contemporary in time showing very different levels of development and skill. A comparison of two works from different cultures but from about the same time period shows how these differences might be seen. A work from Pakistan from the first century AD is identified as coming specifically from Sirkap or Charsadda, in the Gandhara region of South Asia. It is a terracotta figure of the Fertility Goddess. "
Abstract This paper looks at the life of William Morris, a nineteenth century poet, artist, designer, and socialist reformer, noted for, among other things, his designs in stained glass. The papr relates how, in his work, Morris emphasized craftsmanship and the natural beauty of materials and that, in this regard, Morris' work was a reaction against the heavily ornate and mass-produced goods of the Victorian era.
From the Paper "When Morris was at Oxford, he read Ruskin's work and later embarked upon a career in the decorative arts, which was then not seen as a "suitable" occupation for a man of the upper middle classes, though Harvey states that "he must have taken heart from Ruskin's assertion that the decorative arts were serious arts, because, along with architecture, they created the visual environment in which men and women lived" (Harvey 15). Ruskin elevated images of medieval society, showed a preference for hand-crafted wares, and insisted that the artist, designer, and craftsman should be seen as one."
Abstract This paper explains the unique manner in which CUTCO Cutlery, crafter and seller of fine kitchen cutlery, conducts business. The author describes the way that CUTCO can improve its four critical strategies: customer, channel, brand and customer relations management (CRM). The paper includes a SWOT analysis.
Table of Contents:
Company Overview
Four Critical Strategies - Customer, Channel, Brand, CRM
From the Paper "Once CUTCO identifies their customer base, they can then talk to contractors and their employees working in sales, marketing or customer support to help them make "informed decisions" when selling to customers or marketing their products. If CUTCO wants to survive and remain competitive, it must adopt a CRM policy that is customer and contractor focused. The company must learn to fully inform customers and contractors of their policies, practices and any efforts the company has made to compensate for past failures."
Tags:craftsmanship, personal touch, contractors backflow, data sources
Abstract The paper asks whether we have, as a society, shifted from the mechanized, depersonalization of Fordian production to a more fluid society based upon craftsmanship. The paper notes that, although certain sectors of the technology and service sector may indeed show a change in the paradigm that has shaped American commercial life since the 20th century, Fordism still remains. According to this paper Fordism still remains at Wal-Mart, in the franchise industry, and certainly in the model of labor that characterizes the developing world. The paper analyzes the situation.
Outline:
Introduction
What is 'Fordism'?
What is Taylorism?
Define Post-Fordism
Are We Really in the Post-Fordism Age?
Does Fordism Still Exist? If so Where?
Do We Have Neo-Fordism?
Has Fordism and Taylorism been replaced?
If it Has, How Has it? If it Hasn't, How Much is it Left?
If it is a Combination of Both?
From the Paper "But management theorists Michael J. Piore and Charles Sabel have suggested that a new alternative to mass production is evolving. A modem version of craft production is seen as small firms equipped with computer technology can become more adaptable to corporate as well as to small-unit operation, in certain fields like consulting or the provision of special goods and services (Brody 1985, p.614). Even the intense specialization of labor at a large technical company like Google requires a kind of post-Fordian level of craftsmanship."
Abstract This paper explains that the target market for office furniture is high-end buyers because they understand the ergonomics and technology built into the products and its fine design craftsmanship. Next, the author reviews the basic elements of product, price, place and promotion. The paper indicates that the best marketing strategy is to promote this product in specialty distribution channels to address the needs of the target market.
Table of Content:
Marketing Section
Target Market
Product
Price
Place
Promotion
Marketing Strategy
From the Paper "The pricing strategy focuses on maintaining an understanding of the high-end buyer's purchasing trends. Many of the customers indicated in the target market enjoy shopping from the comfort of their own home or office so competitors listed in sales catalogs are closely monitored to ensure that our prices remain competitive in the market. Generally when customers are perusing a catalog of this sort, price is a major issue since quality is not as apparent as with in-store purchases."
Abstract This paper explains that Ang Lee's film "Brokeback Mountain" is a love story involving a love affair of two people that happen to be men. The movie's connection to the subject of homosexuality raises red flags to many religious organizations, the author points out. The paper underscores that most hit movies contain themes that are very controversial and powerful enough to create a train of thought in society.
From the Paper "It is important for potential film-goers to realize that this movie is more than just super sassy gay men with over ethicized lips and dramatized hips twisted. It has a deeper meaning and a well constructed theme. If viewers can overlook the outer surface of the movie and explore the inside surface, they may find themselves in awe of the hidden messages placed within the movie and may find themselves surprised at how well they can relate to the film and the characters."
