Abstract This paper analyzes changes in interior design brought about because of the arts and crafts movement in the nineteenth century, noting that the movement made changes specifically in terms of the design of interiors, including the design of furniture. The movement was shaped by William Morris, best-known for the design of the Morris chair but also for being a leader in this artistic movement.
From the Paper "The arts and crafts movement was a reaction to the opulence and weight of design in the Victorian era. This movement made changes specifically in terms of the design of interiors, including the design of furniture. The movement was shaped by William Morris, best-known for the design of the Morris chair but also for being a leader in this artistic movement. In the nineteenth century, the Industrial Revolution changed the nature of manufacturing and so also affected the nature of design. The Victorian style that prevailed in the nineteenth century featured heavily ornamented interiors containing many pieces of furniture, collections of ornamental objects, and surfaces covered with fringed cloths. "
This paper reviews Susan Gordon Lydon's novel "The Knitting Sutra - Craft as a Spiritual Practice" and also delves into the private life of the author.
1,005 words (approx. 4 pages), 0 sources, 2006, $ 35.95
Abstract This paper examines the novel "The Knitting Sutra - Craft as a Spiritual Practice," written by Susan Gordon Lydon. The writer of this paper also discusses personal details of the author's background and describes how the art of knitting wove its way through Lydon's life and helped her get off drugs and stay sober. For Lydon, the craft is an obsession, a meditation, a challenge, a chance for peace of mind and a way to quiet the mind. This paper explores the novel's vivid imagery and spirituality. This paper discusses the author's firm refusal to just blindly follow anything, even the patterns for her knitting projects, which makes her a thinking person's rebel. The book is peppered with quotes from an astonishing range of sources including Sitting Bull, singer Boz Scaggs, author Clarissa Pinkola Estes and Grateful Dead drummer Mickey Hart.
From the Paper "The Knitting Sutra is a story of a woman, as women are rarely seen, one who owns herself. Her humor and passion shine throughout. If you would like to spark your mind and get it swirling with ideas, no matter if you read this through the eyes of a knitter or not, give this thought-provoking, richly written book a try. Susan's insatiable need for enlightenment and spiritual truth may wear you out at times, but it may also challenge your perspective on many, many things. You may even find yourself revisiting that unfinished sweater in your closet or that unfinished story in your desk drawer. The lesson - you never stop learning and you must never stop living...the two are inevitably intertwined."
Abstract This paper compares the Arts and Crafts and the De Stijl movements. It analyzes the features of each architectural movement individually and then compares the features between them. The paper then assesses their influence on contemporary British and Dutch architecture and design. The paper provides specific examples, with pictures of how the movements influence architecture today.
Table of Contents:
Objective
The Arts And Crafts Movement
The De Stijl Movement
Contemporary British and Dutch Architecture and Design
Three Development Routes in Dutch Urban Design
Summary And Conclusion
From the Paper "The Dutch, as compared to other countries where demand is generally met by producing generic housing that is mass-produced allow the designers a chance to design housing units upon graduation from school in part because the designers are trained to ensue upon immediate work after leaving school. The Deflt University of Technology emphasizes knowledge of a technical nature and the architects have the know-how to begin building early in their career. The reasons that Dutch designers are so successful is the results of "a situation in which construction of housing has become so systematized that it has created a well-oiled machine to support the experimentation young designers embrace." (Tisma, Bijlsma, and Dammers, 2007) Furthermore, 'Concrete shells and standard window assemblies can be deconstructed and reassembled in new ways, and even the gridded landscape in which new housing estates appear give the architects a field within which they can experiment. In a sense the whole Dutch building trade subsidizes experimentation by collectivizing individual homes into large-scale systems within which architects can create innovative forms." (p. 286) One example of the new housing estate in the Netherlands is named Hageneiland and is located just east of The Hague. This property was designed by MDRDV and was completed in 2001. This property is comprised by 119 primarily rental units. The arrangement of the housing stood a row of houses that were poured into concrete frames along the road with small front and backyards. However two units were left standing closer to the road and moved a few back and so forth which created a small village of structures since the front was not closed. This results in more interaction between neighbors going to and front their homes. Each group of units is covered in one material: (1) red tile; (2) blue metal; (3) concrete panels; and so forth."
Abstract This paper discusses the film, "The Craft", and explores the argument that the quest for knowledge beyond what is natural, inevitably leads to disaster. Arguments to disprove this theory are introduced, showing that modern thought may be more likely to condone our pushing the boundaries of knowledge than older, more conservative schools of belief. The paper examines the religious, sexual, natural, psychological and political aspects of searching for forbidden knowledge or power, as it relates to the film's Gothic tradition.
From the Paper "Certainly, the first part of Bonac's statement is an accurate depiction of the four girls? decision to attempt to invoke Manon. Sarah, the newcomer, is ignorant of her inherent powers; the others understand their potential for witchcraft but lack the necessary power (the "fourth" corner). Their wishes are innocent and harmless enough: the bullied Rachelle wants Laura to leave her alone, scarred Bonnie wishes for beauty, and Sarah hopes for Chris's love. Nancy wishes initially for "a smaller butt", and Sarah is told by Bonnie that Nancy really wishes she were not "white trash" (this latter wish being understandable when we see her home situation). However, finally she wishes for Manon to possess her, to "fill" her."
Abstract This literature review research paper examines the history of the Mission Style (Arts and Crafts) furniture and style movement. The brief history of materials and style gives a feeling of how this movement evolved and grew into the Prairie home style, which includes home design. It explains how modern reaction to the computer age has adapted the Mission style furniture to include modern materials and mass production to enable more people the opportunity to enjoy the style, function, and feeling of the original-era furniture.
From the Paper "The start of the Mission Style furniture era started in San Francisco, California in 1894. This Mission Style movement started in the Mission Communities in California when the Missions were training people to be furniture craftspeople. Often the materials they used were what were available locally. These materials included timber, fine wood, finishes, blacksmith nails, castings and hardware. (Mission Furniture 1980). The furniture built in this Mission Style was and is a blend of form and function that blends the natural beauty and warmth of the materials used."
Abstract This paper focuses on the main character of Sarah from the movie, "The Craft", and how she exhibits contradictory traits and behaviors. The paper demonstrates the complex character of Sarah by examining five sets of developmental issues.
From the Paper "The main changes in adolescent are cognitive, biological, and social. During adolescence, there are changes in thinking abilities and a transition to more adult social roles (Steinberg, 2005). Cognitive changes are especially important since adolescents think differently about themselves, relationships, and the world. These changes establish the context for adolescence. They also are part of the context of "The Craft", along with such social realities as extreme meanness and racism."
Abstract In this article the writer notes that for many years, glass work has been considered a beautiful craft form, mostly used in pieces as decor or an element of design. The writer discusses why has it been that for so many years, glass has been singled out in this way, even to its exclusion over such sculptural and less beautiful materials such as bronze and stone. The writer discusses the relegation of glass to the field of decoration, craft and design rather than that of fine art. In addition, the writer explores the elements which are necessary for sculptural works to be considered fine art. The writer examines what the recent explosion of interest in glass work has done to improve the image of glass as an art form. Ultimately, The writer looks at who defines the difference between art and craft - whether this is the artist, the critic or the viewer.
Introduction
Background - Definition of Art
Discussion
References
From the Paper "Such a weighty question probably lies beyond the boundaries of a paper such as this, so for the answers to this question we shall look to the ages and describe on how art has been defined in the past. Robert Collingwood, in his seminal work The Principles of Art made what is probably still considered to be the clearest definition of art. To Collingwood, art was the expression of emotions, and lives in the realm of emotion. Collingwood believed that the expression of emotion via art was a process which moves slowly from the hidden and vague to that which is explicit and clear. To Collingwood, art was the process of exploring emotions, which live within the subconscious of the artist and are not known to the artist beforehand. Collingwood was able to discern art from craft in that he believed that in crafts, the works man, the salesman knew before even the initiation of the project what emotion is being evoked, and that craft is then more calculating and deliberate in it's manner of arousing an emotional response. Ayn Rand also expressed theory surrounding art in several of her essays."
Abstract This paper reviews Rosser's article about how medieval crafts and guilds functioned in a society in medieval England. The paper also talks about Rosser's effort to rebut many of the generalizations, myths, and factually incorrect views that are currently or previously held by scholars and historians of the medieval era.
The Emergence of Guilds and Their Impact on Workers and the Economy
The Rise of the Guilds in Social Power and Community Prominence
Were Guilds the Historical Framework for the Genesis and Evolution of Formal Organizations?
The Decline of the Crafts and Guilds
Weird Things about Medieval English Life and Times
Biographical Sketch of Gervase Rosser
From the Paper "Rosser goes to enormous lengths to make clear why he is explaining the misconceptions and misunderstandings with reference to how life in the working world of Medieval England really took place. Rosser is a writer of obvious skill when it comes to deep scholarly thinking; he is a writer who more often than not takes the intellectual high road. But Rosser also apparently realizes that the reader may not be able to climb every step of the way with him on his scholarly ascent, so he takes brief moments to define his terms in more lay-friendly language."
Abstract A report on ancient Egyptian jewelry. The author focuses on how the jewelry was crafted, specific styles of jewelry, and their symbolic meanings.
From the Paper "Ancient Egypt is known for its awe-inspiring monuments, mysterious mythologies and legendary treasures. Its history is rich and complex, reaching far back into the beginnings of civilization and spanning thousands of years. Much of what we know about this ancient culture comes from the ancient artifacts it has left behind. Among these is the multitude of its beautiful jewels. What types of jewelry did the ancient Egyptians wear and how was it significant to them? How did they manage to create such incredibly intricate and unique jewelry? "
Tags:craft, art, composition, meaning, symbolism, symbolic, symbol
Abstract This paper examines the study of Orientalism and defines it by looking through the viewpoint of the west and the west's relationship with the east. It looks at the emergence of the Orient as a term in the 19th century, which would be called the lands around the southern Mediterranean Sea. The paper provides a history of the relationship the west has had with the Orient. It describes the arts and crafts of the Orient which came to the west through trade and the crusades. The author writes that throughout the history, the Orientalists have been stereotyped in the role of a dark, a mysterious, an alien, the bizarre and the threat, by the Western world.
From the Paper "Ever since the scholars such as Edward Said have started to work on the subject of Orientalism, the philosophical emphasis of the Western World has been closely scrutinizing the regions, cultures, norms, peoples and systems that represented the term 'Orient'. The study of the issue of Orientalism is important in a sense because it has deeply influenced the Western perceptions about the East. The main reason for which studying the issue of Orientalism is important is that the interaction between the Orient and Europe influenced the travel, trade, crusades, missionary activity and cultural exchange between the empires which later lead to the age of European expansion and colonization. It is also important to note that the interaction between the Orient and Europe significantly changed the meaning of the East. "
Abstract This paper discusses "Changing Hands", an art review of a major Native American art exhibit at the American Craft Museum by critic David Revere McFadden. It opens with an overview of the exhibit itself and its highlights. The review, and the critic's "authority" to report on the exhibit are then discussed. Finally, there is a commentary of the effect the critic's piece has upon one's desire to view the exhibit.
From the Paper "Changing Hands, the exhibit features several art forms of Native America. The artists who have displayed their work have given examples of both traditional and more contemporary pieces ? for example a reconstructed earthenware vessel of the type that might have been used centuries ago for water or other liquids. The several art forms shown by the Changing Hands exhibit include wool rug and vegetable dye; gold bracelet work inlaid with larimar, lapis lazuli,sugulited, shell, coral, obsidian and opal; earthenware sculpture; an acrylic collage on wood; glass and copper vase; cottonwood root sculpture; leather beltwork of silver, coral, turquoise, and serpentine; coral necklace with gold and pearls; pendants of gold, wood, silver, coral, turquoise, opal, shell, and lapis lazuli; earthenware canteens and jugs; hinged silver buckles; earthenware tiles of sand, copper, and oil on a wooden panel; sand media on wood."
An examination of the history of witchy women from the medieval era to present day and how they are a good source of entertainment from trials to television.
Abstract This paper discusses how witchcraft folklore dates from the middle ages all the way up to this present day. It looks at how documented accounts reveal the conversion of the common woman, who was often a doctor, midwife or village consultant, into the persecuted evil spell casting witch, then to our modern popular witch of the 22nd century. It evaluates how, due to the incredible influence television and literary works have on our culture, society has come to view witches as more than the typical haggard and sinister old women with rotten teeth and warty chins. It shows how through review of the films "Practical Magic", "The Wizard of Oz" and ?The Craft?, the TV emissions "Sabrina the Teenage Witch" and "Charmed" and Shakespeare's famous play "Macbeth", the function of witchcraft has gradually conformed to provide women with a sense of power and prerogative.
From the Paper "The landmark film, "The Wizard of Oz" often terrifies young children with the presence of the Wicked Witch of the West. She is the traditional representation for all evil witches, and come Halloween, her image is the most costumed by children. Although rarely, we can also see other little trick or treaters dressed up as princesses and more joyful subjects. This counterbalance can be seen with the witch Glinda, the Good Witch of the North, used to offset her evil rival. Therefore, this film exposes the concept of good witch vs. bad witch, where the beautiful angelic one will always counterbalance a dark villainous hag. Good vs. evil comes hand in hand with pretty vs. ugly, which ultimately labels women with stereotypes built upon their appearances."
Abstract This paper looks at the personal life and professional achievements of Mercer. It tells how he was founder of the Moravian Pottery and Tile Works (1912), where he was the chief designer for many years. This paper discusses his interests, how they ranged from architecture to archeology and how his work was influenced by various architectural schools, especially the Art and Crafts Movement.
From the Paper "Mercer was heavily influenced by the Arts and Crafts movement and became an important proponent of its style and ideas in America. The pottery works flourished and Mercer's designs for decorative tiles became popular. They were featured in a number of public buildings but the most notable installations of his tiles are to be found in his castle-like home, Fonthill, in Doylestown in Bucks County, Pennsylvania. This home, Mercer's museum, and his tile works all reflect the eclectic 'medievalism' that characterized much of Arts and Crafts architecture in England and the United States. And, although he drew on many sources of inspiration, his tiles often display themes and stylistic features similar to those of the movement's designers. Mercer's accomplishments in design have never earned him wide fame, yet the work is very fine and an excellent example of how the influence of the Arts and Crafts movement flourished in America."
Abstract This paper explains that Walter Gropius applied classical architectural techniques to design theory, believing that there is no essential difference between the artist and the craftsman. Thereby, he introduced a completely new set of design principles called Bauhaus to art and crafts. The author points out that, though the Bauhaus movement was inspired by Cubism and Minimalism in design, it was still a unique, revolutionary movement. Some of the key features of this movement included less emphasis on detail and more on economic use of space. The paper relates that Bauhaus popularized functional design, a technique that focused specifically on the major functions of everything, including buildings, textiles, tables, and lamps to make them more easily accessible and usable. Color illustrations.
From the Paper "Bauhaus artists included such prominent names as Mies van der Rohe, Paul Klee, Wassily Kandinsky and Oskar Schlemmer, who are responsible for bringing dramatic changes in the field of art and design. It is commonly believed that every change in design after the Bauhaus movement is inspired by the principles and techniques of this style. It can be rightly called the mother of all design movements in 20th century because till this day, we can see the impact of Bauhaus in the field of arts, architecture and crafts."
Abstract This paper describes how a revived interest in indigenous and vernacular design of the mid-19th century grew as a result of the convergence of a number of change drivers. The paper relates that this includes the response to industrialization, the economic need for women to earn their own money, women's fight to enter the industrial trades and men's resistance to women to entering the labor world. This essay argues that the movement is in no small way defined by women creators and artisans.
