Abstract
This paper discusses the film, "The Craft," and explores the argument that the quest for knowledge beyond what is natural, inevitably leads to disaster. Arguments to disprove this theory are introduced, showing that modern thought may be more likely to condone our pushing the boundaries of knowledge than older, more conservative schools of belief. The paper examines the religious, sexual, natural, psychological and political aspects of searching for forbidden knowledge or power, as it relates to the film's Gothic tradition.

From the Paper
"Certainly, the first part of Bonac's statement is an accurate depiction of the four girls' decision to attempt to invoke Manon. Sarah, the newcomer, is ignorant of her inherent powers; the others understand their potential for witchcraft but lack the necessary power (the "fourth" corner). Their wishes are innocent and harmless enough: the bullied Rachelle wants Laura to leave her alone, scarred Bonnie wishes for beauty, and Sarah hopes for Chris' love. Nancy wishes initially for "a smaller butt," and Sarah is told by Bonnie that Nancy really wishes she were not "white trash" (this latter wish being understandable when we see her home situation). However, finally she wishes for Manon to possess her, to "fill" her."

Tags:witchcraft, manon, gothic, sarah, nancy, chris, supernatural, bonnie, rachelle, bonac

Abstract
This paper focuses on the main character of Sarah from the movie, "The Craft", and how she exhibits contradictory traits and behaviors. The paper demonstrates the complex character of Sarah by examining five sets of developmental issues.

From the Paper
"The main changes in adolescent are cognitive, biological, and social. During adolescence, there are changes in thinking abilities and a transition to more adult social roles (Steinberg, 2005). Cognitive changes are especially important since adolescents think differently about themselves, relationships, and the world. These changes establish the context for adolescence. They also are part of the context of "The Craft", along with such social realities as extreme meanness and racism."

Tags:psychology, adolescence, theories

Abstract
This paper analyzes changes in interior design brought about because of the arts and crafts movement in the nineteenth century, noting that the movement made changes specifically in terms of the design of interiors, including the design of furniture. The movement was shaped by William Morris, best-known for the design of the Morris chair but also for being a leader in this artistic movement.

From the Paper
"The arts and crafts movement was a reaction to the opulence and weight of design in the Victorian era. This movement made changes specifically in terms of the design of interiors, including the design of furniture. The movement was shaped by William Morris, best-known for the design of the Morris chair but also for being a leader in this artistic movement. In the nineteenth century, the Industrial Revolution changed the nature of manufacturing and so also affected the nature of design. The Victorian style that prevailed in the nineteenth century featured heavily ornamented interiors containing many pieces of furniture, collections of ornamental objects, and surfaces covered with fringed cloths. "

Tags:arts, crafts, movement

Abstract
This paper compares the Arts and Crafts and the De Stijl movements. It analyzes the features of each architectural movement individually and then compares the features between them. The paper then assesses their influence on contemporary British and Dutch architecture and design. The paper provides specific examples, with pictures of how the movements influence architecture today.

Table of Contents:
Objective
The Arts And Crafts Movement
The De Stijl Movement
Contemporary British and Dutch Architecture and Design
Three Development Routes in Dutch Urban Design
Summary And Conclusion

From the Paper
"The Dutch, as compared to other countries where demand is generally met by producing generic housing that is mass-produced allow the designers a chance to design housing units upon graduation from school in part because the designers are trained to ensue upon immediate work after leaving school. The Deflt University of Technology emphasizes knowledge of a technical nature and the architects have the know-how to begin building early in their career. The reasons that Dutch designers are so successful is the results of "a situation in which construction of housing has become so systematized that it has created a well-oiled machine to support the experimentation young designers embrace." (Tisma, Bijlsma, and Dammers, 2007) Furthermore, 'Concrete shells and standard window assemblies can be deconstructed and reassembled in new ways, and even the gridded landscape in which new housing estates appear give the architects a field within which they can experiment. In a sense the whole Dutch building trade subsidizes experimentation by collectivizing individual homes into large-scale systems within which architects can create innovative forms." (p. 286) One example of the new housing estate in the Netherlands is named Hageneiland and is located just east of The Hague. This property was designed by MDRDV and was completed in 2001. This property is comprised by 119 primarily rental units. The arrangement of the housing stood a row of houses that were poured into concrete frames along the road with small front and backyards. However two units were left standing closer to the road and moved a few back and so forth which created a small village of structures since the front was not closed. This results in more interaction between neighbors going to and front their homes. Each group of units is covered in one material: (1) red tile; (2) blue metal; (3) concrete panels; and so forth."

Tags:abstraction, modernism, building, terrace

Abstract
This paper discusses the Arts and Crafts movement of the late 19th century in Britain, specifically focusing on the design and aesthetic reforms that developed among two factions in the movement - the handcrafted school led by William Morris and that favoring machine-aided design championed by the aesthetic of Christopher Dresser. The paper includes an appendix of images of the designs of both artisans.

From the Paper
"The Arts and Crafts movement represented a reaction against the increasing industrialization of art and design in the late 19th century. Two of the leading proponents of the Arts and Crafts movement were John Ruskin and William Morris. In writing of the Arts and Crafts Exhibition Society, founded by like-minded arts and crafts artisans, Hamilton stated that it was the offshoot of work done by John Ruskin and William Morris Ruskin, an English writer, who argued that contemporary methods of mass production were..."

Tags:workshops, style, CAD, modern, contemporary art, wallpaper, household furnishings, metalwork, Orientalism, middle class, industrialism, industrial revolution

Abstract
This paper examines the novel "The Knitting Sutra - Craft as a Spiritual Practice," written by Susan Gordon Lydon. The writer of this paper also discusses personal details of the author's background and describes how the art of knitting wove its way through Lydon's life and helped her get off drugs and stay sober. For Lydon, the craft is an obsession, a meditation, a challenge, a chance for peace of mind and a way to quiet the mind. This paper explores the novel's vivid imagery and spirituality. This paper discusses the author's firm refusal to just blindly follow anything, even the patterns for her knitting projects, which makes her a thinking person's rebel. The book is peppered with quotes from an astonishing range of sources including Sitting Bull, singer Boz Scaggs, author Clarissa Pinkola Estes and Grateful Dead drummer Mickey Hart.

From the Paper
"The Knitting Sutra is a story of a woman, as women are rarely seen, one who owns herself. Her humor and passion shine throughout. If you would like to spark your mind and get it swirling with ideas, no matter if you read this through the eyes of a knitter or not, give this thought-provoking, richly written book a try. Susan's insatiable need for enlightenment and spiritual truth may wear you out at times, but it may also challenge your perspective on many, many things. You may even find yourself revisiting that unfinished sweater in your closet or that unfinished story in your desk drawer. The lesson - you never stop learning and you must never stop living...the two are inevitably intertwined."

Tags:literature, perception, art, craft

Abstract
In this article the writer notes that for many years, glass work has been considered a beautiful craft form, mostly used in pieces as decor or an element of design. The writer discusses why has it been that for so many years, glass has been singled out in this way, even to its exclusion over such sculptural and less beautiful materials such as bronze and stone. The writer discusses the relegation of glass to the field of decoration, craft and design rather than that of fine art. In addition, the writer explores the elements which are necessary for sculptural works to be considered fine art. The writer examines what the recent explosion of interest in glass work has done to improve the image of glass as an art form. Ultimately, The writer looks at who defines the difference between art and craft - whether this is the artist, the critic or the viewer.

Introduction
Background - Definition of Art
Discussion
References

From the Paper
"Such a weighty question probably lies beyond the boundaries of a paper such as this, so for the answers to this question we shall look to the ages and describe on how art has been defined in the past. Robert Collingwood, in his seminal work The Principles of Art made what is probably still considered to be the clearest definition of art. To Collingwood, art was the expression of emotions, and lives in the realm of emotion. Collingwood believed that the expression of emotion via art was a process which moves slowly from the hidden and vague to that which is explicit and clear. To Collingwood, art was the process of exploring emotions, which live within the subconscious of the artist and are not known to the artist beforehand. Collingwood was able to discern art from craft in that he believed that in crafts, the works man, the salesman knew before even the initiation of the project what emotion is being evoked, and that craft is then more calculating and deliberate in it's manner of arousing an emotional response. Ayn Rand also expressed theory surrounding art in several of her essays."

Tags:form, image, design, artist

Abstract
This paper uses a quote from Shakespeare's 'Hamlet' in which the Prince informs his mother he is not in madness but merely "mad in craft". The paper analyzes this quote and its meaning in context of the rest of Shakespeare's tragedy.

From the Paper
"In Shakespeare's tragedy 'Hamlet' many of the characters think Prince Hamlet's strange behavior and moods means he has gone mad. At one point in the play, however, Hamlet tells his mother Queen Gertrude 'I essentially am not in madness. But mad in craft.' (Shakespeare) This quote is very important to the play because it demonstrates that Hamlet is not insane but has instead chosen to adopt the appearance of madness as a strategy that will help him achieve vengeance for his father's murder."

Tags:insanity, deception, murder, vengeance, Hamlet, Polonius, Ophelia, Shakespeare

Abstract
This paper discusses ?Changing Hands?, an art review of a major Native American art exhibit at the American Craft Museum by critic David Revere McFadden. It opens with an overview of the exhibit itself and its highlights. The review, and the critic?s ?authority? to report on the exhibit are then discussed. Finally, there is a commentary of the effect the critic?s piece has upon one?s desire to view the exhibit.

From the Paper
"Changing Hands, the exhibit features several art forms of Native America. The artists who have displayed their work have given examples of both traditional and more contemporary pieces - for example a reconstructed earthenware vessel of the type that might have been used centuries ago for water or other liquids. The several art forms shown by the Changing Hands exhibit include wool rug and vegetable dye; gold bracelet work inlaid with larimar, lapis lazuli,sugulited, shell, coral, obsidian and opal; earthenware sculpture; an acrylic collage on wood; glass and copper vase; cottonwood root sculpture; leather beltwork of silver, coral, turquoise, and serpentine; coral necklace with gold and pearls; pendants of gold, wood, silver, coral, turquoise, opal, shell, and lapis lazuli; earthenware canteens and jugs; hinged silver buckles; earthenware tiles of sand, copper, and oil on a wooden panel; sand media on wood."

Tags:David, Revere, McFadden, knowledge, intelligence, earthenware, display

Abstract
This paper reviews Rosser's article about how medieval crafts and guilds functioned in a society in medieval England. The paper also talks about Rosser's effort to rebut many of the generalizations, myths, and factually incorrect views that are currently or previously held by scholars and historians of the medieval era.

The Emergence of Guilds and Their Impact on Workers and the Economy
The Rise of the Guilds in Social Power and Community Prominence
Were Guilds the Historical Framework for the Genesis and Evolution of Formal Organizations?
The Decline of the Crafts and Guilds
Weird Things about Medieval English Life and Times
Biographical Sketch of Gervase Rosser

From the Paper
"Rosser goes to enormous lengths to make clear why he is explaining the misconceptions and misunderstandings with reference to how life in the working world of Medieval England really took place. Rosser is a writer of obvious skill when it comes to deep scholarly thinking; he is a writer who more often than not takes the intellectual high road. But Rosser also apparently realizes that the reader may not be able to climb every step of the way with him on his scholarly ascent, so he takes brief moments to define his terms in more lay-friendly language."

Tags:pre-ordained, social, order, fiction, artisan, plural, identities, personal, reputation, fraternities