Abstract
This paper argues that, within the confines of Hume's definition of liberty and necessity in his "Enquiry Concerning Human Understanding", Hume claims that free will and necessity are compatible; however, outside his definitions, the theory falls apart. The author points out that Hume's definition of necessity starts with his deterministic beliefs. The paper relates issues of the incompatibility of these two concepts and the definitions Hume uses to explain them: (1) Laws to human behavior always have exceptions; (2) Hume's analysis of what is required for responsibility helps to explain why it is useless to deny determinism by appealing to the existence of chance events in the world to disprove Hume's definition of liberty and, (3) if Hume's definition of liberty with the "could-have-done-otherwise" principle are replace, the compatibility of liberty and necessity disappears.

From the Paper
"If you combine Hume's determinism concerning human actions with his theory of causation, you basically have his working definition of necessity. Hume believes that there are observable, constant conjunctions between motives (including character traits) and actions in human behavior and goes so far as to claim if one were to look over human history, one discovers that the "same motives always produce the same actions." In Hume's conception of the world, it would be a violation of the law of nature for a prior event to occur and a subsequent event not to and this picture of the universe as law-governed applies just as much to human actions as it does to the behavior of the rest of the natural world."

Tags:exceptions, nature, could-have-done-otherwise, chance, causality

Abstract
This paper examines the political and economic conditions present during the period leading up to the American Civil War and considers whether the war could have been avoided given those conditions. After carefully reviewing the politicians, the economy and the politics of the time, the paper concludes that the Civil War was inevitable.

From the Paper
"Perhaps one starting point, a red flag if you will, happened during the War of 1812. "One of the many anomalies in this war was the bitter opposition by the New England States, despite the fact that it built up their economy." (Morison, p. 396) We know, of course, about the eventual secession of the Confederate states, but in 1814, it was the New England States that went so far as to hold a regional convention to discuss it. Instead, the end of the war promoted what is called "The Era of Good Feeling". It was a time when Americans were tired of sectional and regional arguments. "Manufacturing was displacing shipping as the premier interest of New England and Pennsylvania....Virginia was declining as an agricultural state, but finding no other interest than slave breeding to take the place of tobacco. King Cotton's domain was advancing from South Carolina and Georgia into the new Gulf states...""

Tags:states, slavery, abolitionists, differences, economic, north, south, capitalism, plantation, system

Abstract
The paper relates that the central theme of Emily Dickenson's poem, "Because I Could Not Stop for Death", is the inevitability of death and the endless cycle of time. The paper looks at how the poet constructs allusions to the unknown as they pertain to the unpredictable nature of death and the possibility of an afterlife. The paper describes how death and a number of natural features are given human characteristics that help illustrate the endless nature of time and mimic traditional images associated with death and the afterlife. The paper also shows how human concepts, like measuring time and years, have little relevance for death or after death, where time is only eternal.

From the Paper
"The central theme of Emily Dickenson's poem, "Because I could not stop for Death", is the inevitability of Death and the endless cycle of time. The poet expresses this by constructing allusions to the unknown as they pertain to the unpredictable nature of Death and the possibility of an afterlife. Death and a number of natural features are given human characteristics that help illustrate the endless nature of time and mimic traditional images associated with death and the afterlife. Human concepts, like measuring time and years, have little relevance for Death or after death, where time is only eternal. It is the inevitably of Death that is Dickenson's primary concern, as it..."

Tags:inevitable, time, enternity

Abstract
The paper posits that few poems in the canon of English literature are as polished and as powerful as Emily Dickinson's, "Because I Could Not Stop for Death". The paper asserts that while the reasons why this is so are plentiful, the most obvious are the content and form of the poem and Dickinson's clever use of poetic devices. Specifically, the paper argues that the content of the poem is meant to emphasize the inevitability of death and how it does not have to be feared by stalwart Christians; the poem's content also captures how the slumber of death will seem like a mere night's rest to the blessed when the day of Judgment arrives. With regards to its actual form, the circular nature of human existence and the circular nature of eternity - that is to say, the eternal linkage of life with death - is reflected in the poem's regular iambic pentameter and in its use of poems of alternating line lengths; these altering line lengths, incidentally, also seem to capture Dickinson's views on the relative significance of life on earth versus eternal life by subtly accentuating the relative duration of each. Finally, the paper shows how Dickinson's use of devices like internal rhyme, alliteration, and anaphora are meant to reinforce the circularity of the life/death relationship and the inevitable arrival of the former. The paper concludes that the poem is a treatise on how death awaits all of us - but this fact does not have to be met with dread by the pure of heart.

From the Paper
"It is arguable that few poems in the canon of English literature are as polished and as powerful as Emily Dickinson's, "Because I Could Not Stop for Death". The reasons why this is so are plentiful, but the most obvious are the content and form of the poem and Dickinson's clever use of poetic devices. Specifically, the next few pages will argue that the content of the poem is meant to emphasize the inevitability of death and how it does not have to be feared by stalwart Christians; the poem's content also captures how the slumber of death will seem like a mere night's rest to..."

Tags:dickinson, emily, death

Abstract
This paper examines how the two works, "Getting Things Done" and "Primal Leadership" deal with success and success achievement, but take entirely different routes. It looks at how "Primal Leadership" focuses on the intangibles: emotional intelligence that guides an organization towards success and how the focus is on relationships outside self. In comparison, it discusses how "Getting Things Done", focuses on self, isolates the reader from his or her peers and forces him or her to structure priorities to get work done. Both theories are briefly applied to the real estate industry.

From the Paper
"Specifically, Allen stresses the five stages of mastering work flow. First, there is the Collect stage. One must know what one must do first before one can do it. Allen asks us to process all of our collection of work efforts in several types of in-boxes: physical inbox, paper-based note-taking devices, electronic note-taking devices, voice-recording devices and email. The trick is to minimize your inbox collection devices so you only have a few places to look for tasks to be completed."

Tags:organization, work, flow, peers

Abstract
This paper concerns what can be done to alleviate child abuse. The writer discusses the fact that in spite of various strategies, the prevalence of child abuse in American society has not diminished. The writer contends that to alleviate child abuse, a multi-pronged approach with multiple perspectives is needed.

Tags:child, abuse

Abstract
The paper discusses how the question "Could God know what it is like to be a bat?" is a seemingly factitious question that addresses a number of complex philosophical issues related to consciousness and its conceptualization. This essay explores this question, arguing the thesis that God could not know what it is like to be a bat, for this would require as a precondition the capacity of God to access the direct experience of the bat, which would necessarily require God to be a bat and not, in fact, God.

From the Paper
"The question "Could God know what it is like to be a bat?" is a seemingly factitious question that addresses a number of complex philosophical issues related to consciousness and its conceptualization. This essay will explore this question, arguing the thesis that God could not know what it is like to be a bat, for this would require as a precondition the capacity of God to access the direct experience of the bat, which would necessarily require God to be a bat and not, in fact, God. In addressing this question, given that the introduction of a deity into the debate brings with it a range of variables that would not be present..."

Tags:god, bat, mind

Abstract
This paper looks at the theme of death and decay and the poet's approach to death as a "gracious companion" in her voyage to the afterlife in Emily Dickinson's poem "Because I Could Not Stop for Death".

From the Paper
"Even though Emily Dickinson's poem "Because I Could Not Stop for Death" has a theme of death and decay the tone of the poem is not bitter. Instead Death is a gracious companion in the poet's review of life. The poet seems almost pleased to die in order to ..."

Tags:Poetry, analysis, Emily, Dickinson

Abstract
The paper shows how Emily Dickinson treats the very weighty idea of death with the lightness an individual might give to planning a Sunday visit to the neighbors in her poem "Because I Could Not Stop for Death". The paper shows that through her light and whimsical imagery, as well as the way she treats death, immortality and eternity, she might actually welcome death.

From the Paper
"The image of Immortality is painted as a character or a possibility in the presence of the timeless doorway that is the presence of the congenial Death. Dickinson describes the idea that she will live forever in the company of this easy specter. Dickinson describes the home of her eternity, whether it is her own home, where she has lived a lifetime in a split second or the one she will live in eternally she seems nonplussed by the idea that it is underground rather than above it. Throughout history there has been a nearly constant debate among thinking individuals about the idea of immorality and life after death. Everyone from biblical prophets and Greek philosophers to modern scientists have or are discussing the ideas and theories that surround immortality. Some philosophers vote in favor of immortality and others against yet Dickinson not only assumes it but talks about it as if it is a character sitting quietly in the corner with Death by his side "The carriage held but just Ourselves-And Immorality," (Dickinson) she discusses it as she would discuss an article of clothing, possibly a lap robe for the cold carriage ride."

Tags:Charles, Dickins, carriage

Abstract
This paper examines the gangster film genre, which from the beginnings during the Great Depression have challenged American culture's dominant ideology about capitalism and democracy. According to the paper, these films have done so by glorifying a criminal lifestyle, by undemocratically focusing on ethnic and racial stereotypes, and by idolizing individuals and groups who have been otherwise marginalized by society and our economic system. While the genre has changed over time, it could be said that the modern gangster film retains strong parallels with its roots in the 1930's and that these roots include a challenge to dominant American ideology and culture

From the Paper
"From their beginnings during the Great Depression gangster films have challenged American culture's dominant ideology about capitalism and democracy. It has done so by glorifying a criminal lifestyle, by undemocratically focusing on ethnic and racial stereotypes, and by idolizing individuals and groups who have been otherwise marginalized by society and our economic system. According to Richard Pena, former program director of the New York Film Festival, ''The gangster movie can always be seen as a perverse mirror-image of capitalism...'' ("Public Enemies"). While the genre has changed over time, it could be said that the modern..."

Tags:gangster, film, genre