This paper looks at the failure of a 'Cosmic Race' and its divided loyalties.
Analytical Essay # 136628 |
750 words (
approx. 3 pages ) |
0 sources |
MLA |
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The writer presents a commentary on Gloria Anzaldua, a half-breed lesbian. She says she wants her dignity based on her Aztec background restored, but the writer emphasizes that she is a triple outsider--racially mixed breed as well as a lesbian and that her divided loyalties at least rival that of those from whom she seeks acceptance.
From the Paper
"The problem of seeing the world as a single cosmic race lies in the unwillingness of the majority to take in those who beg for admittance. We unfortunately are not ready to accept some people who we feel do not "belong.". Realizing that this is a very prejudiced viewpoint, one must stress that it is not a personal opinion but, sad to say, one that the majority feel: you are either "one of us" in terms of color, gender, religion, ethnic background or sexual preference, or you are left somewhat diminished. There is no doubt that the world is filled with culture clashes. Close to ..."
Tags:mestizo, lesbian, race
A discussion regarding the fascination of interstellar gas and dust.
Essay # 89319 |
1,575 words (
approx. 6.3 pages ) |
3 sources |
2006
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$ 30.95
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This paper discusses interstellar gas and dust, listing the reasons why it is interesting. According to the paper, these reasons are simply that interstellar clouds can simply be enormous and appear at least as mystical and beautiful as the stars themselves., and more practically, the interstellar medium is capable of telling us very significant things about the nature of our universe, how it was formed, and what properties dominate it. Like most branches of astronomy, perhaps the most exciting application of studies conducted upon cosmic dust is to cosmology.
Tags:cosmic, dust, astronomy
A discussion of the result of meteor strikes on earth, the possibility of a 1 km meteor striking earth, and the effects the meteor would have.
Essay # 51336 |
888 words (
approx. 3.6 pages ) |
6 sources |
MLA | 2004
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$ 18.95
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This paper explains how there is proof that earth has been bombarded by meteors in the past. These meteors have caused the extinction of the dinosaurs, provided iron to jump-started the Iron Age, and caused a crater in Arizona. The possibility of a 1 km-sized meteor striking Earth, or even Duluth for that matter, is slim. This paper discusses the possible ramifications of such an event in the future.
From the Paper
"Earth is a target for destruction, but it's not aliens or terrorists who are planning its ruin. Meteors have assaulted the Earth ever since our home planet came into existence, and they continue to bombard the Earth with broken pieces from asteroids and comets. Some of these results have been disastrous, and some have furthered along human development. In my essay, I hope to show that these meteors have crash-landed on Earth in the past, that meteors do pose a threat to Earth, and evidence for the need for protection against them."
Tags:canada, chicxulub, crater, destruction, dinosaurs, impact, iron, meteorite, nickel, ocean, peninsula, shock, wave, yucatan
An analysis of Herman Hesse's "Siddhartha".
Analytical Essay # 124126 |
1,000 words (
approx. 4 pages ) |
7 sources |
APA | 2008
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$ 21.95
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A discussion of the significance of the river in Hesse's "Siddhartha", as well as the importance of "om" and the paradox of continuity of identity and constant change as being unitary.
From the Paper
"In the chapter titled "By the River", Siddhartha almost drowns himself but stops when he hears Om. Where does this Om resonate from? What is its relevance? Why is the setting of the river symbolically important for this rebirth? If you look at the river symbolically along the course of Siddhartha's journey, what is its progression? Or how does the river serve to illuminate Siddhartha in different ways through his journey? What is the significance of the voice of the river? Finally, what can you apply to your own..."
Tags:buddhism, om, cosmos, unity
An analysis of the book "Rare Earth: Why Complex Life is Uncommon in the Universe."
Book Review # 4573 |
1,655 words (
approx. 6.6 pages ) |
5 sources |
APA | 2001
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$ 32.95
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This paper takes a critical look at the book "Rare Earth: Why Complex Life is Uncommon in the Universe", by Peter Ward and Donald Brownlee. It discusses their theories of the beginning of life on Earth and additional theories to life on other planets. It challenges their research and data and offers other explanations and theories.
From the Paper
"Was the occurrence of complex life on the planet Earth an isolated event or simply the next logical step in evolution? Ward and Brownlee seem to believe complex life is unique to our home world or at least extremely scarce in the Universe.1 In addition to the factors in their Rare Earth equation, mentioned in their book are some specific factors peculiar to Earth that may have affected the development of complex life. Beginning with the planet Mars, W&B argue that the fossil record shows that the cooling Earth developed bacterial life as soon as conditions permitted. They suggest that this may be because the bacteria first developed on Mars, which cooled earlier, and that perhaps Earth was then seeded with these bacteria carried by meteorites reaching our planet after having been ejected from Mars by asteroid impacts. The low gravity of Mars makes this more likely, and it is estimated that ten percent of meteors ejected from Mars may impact Earth. A system lacking a Mars-like planetary companion might have been slower to develop bacterial life."
Tags:complex, earth, life, Mars, geology, bacteria, plants, galaxy, scientific, molecule, DNA
A examination of Sowell's work on economic theory using two of his books: "The Quest for Cosmic Justice" and "The Vision of the Anointed: Self Congratulating as a Basis for Social Policy".
Book Review # 101235 |
1,486 words (
approx. 5.9 pages ) |
4 sources |
MLA | 2006
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$ 29.95
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This paper examines Thomas Sowell's work on economics and social justice by analyzing two of his books::"The Quest for Cosmic Justice" and "The Vision of the Anointed: Self Congratulating as a Basis for Social Policy". It looks at how Sowell's analysis explores the following questions : Is the paradigm of social justice exaggerated? Is society being manipulated to accept the views of an elite group of intellectuals, who have used the platform of justice to remove social privileges? Has the market system and price mechanism failed us? The writer suggests that Sowell's work should be mandated to be analyzed in conjunction with economics. The writer explains that economic theory is being used to subjugate and dictate policies that over-ride the primary components of the market economy. The writer believes that "The Quest for Cosmic Justice" and "The Vision of the Anointed" allow the economic student to realize that at the very fiber of every decision there are costs.
Outline:
Introduction
Quest for Cosmic Justice
The Vision of the Anointed
Sowell's Work and Economic Theory
Has Sowell Gone too Far? A Critique of Sowell's Work
Conclusion
From the Paper
"Economics has allowed many individuals (myself included) to be more analytical in their thinking and at times more technical when solving problems. However, the field has been known to produce ground-breaking research in issues that surpass the quantitative esoteric nature that is presented to many individuals. Thomas Sowell's works fall into the former rather than latter category. Sowell's truth-bearing books are sometimes hard to read, because of how unbiased and 'raw' his work is. I sometimes wonder if Sowell was not African American, what would be the reaction to his work, would it still be revolutionary or just racist babbling."
Tags:ideology, economics, social, justice, market, economy, price, mechanism
A study of the theme of modern motion in the paintings "State of Mind: The Farewells" by Umberto Bocking and "Cosmic Flora" by Paul Klee.
Analytical Essay # 102433 |
750 words (
approx. 3 pages ) |
2 sources |
MLA | 2008
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$ 16.95
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This paper examines the nature of modernity in motion within the futurist movement at the turn of the 20th century. By analyzing "State of Mind: The Farewells" (1911) by Umberto Bocking and "Cosmic Flora" (1925) by Paul Klee, the paper shows how the works present both an organic and industrial representation of the fast movement of technological developments, which provide a distinct sense of motion through composition and objective technique. The paper concludes that, through their desire to capture the quickening tempo of advancing technology and rapid development, these painters took an abstract and progressive view towards motion in composition, in which modern motion became the axis of human progress.
From the Paper
"Another advocate and inspiration of the futurist movement was Paul Klee, as his compositions also provide a varied set of modern motion that provide a more organic variety of this style. In "Cosmic Flora" Klee shows a set of tiered expressions of the movement of life in 'cosmic' framework, very much like a set of parallel filmstrips in a moving picture. The different aspects of floral and landscape arrangements act as a similar stylistic that was to be used as a vehicle for motion in futurism. Other artists such as Egon Schiele and Franz Marc used this type of motion that provides a framework for motion in relation to space. Klee's attempt to show an abstract point of view of movement in a cosmic setting is also similar to Boccioni's "The City Rises", which provides the idea of modern urban people as a blurred and nearly incomprehensible set of objects that are restless and constantly active. With the 20th century technological advances making rapid progress, Klee is representative of a more organic type of futurism that expressed movement in the fluidity of modern motion (Klee 31), but without the industrial aspects of Boccioni's works. For Klee the major difference between his own organic motion and industrial motion are the only aspects of differentiation that do not bind him to the futurist movement of Boccioni's "State of Mind: The Farewells.""
Tags:modernism, modernity, futuristic, painting, Paul, Klee, Schiele
Discusses the cosmic rule flowing from the creative principle of chaos.
Essay # 48131 |
1,800 words (
approx. 7.2 pages ) |
5 sources |
2003
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$ 34.95
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Describes Zeus as master of the universe. Examines the male principle, the female principle, the transfer of cosmic power from the creative female to the active male, Gaia, the Titans and Monsters, and the gods.
From the Paper
"However one explains the way in which Zeus becomes master of the universe-and the fact that ultimate rulership is specified as male undoubtedly has parallels in the whole of recorded human experience-it is necessary to see that the transition of ..."
Analyzes 1968 science fiction film as expression of social yearning for cosmic, mythic connection, using [E.T.] as another example.
Essay # 11978 |
1,350 words (
approx. 5.4 pages ) |
2 sources |
1996
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$ 27.95
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From the Paper
"Janet Hocker Rushing refers to a yearning for wholeness in our time, something that all cultures have longed for in some degree. Our own age is seen as one of fragmentation, secularization, and an absence of unity, leaving us with a modern need for transcendence such as has been noted by a number of writers. Rushing finds that we seek this sense of the transcendent in our entertainment and our art, and she refers to the fact that our modern audiences find transcendence addressed in movies, notably science fiction films that make a cosmic connection in mythic form. She cites E.T. as one particular representative of this genre, and she applies what she calls the "perennial philosophy" to this film, as will be done here with reference to another science fiction film of an earlier era and one of the first to make this mythic connection most directly..."
An examination of how T. S. Eliot's series of poems, "Four Quartets" illustrate human beings in a cosmic way.
Analytical Essay # 7373 |
981 words (
approx. 3.9 pages ) |
0 sources |
2002
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$ 20.95
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This paper discusses universal consciousness versus individual consciousness in T. S. Eliot's poems "Four Quartets." He quotes whole stanzas from all of these poems. He discusses the limits imposed by language of human endeavors in "The Dry Salvages" discussing how the poet's life is always a part of a larger human consciousness, vis-a-vis God and suffering.
From the Paper
"If there is ambiguity to Eliot's poetic project of attempting to encapsulate the limits of human endeavors into the limited medium of human language, this is intensified even further in "The Dry Salvages." The third section of the poem is paradoxically devoted to water and spiritual dryness. The river is called "useful," and yet also "untrustworthy." Water is fluid, yet reflects the relentless spiritual monotony of human life"
Tags:Heraclitus, Little, Gidding, Burnt, Norton, East, Cocker, Dry, Salvages