Abstract The paper focuses on the Mozart opera "Cosi fan tutte" and the character of Guglielmo. The paper discusses the opera briefly and then continues to explore the character of Guglielmo, as well as the criteria necessary to portray him. The paper looks at the history of both the opera and the character and offers professional analysis in portraying the role. The paper finally offers a concise conclusion of each of the elements needed for the part of Guglielmo.
From the Paper "The operatic performance is one in which the artist must use talents of theatrical acting, coupled with a command of vocal music in order. The role of Guglielmo in the opera "Cosi fan tutte" is one that challenges these elements for a performer. With a thorough understanding of the script, training on the stage in acting and extensive vocal expertise, the performer has the ability to bring this 300-year-old role to life. The opera "Cosi fan tutte" ("Women are like that," or "Thus do all the women") by Wolfgang Amadeus Mozart is a romantic comedy in which two men are challenged to test the faithfulness of their lovers ("Cosi" 1). The libretto was written by Lorenzo de Ponte, and the construction of the opera was completed at the request of Emperor Joseph II ("Cosi" 1)."
