Abstract
In this article, the writer looks at the film "The Corpse Bride" and examines its popularity. The writer maintains that the popularity of this film is really quite amazing if you look at the fact that it seems to have a highly specialized, niche target audience, some of which are not known to be the most mainstream of audiences. The writer notes that ultimately the timing of 'The Corpse Bride' allowed what might have been a small, quiet film to blossom into an impressive box office draw. Further the writer points out that the partnerships that Tim Burton, Johnny Depp and Helena Bonham Carter have forged together through multiple films have been able to provide a fascinating and varied body of work that leaves the audience anxiously awaiting the next move for these now A-list actors and director.

From the Paper
"The story of The Corpse Bride is a stop-frame animation film by Tim Burton that is loosely based on a Russian-Jewish folklore from the 19th century. In the story, a reluctant groom, Victor Van Dort, is being forced to marry in an arrangement between his family and the family of Victoria Everglot, his betrothed. Initially, neither are very happy with the arrangement, but after they meet for the first time they fall in love and are relatively eager for the wedding to take place. Because of his surprise affection for Victoria, Victor is nervous and proves to be a disaster at the rehearsal where he makes a mess of his wedding vows and sets his future mother in law on fire. Pastor Galswells is appalled by Victor's incompetence and declares that the wedding will not take place until Victor can successfully repeat his vows and can compose himself during the ceremony."

Tags:Depp, Helena, Bonham, Carter, movie, success

Abstract
The paper analyzes the film "The Corpse Bride" and focuses on a particular scene. The paper contrasts the portrayal of the living world to the land of the dead. The paper posits that Burton did an astonishing job at creating a vibrant and lively world when all the characters are dead.

From the Paper
"Tim Burton is a notable filmmaker known for his quirky and often dark, gothic atmosphere pervading his high-profile films. Animated films are a brilliant way to escape from the restrictions of creating reality, and Burton uses this technique to his advantage in one of his films. The Corpse Bride is a stop-motion-animated film about a young man of the Living who accidentally marries a woman of the Dead, which thrusts the character in an ongoing series of unusual events. The two worlds perceived in the film are completely different, and this effect is attained to the right degree. The sets hold a peculiar delicacy and beauty. Lighting is exaggerated to the perfect extent, creating the perfect tone for every scene."

Tags:tone, lighting, effects, living, dead, Emily, Victor, Victoria

Abstract
The paper describes the "Bodies" exhibit, one of several traveling science exhibitions illustrating human anatomy through a remarkable use of real human cadavers. The paper explains that the exhibit includes whole plasticized corpses placed in athletic poses that show off the inner workings of the human body, as well as body parts, for a more in-depth analysis of organs and systems. The paper is of the opinion that in spite of its coldly scientific vibe, the exhibit is well-managed, inspiring and highly informative.

From the Paper
"In addition to the general goriness of the exhibit, the source of the bodies has cause considerable controversy. Unlike von Hagen's, the bodies in the Seattle exhibit were those of people who died of natural causes but were unclaimed by friends or relatives (Doughton). Because they were unclaimed, the bodies were donated to a medical hospital and were later plasticized for Bodies. Dr. Sui Hongjin, a protege of Dr. Hagens, was in charge of the plasticization technique used on the bodies on display in the exhibit (Doughton)."

Tags:plasticization, cadavers, organs, muscle, groups, systems

Abstract
This paper examines Gabriel Garcia Marquez's short story, 'The Most Handsomest Drowned Man in the World", which is about a corpse washing ashore and how it changes those who find it. In particular, it looks how the story is ironic in that it revolves around the fact that a dead man brings the village to life and how things that were once viewed with a dullness and complacency are suddenly seen with an attitude of appreciation and value. It examines how Marquez forces us to consider how we view unexpected events in our lives.

From the Paper
""The Most Handsomest Drowned Man in the World" is ironic in that is takes a dead man to bring the village to life. His presence told them a story of loneliness, which they respond to by giving him a home and a place to feel welcome. Esteban also becomes a symbol of change for the villagers because his presence inspires them to alter certain aspects of their lives. For instance, they are inspired to dig for springs and plant flowers on the cliffs "so that in future years at dawn the passengers on great liners would awaken" (560). It takes a dead man to bring them back to life."

Tags:corpse, village, esteban

Abstract
Forensic entomology is a relatively new area of study when it comes to murder, but it can tell a great deal that is very helpful to homicide investigations and other areas of law and medicine. It is for this reason that the interest in forensic entomology has continued to grow, and the field appears to fascinate many people. This is especially true when they begin to realize how much insects can tell humans. For the purposes of this paper, the field of forensic entomology is discussed only as it deals with homicide and what the insects on a corpse can tell medical examiners and law enforcement about time and place of death. The dipteran life cycle is also discussed, as it plays an important role in many of these kinds of investigations and is quite often used by forensic entomologists that are seeking answers.

From the Paper
"Many laypeople became interested in forensic entomology through movies such as "The Silence of the Lambs", because forensic entomologists figured somewhat prominently in the movie. These forensic entomologists are now considered "cool" by many people who find the field gruesome and fascinating at the same time. This somewhat morbid fascination with death and what can be learned from a corpse has propelled forensic entomology, if not into the spotlight, than at least out on the edge of the stage. Forensic entomology may or may not be "cool", but it is a serious science and has much to tell individuals that are studying a corpse to determine when that person died and where. If foul play is thought to be involved, when the victim died and where can be pieces of evidence that would be considered very crucial in bringing the murderer to justice."

Tags:homocide, justice, solve, insect

Abstract
This paper explains that, through the 20th and 21st centuries' psychological and individualistic lens, "Hamlet" often is thought of as a drama primarily about one man's relationship with a dead father and a living and murderous stepfather, but it also can be seen as a play almost completely about the circular economy of revenge, which, during the Elizabethan and Jacobean era, was one of the ways individuals remained connected to the past and the world of the dead. The author believes that the most chilling display of the ideology of revenge is the scene in the graveyard, where Ophelia's corpse is wrestled between her brother and Hamlet. The paper relates that, in Act 4, when Hamlet returns from England, the site of Protestantism, he no longer sees revenge as a positive thing; the Elizabethan audience would have approved of this attitude, which despised revenge and purgatory as anti-humanist, but still acknowledged the need to survive in a bloody, politically uncomfortable, and divided society.

From the Paper
""Hamlet" begins with a Denmark under siege in Scene 2, with the Norwegian Fortinbras demanding revenge for his dead father in the form of restitution of Norwegian lands. Upon meeting the ghost of his dead father, Hamlet vows revenge upon his uncle. He says he will forget all of his studies, even his identity, until this is accomplished. Hamlet does not kill his uncle at prayer, because the revenge will not be full and fitting if Claudius does not suffer in purgatory, calling this hire and salary, rather than true revenge. Laertes vows revenge upon Hamlet, the man who killed his father. Ophelia bedecks herself in flowers and uses the flowers to communicate, through the riddles of her broken mind, to say what she could not say while sane."

Tags:religion, protestantism, connection, dead, elizabethan

Abstract
In William Shakespeare?s "The Tragedy of Hamlet, Prince of Denmark", Hamlet?s mother, Gertrude, is subject to interpretations of womanhood and responsibility for the death of her husband and her marriage to his brother. The paper shows that inconsistencies in her roles of wife and mother make Gertrude?s position in Hamlet?s life a point of confusion. Her faults are an outlet for Hamlet?s rage and shame towards his father?s situation as cuckold and corpse.

From the Paper
"The subjectivity given to Gertrude's roles is a dividing point between the king and Hamlet in their plans for revenge. Gertrude is inconsistent in her affection, her drive and her degree of involvement in the death and cuckolding of the king uncertain. Nonetheless it is what others believe that shape their actions toward her. She is object to Hamlet's rage and his desires, the confusion of blame and identity. The Tragedy of Hamlet, Prince of Denmark examines the role of the female in a masculine world overturned by its own establishments of marriage and inheritance as well as the function of the subversive feminine."

Tags:Ophelia, Claudius, Rosencratz, Laertes

Abstract
This paper discusses the discovery of a Neolithic man in the Otzaler Alps. It discusses the actual discovery, description of how life was during his time period, and the many other findings upon testing this four thousand year old corpse.

From the Paper
"Otzi therefore lived during the late Neolithic period. Since his time of life was narrowed down it can be assumed that his community or culture was very active in pottery and other ceramic items. During the time of the Iceman Neolithic farming was taking place. Raising crops and livestock was quite common."

Tags:anthropology, ice, man, neolithic

Abstract
This paper uses works by Ashraf Rushdy ("Exquisite Corpse" and "On Impact") and D.B. Morris ("The Culture of Pain") to show how the authors go about expressing the severity of their subjects. The paper argues that, if adequate evidence of pain in literary writings is not furnished, then the writing itself will not attract the readers, nor will the readers be attracted to the idea of pain. It also shows that, if writers use pain as an attractive force in their writings in the way that Ashraf Rushdy has, a reader finds it much easier to accept what idea is expressed. In cases where writers do not provide evidence for the presence of pain in the writings, the work does not have an impact.

From the Paper
"Rushdy's evidence of pain achieved through photography is vital, but he also reminds the reader that the evidence furnished in this way should be accompanied by the facts that are relevant to it. If the photographic evidence were inappropriately made use of, then untold upheavals could result. In a cultural setting photographic evidence has the ability to unleash the greatest of emotions, and thus great care must be taken to ensure that the evidence is not used inappropriately. The precaution is essential, and is so because of the fact that "pictures of graphic violence still have to power to make an impression." He describes on the basis of a photograph of a slain African American triggering violence in the US."

Tags:psychogenic, terror

Abstract
The major moral principles of most religions, the natural inclination of most children, and the analysis of most philosophers agree that animals should be treated with dignity and kindness. Today, many ordinary people are torn between their traditional meat-eating habits and a growing knowledge that meat-production in the Western world is unnecessarily cruel; meat-eating is the passive slaughter of an innocent living creature through horrendous suffering. In short, this paper shows that it is increasingly becoming obvious to many that meat-eating is incompatible with their intrinsic moral values. However, many more have no compunction about contributing to the suffering of a mere animal, and no few are actually attracted to the idea that by devouring meat they eat the corpse of an animal and take in something both tribal and somehow (in this modern world) sinful. It is the contention of this paper that for those whose conscience convicts them, meat-eating is wrong, but for those to whom death and consumption feels morally compelling, it is in fact right.

From the Paper
"So to take a human example, consider Andy Stewart who is trying to decide if he wishes to be vegetarian. He hears the thoughts of Nozick, and is afraid that Nozick may be correct -- it is empirically immoral to be a sadist and kill a cow, isn't it? He should not, however, be swayed by Nozick's personal moral beliefs that sadism is immoral, anymore than he should be inherently swayed by De Sade's theories that say sadism is inherently moral. Rather he should consider his own emotional state. He should, ideally, go to a factory farm and go to a slaughter house and see the truth of meat production for himself. If he can look a cow in the eyes, and then watch without moral compunction as it is herded up and slaughtered, then he has the moral right to eat meat - if he still can. If not, then he is not meant by his own nature to eat meat. Such moral honesty is the only morality left to a truly relativist world."

Tags:Nietzsche, Rand, Nozick, De, Sade