Abstract This paper analyzes Henry James' use of literary images of New York in his short story "The Jolly Corner". It combines extracts from the text with other of James' work (particularly "The American Scene") to show that "The Jolly Corner" may be seen as an autobiography of sorts and provides many deep insights into the life and works of James.
From the Paper "The sense of eeriness that Henry James lets exude in The Jolly Corner is the same that one experiences when comparing it to The American Scene. Unlike Washington Square, where contrasts are much more prevalent than comparisons, The Jolly Corner is very nearly, eerily so, a "fictional mirror" of James? non-fictional travelogue. Comparisons can be made at every level with The American Scene: from the pervading themes to the images of New York. It is the intention of this paper to show that, to a very great extent, Henry James? images of New York in The Jolly Corner share the same style of his late period and, in particular, his work The American Scene. By extension, this paper will also contribute to the ongoing argument that The Jolly Corner may be seen as an autobiography of sorts by James."
Abstract This paper compares and contrasts the tendencies of Henry James in his writings. "The Beast in The Jungle", "The Jolly Corner", and "The Portrait of a Lady" are three of James' works that are examined in detail. In particular, this paper focuses on the protagonists of each of the writings respectively. A strong comparison is made between the three protagonists of these writings, and their miserable lives. On the other hand, the protagonist of James' story "The Tragic Muse" is shown to lead a life of happiness and success. The paper notes the clear differences between this story and the others, therefore explaining what leads the character on a different path.
From the Paper "In contrast, Portrait of a Lady presents Ralph as an invalid who lives vicariously through a woman named Isabel Archer whom he leads to doom. He bestows upon her a large sum of money, despite his father's warning that fortune hunters will target her for it. Ralph replies, "That's a risk, and it has entered into my calculation...I'm prepared to take it" (p. 161). Ralph is financially generous to Isabel not out of love but out of a morbid fascination. He wants to see what she will do with it. When Isabel marries a gold-digger, she fulfills the victim role that Ralph's father had feared. Ralph's fascination with Isabel's life overcomes any concern he might have had for her welfare."
Abstract This paper conducts a semiotic analysis of the two movies, "You've Got Mail" and "Shop Around the Corner". The author finds that the main plots movies are similar, but there are important differences wit in the cinematography, themes and characterization. The paper highlights the differences and then proves why the older version was far more appealing than the newer one.
From the Paper "You"ve Got Mail? is the remake of 1940 classic "Shop Around the Corner". While the main plot is the same there are certain semiotic differences, which should be studied closely in order to see which version is the better one. I have seen both movies and liked the original version better not only because of it being a classic but also because there are certain important features which puts the older version a lot more above the 1990s remake."
Abstract This paper discusses A. A. Milne's final book in the "Pooh" series, "The House at Pooh Corner". The paper examines how Milne shows the importance of both education and imagination through the storyline in this book. The paper claims that Milne wants to teach children preparing to start school to approach it as a new adventure, a new world to explore, but they must remember to bring imagination with them.
From the Paper "For years, A.A. Milne has charmed young readers with his lovable characters, Pooh Bear, Christopher Robin, and company. In the course of several novels, children met and fell in love with Pooh and his friends. Children were transported to the magical forest and carried along on all of Pooh's grand adventures, which culminate in Milne's final Pooh novel, The House at Pooh Corner. Although Pooh will not embark on any new adventures, he remains a favorite character in children's literature. In the final episode of Pooh, Milne leaves his readers with many fond memories. More importantly, he weaves an important message into the final adventures of Winnie the Pooh."
Abstract The paper notes that Professor Elijah Anderson is a renowned studier of human behavior and that one of his most important studies had been observations in a local bar and liquor store in Chicago's South Side. The paper further notes that for three years Anderson analyzed and interacted with the people who visited the store "Jelly's". This information has been compiled into "A Place on the Corner". The paper discusses how Anderson's work has gained popularity due to the multiple approaches to ethnography that he has adopted to study the people who visited "Jelly's". This paper critically outlines Anderson's contribution to the field of ethnography and how it helps one understand the local street people.
Outline:
Introduction
Synopsis
Review
Conclusion
From the Paper "In every community according to Anderson there is an understanding and acceptance with conditions. The individuals meet and commune without crossing the boundaries of each other's territory. The process of social exchange allows them to produce a social order. This is also reflected in urbanization and urban society where groups form extended family to associate their identity with. This is explained by the concept of social stratification. According to Bergel (1962) social stratification refers to "generally conceived structural feature for a given social system." Bergel is of the view that like the universe human social structure reflects its units. Individuals are the functional units that play the role of identity, functions, effectiveness and efficiency of the group".
Abstract This paper looks at the miserable characters in Henry James' novels "The Beast in the Jungle", "The Jolly Corner", and "Portrait of a Lady" as contrasted with the alone but happy character of Nick Dormer in "The Tragic Muse".
From the Paper "In contrast, Portrait of a Lady presents Ralph as an invalid who lives vicariously through a woman named Isabel Archer whom he leads to doom. He bestows upon her a large sum of money, despite his father's warning that fortune hunters will target her for it. Ralph replies, "That's a risk, and it has entered into my calculation"I"m prepared to take it" (p. 161). Ralph is financially generous to Isabel not out of love but out of a morbid fascination. He wants to see what she will do with it. When Isabel marries a gold-digger, she fulfills the victim role that Ralph's father had feared. Ralph's fascination with Isabel's life overcomes any concern he might have had for her welfare."
Abstract The following paper examines Whyte's understanding of poverty, socialization, social inequality and subcultures. This paper also reflects on the communities studied by Whyte and examines the way in which social inequality serves as the main cause of failure to achieve society's goals.
From the paper:
?Although it was first published over fifty years ago, the ideas and themes contained in Street Corner Society are just as important today as they were in the 1940's, and it still features highly in the reading lists of many sociological courses. .By putting his own life on hold, in order to enter and become accepted by a community of Italian-American immigrants in Boston, the author William Whyte was able to become a part of their world and write about real people and their real lives.?
This paper reviews W.H. Auden's poem, "Musee de Beaux Arts", an analysis of a motif from Pieter Brueghel's paintings that humans continue their lives despite events of human suffering.
Abstract This paper discusses Auden's poem "Musee de Beaux Arts", which presents the idea that Breughel's work depicted everyday events but in the corner of the painting is a small depiction of human suffering such as the crucifixion of Jesus. The author asks "What can any one man do to make a difference in the face of human tragedy?" and states that Auden's answer would be: Tell the tale, paint the picture, write the poem describing the human suffering to rouse others to consciousness and involvement.
From the Paper "The first painting, Auden passes,, depicts an example of 'human position" of suffering, a moment of pain, which also is a moment of glory: The birth of Christ. While a woman struggles in labor, the old men, indifferent to her suffering, 'reverently, passionately (await)" (line 6) the product of her labor, and children already born, "who did not specially want it to happen" (lines 7-8) go on with their play, "skating on a pond at the edge of the wood" (lines 8-9)."
Abstract This paper examines the role of nurses at Western Health Care Corporation in Corner Brook, Newfoundland. It focuses on the corporation and the nursing association's mission statements. It provides a theoretical framework also.
The Interrelation of the books by Perrow, C. "Complex Organizations: A Critical Essay", Whyte, W.F. "Street Corner Society", Bandura, Albert, "Social Learning Theory", and Thurow, L. "The Future of Capi"
1,150 words (approx. 4.6 pages), 4 sources, 2002, $ 44.95
Abstract This study will discuss the books by Perrow, C. Complex Organizations: A Critical Essay, Whyte, W.F. Street Corner Society, Bandura, Albert, Social Learning Theory, and Thurow, L. (1996). The Future of Capitalism. By analyzing these books and combining the different thought patterns that they suggest, we can understand how they mix I crating a whole picture, rather the separated ones that they suggest. By announcing some elements of one book.
Abstract This paper compares the use of images of New York in four of James' fictional works ("Crapy Cornelia", "The Jolly Corner", "Washington Square" and "An International Episode") and one of his non-fictional works ("The American Scene") . It finds a number of patterns in the way in which James writes, particularly when his 'late period' style is contrasted with his 'early period' style.
From the Paper "If we compare the length of James? images of New York from James? late period with those of his earlier works we can notice big differences. With the exception of the excellent descriptions of New York in their introductions, both Washington Square and An International Episode contain images of New York usually within the confines of a single, succinct sentence. This is certainly not the case with James? latter works, the descriptions of which may run into pages (see for example James? three page description of hats in The American Scene). Although it would be out of style with this paper, it would be interesting to do a textual analysis comparison between the images of New York in James? early and late periods (based on the lines of analysis such as that carried out by Smit 1988)."
Tags: cornelia, corner, crapy, episode, international, jolly, square, washington
Abstract This paper aims to study images of New York in the works of Henry James. It uses a non-fictional work ("The American Scene") and four fictional works ("The Jolly Corner", "Washington Square", "Crapy Cornelia" and "An International Episode") to argue that there are discernable patterns to James' images and that they appear to develop over the course of his literary career.
From the Paper "It is interesting to note that the monster images are applied at a number of levels. First, they are applied at an overall level, where James asks overtly "Had New York, the miscellaneous monster, a heart at all"? Secondly, they are applied at the level of the greedy producer and consumer that James so despises as "monsters of the mere market". Lastly, they are applied at the level of the new immigrants into New York "in their monstrous, presumptuous interest, the aliens, in New York". What these various levels show is the far-reaching range of distrust that James harbored towards all of the various factors undergoing change in New York at that time."
Abstract This paper examines the strange occurrences of scepters throughout Edith Wharton's short stories "Afterward" and "The Lady Maid's Bell," and Henry James' short stories "The Turn of the Screw" and "The Jolly Corner". It discusses how ghosts prove to be elusive in all four short stories: some characters can see them while others cannot. The ghosts seem to make their appearance known to only a select few.
From the Paper "However, ghosts serve distinct purposes in each of these four stories. James' "The Jolly Corner" is the only story of the four in which the protagonist is haunted by his own ghost and for whom the ghost delivers a poignantly personal message. In all the other three stories, the ghosts' presence concerns characters other than the protagonist. For example, in James' "The Turn of the Screw," the ghosts of Miss Jessel and Peter Quint alarm the current governess of her charges' coming-of-age. The ghosts' presence pertains directly to the children's lives and not that of the new governess, even though the narrator becomes profoundly affected and frightened. Similarly, in "The Lady Maid's Bell," Emma Saxon's ghost frightens Hartley but warns her not of her own doom but that of Mrs. Brympton. "
A look at three children's books: E. Milne's "Winnie-the-Pooh" and "The House at Pooh Corner", and C.S. Lewis' "The Magician's Nephew" and how they reflect children of that period.
Abstract This paper looks at children's literature in Great Britain in the first half of the 20th century and considers whether children's books of that time gave access to the voices of children of that time. The books consulted are E.E. Milne's "Winnie-the-Pooh" and "The House at Pooh Corner", and C.S. Lewis's "The Magician's Nephew". In conclusion, the author of this paper states that even in books written about children and for children, children seem to be all but mute due partly to the various agendas of their authors.
From the Paper "The first half of the 20th century was a dynamic and volatile time historically for Great Britain, given that during this time Great Britain played a primary role in two world wars, and also that - at the time - it was the most dominant nation in the world, with a huge colonial empire that spanned the globe. By the end of this period, Great Britain had begun to be eclipsed by the USA, as the USA leveraged its scientific and military might to gain global ascendancy. Also during this period began the huge changes associated with decolonization, as nation after nation claimed independence. This of course had a massive impact on Great Britain, as her colonial possessions were part of what made the British nation rich, powerful and strong. All in all, it was a time in which British power and control was slipping away. Yet at the same time, many Brits still retained a self-image of themselves as rulers of the world, and assumed that British standards of morality, decency and behaviors were universally valid (Cannon). This self-image, as we shall see, comes through more clearly in children's books than do the authentic voices of children."
Abstract This book review analyzes the premise of social organization that is represented within William Foote Whyte's social analysis of Italian culture in North Boston in his book "Street Corner Society: The Social Structure of an Italian Slum". The paper points out that, although the premise of Whyte's study focuses on the lower class ethnic community of the Italian immigrant culture, he invariably provides an unbiased view of both the educated and uneducated classes within this socially organized, tightly knit social group. In conclusion, the paper maintains that Whyte provides an innovative sociological perspective in his study of sociological cluster groups that dispels the stereotypical dualism of the educated and the uneducated that were far more intermixed in these diverse social strata.
From the Paper "A common misperception of the poor is that they have little social organization or that they are not part of the majority of Americans that partake in social organizational processes. Whyte was a pioneer in the 1930s and 1940s at providing an unbiased social analysis of the Italian slum culture, which provided a wide variety of social organization within gang culture, as well as clubs that were formed to bring cultural unity to North Boston. Whyte actually lived amongst these peoples, and provides direct evidence of these types of organizations, such as Doc's gang in section I. Doc is an uneducated young man in Whyte's (1993) research that had control over the Norton Gang in the area."
