Abstract
Friedrich Engels assumes an historical materialist mode of analysis to reveal the fundamental contradiction at the heart of capitalism and the social and economic conflicts that stem from this contradiction. This paper will demonstrate how Engels (following Marx) considered that this contradiction would inevitably foster antagonism between the proletariat and the bourgeoisie. Unbridled competition would, almost paradoxically, lead to monopoly (cf. Microsoft, Air Canada). The resulting crisis would reveal the incapacity of capitalists to manage modern productive forces, leading to proletarian revolution.

Abstract
The paper explains how Bell's work, "The Cultural Contradictions of Capitalism" is a direct reflection of the changing society in which Bell lived. The paper discusses how Bell can be viewed as a cultural critic who highlighted the contradictions inherent in capitalism. The paper looks at Bell's arguments and predictions that did not prove to be true.

From the Paper
"When reading Bells' book, it is important to keep in mind that it was written in the early 1970s, shortly following the social upheaval of the 1960s. Bell was trying to make sense of these new social changes and what they meant for the newly emerging society. Bell stressed the importance of culture, rather than religion as the basis for society. He states, "today culture has clearly become supreme (Bell, p. 431). Bell stressed the economic principle of rationality as defined in terms of efficiency in the allocation of resources. However, he also claimed that culture is dominated by irrationality. These two principles contradict each other."

Tags:society, Martha, Stewart, socialism, inflation

Abstract
The paper states that Daniel Bell's " The Cultural Contradictions of Capitalism" was originally published to critique the dominant American assumption that capitalism promoted individualism. The paper comments that Bell instead believed that capitalism had come to promote standardization and had created corporate bureaucracies as powerful as church or state bureaucracies of the past. The paper continues by relating that Bell also believed that the counter cultural reaction to capitalism was also misguided, as capitalism had begun with the Protestant work ethic, and its spirit of individualistic austerity, puritanism, and freedom from Church institutional authority. The paper concludes that this sense of Protestant freedom and independence had slowly been eradicated, and this value was taken over by the Modernists, and then ineffectually by 'counterculture' as the anti-capitalist youth movement was still called when Bell wrote his work.

From the Paper
"The cultural contradiction of capitalism is that capitalism began as a kind of radical, austere Protestantism, with a heavy emphasis on rejecting the collective Catholic dogma of the past. Protestantism developed a new attitude towards wealth. It stressed pursuing excellence and perfect standards with relentless individualism and drive. But this rigidity made the originally radical notion of capitalism eventually become conservative in terms its morality. This evolved to create the uniform, imposed standards of large corporations and state bureaucracies, including, ironically, the Soviet bureaucracy. In response to what came to be seen as bourgeois values, the cultural beliefs of Modernism began to react against capitalist values and celebrate the function of culture as a kind of misrule, not capitalist order. Capitalistic Protestantism came to deny its original individualistic ethos, and this value of individualism was taken over by artists and anti-capitalism."

Tags:individualism, affordable, healthcare, bureaucracy

Abstract
This paper argues against capital punishment in the United States, stating that the death penalty is contradictory to the eight and fourteenth amendments in the Constitution. Of the belief that capital punishment creates a cycle of violence, the author provides research and statistics that show how arbitrating the sentence of death can come to be. The paper lists testifying for deals, race biasness and police brutality as possible factors that sway jurors who are often misguided and argues that the government is hypocritical for implementing and allowing the death penalty when it goes against the fundamental values of the United States.

From the Paper
"Many advocates of the death penalty feel that it provides deterrence for future capital crimes. However to assume that the person who commits the murder is thinking rational is a mistake of elemental proportions. In fact the amount of premeditated murders is miniscule when compared with murders that occur in the heat of passion, to assume that any person in such a situation is going to stop and consider future consequences is asinine. Under deterrence we will examine two individual worlds and why both should condemn the death penalty. The first will be a pacifist approach the second a non-pacifist."

Tags:violence, criminal justice, jury criminals, death penalty

Abstract
The poetry of John Keats (1795-1821) is representative of the Romantic Movement in Europe during the early 1800s. In this essay, Keats' (1919) "Bright Star" and (1819) "Ode to a Nightingale" are compared as classic examples of Romanticism's interests in the human soul, representations of perfection in Nature, and especially of depicting the emotions, passions, and sensualities of human existence. Both poems contain examples of Keats' own desire to portray the questions of life in contradictions.

Tags:contradiction, identification, nature

Abstract
The paper examines the history of the social welfare policy in the United States and how it has developed over time. It then looks at America's more recent practice of imperialism and explains how the two contradict each other in some ways. The writer explains that other nations of the world tend to have a negative image of the United States' imperialist image and know less about its social welfare policies.

From the Paper
"The history of social welfare policy shows that it was originally not a very organized movement and was more or less carried on by community groups who sought to provide relief to those who couldn't possibly become part of the paid labor force such as children and mothers. After the Civil war for example, social welfare policy focused on providing cash assistance to poor families with special emphasis on providing for the children who would otherwise end up in foster homes. Mothers' pension laws were created to provide some monetary relief to poor women without adequate financial support. After the Civil war till the time of First World War, American social welfare policy was mainly designed to benefit poor rural women and children."

Tags:civil, war, middle, east, rural, poverty

Abstract
This paper discusses two landmarks in the history of the United States of America; slavery and genocide and the laws created against them. The paper also reports the factors that exist as to why democracy cannot be implemented in the United States of America.

Outline:
Contradictions of a "Slave Society" And the Ideas of Democracy in Early American History
Extent of America as the Land of Free

From the Paper
"At first, slavery was a routine for African American children and adults who had to work each day and face a lot of torture with from their masters. There was no law pertaining to slavery. Then when there were riots against this sort of act, slavery became a part of law and the Americans had to decide a way of showing which adult was a slave and which of them was not. In order to do so, the decision of whether an individual was a slave or not depended upon the status of the mother.
There were also acts that were held in the 19th century where the white American leaders would have ways of shipping the African Americans back to their homeland and by using their powers, the term slavery was also added into the United States of America Constitution. Eventually, slavery was eradicated from America."

Tags:slavery, president, torture

Abstract
This three-page undergraduate paper examines the intellectual and moral contradictions in the character of Rodion Romanovich Raskolnikov in Feodor Dostoyevsky's novel Crime and Punishment.

Abstract
This paper reviews the above novels and looks at how truthful perceptions are hard won by the characters in each case. It examines how the protagonists in each story do not first perceive themselves or the world in a way that is commensurate with reality and how through the juxtaposition of reality and the character's dreams, a sense of truth is created and a sense of a character's final coming to terms with some self-knowledge is created at the narrative's closure. It looks at how all three protagonists swim in a sea of contradictions between a truth that can never be expressed or known to the outer world and to the strife they feel within themselves. In all three short stories, the true depths of the character's inner turmoil are never completely revealed to all. No one ever understands how much "The Kiss" meant to the soldier, O'Brien's soldiers never say quite what happened to their comrades during the Vietnam War and Leggatt leaves the tale a mysterious "floppy" had on shallow water.

From the Paper
"Tim O'Brien's "How to Tell a True War Story" also creates ironic juxtaposition between perceived reality and what is actually true. In this case, the juxtaposition is between the characters' real experience of war and the propaganda the characters were fed before they began to fight the war in Vietnam. As in Chekhov's short story, this juxtaposition ultimately proves embittering to the protagonists. The narrator of O'Brien's narrative states that in the end, really, there's nothing much to say about a true war story, except maybe "Oh." True war stories do not generalize. They do not indulge in abstraction or analysis.? "

Tags:dreams, truth, closure

Abstract
Explores the accessibility of William Shakespeare's play Othello through its incisive exploration of human instincts, and rich character base. In particular focusing on the character of Othello as a social "outsider", and the character of "absolute egoism" - Iago.

From the Paper
"William Shakespeare is often acknowledged for his rich development of character and his insights into social and moral concerns as well as human nature. In early seventeenth century his ability to analyze human nature and bring it to a theatrical setting was at its height and it was at this time that he produced Othello among other great tragedies. Othello is notable for its portrayal of characters, especially lago and Othello and the incisive observations it makes of human instincts. It is the strong character base and its timeless observations of human nature that make Othello accessible to an audience in any time or place."

Tags:alienation, character, evil, good, honest, iago, othello, outsider, play, race, racial, william