Abstract
This essay discusses and analyzes Joseph Conrad's short story The Secret Sharer. The author describes Conrad's life as a sailor and its influence on the tale. The relationship between the two main characters, the unique plot, symbolism, issues of morality and justice, and general themes are also explored. A critical review of the story concludes the essay.

From the Paper
"In a discussion and analysis of Joseph Conrad's short story "The Secret Sharer" (1910), it is important to begin with a look at the author's life to better understand the foundation for the vivid details in this seaman's tale and how Conrad's personal experiences certainly influenced the language used and plot in this work. Joseph Conrad was of Polish origin and born in 1857, and he lived in Poland until he was seventeen years of age. In 1874 Conrad left Cracow for France to learn the fundamentals of seamanship and a second language. At the age of twenty Conrad moved to England with the intention of becoming an officer on British ships, and he spent the next twenty years working at sea. He soon mastered English as his third language and then became a British subject around 1886. Although a common sailor at first, Conrad advanced quickly through the ranks, became a ship's captain at the relatively young age of thirty-one, and spent three years in the Far East on a series of voyages. By the age of forty Conrad was in declining physical health and retired from the sea forever, and he worked as a popular and successful English novelist until his death in 1924."

Tags:conrad, jospeh, secret, sharer

Abstract
The paper posits that Joseph Conrad's novelette, "Heart of Darkness", is considered by many as one of the great classics in English literature. The paper relates that the story itself takes place in the anachronistic setting of the Congo jungle. The paper shows how as the story's protagonist, Charlie Marlow, edges ever so slowly up the primal Congo River, Conrad's masterful use of literary device draws the reader closer and closer to the truth about human nature.

From the Paper
"Joseph Conrad's novelette, "Heart of Darkness", is considered by many as one of the great classics in English literature. The story itself takes place in the anachronistic setting of the Congo jungle. As the story's protagonist, Charlie Marlow, edges ever so slowly up the primal Congo River, Conrad's masterful use of literary device draws the reader closer and closer to the truth about human nature. Conrad sets the tone of the story at the onset of the first scene as..."

Tags:joseph conrad, heart of darkness, human nature

Abstract
This paper discusses how Conrad's plot revolves around the disintegration of Marlowe's high flung theories about colonialism when he sees the cruelty his government has imparted on the African people. In 'Heart of Darkness', the colonial objectives of the British are also thematic through these insular points of view. Conrad writes on how the English perceive the African in their travels to Africa.

From the Paper
" In this literary analysis of the Heart of Darkness by Joseph Conrad the basis of British perspectives on colonialism will be brought forth in Africa. The theme of this novel reflects the horror of colonialism, and the ruthless nature of governments that are presented through a British point of view. In relation to this the theme of colonialism, the character of Marlow in the novel reflect youthful and naive rejection of British imperial design. In essence, the theme of colonialism and Marlowe's rebellion against colonial principles will be analyzed within this study. For the author Joseph Conrad, the character Marlow is a young man that must learn that high ideals are colonial principles through experience, not through politically correct ideologies and literary propaganda. "

Tags:colonial, conrad, darkness

Abstract
The paper discusses how a comparison of Max Weber's "The Origins of Industrial Capitalism in Europe" and Joseph Conrad's "Heart of Darkness" reveals far more similarities than differences. For instance, the paper explains that while Weber's article purports to be an introductory glimpse into the social and political history of Western Europe, Conrad's work is a fictionalized account of a white man's journey into the heart of Africa.

Tags:weber, conrad, capitalism

Abstract
The paper relates that Joseph Conrad's "Heart of Darkness" is one of the most well-studied short novels of the early 20th century, and likely one of the most influential in a number of ways extending well outside of the literary or academic sphere into the realm of popular culture. The paper examines the strong position that this book occupies among the leading examples of early modernist prose.

From the Paper
"Joseph Conrad's "Heart of Darkness" is one of the most well-studied short novels of the early 20th century, and likely one of the most influential in a number of ways extending well outside of the literary or academic sphere into the realm of popular culture. Conrad has been called "a tragic novelist, engaged in a sustained exploration of the contradictions inherent in man's relations with his fellows" (Berthoud, 3.) What we will examine here is the strong position that this book occupies among the leading examples of early modernist prose. It is difficult to perfectly encompass a definition of modernism within a..."

Tags:conrad, imperialism, modernism

Abstract
The paper discusses how one of the key strategies in the representation of the "Other" - as a component in the making of the modern "West" - was that of "sexual fantasy". This paper explores this strategy with reference to its application in Joseph Conrad's "Heart of Darkness". The paper argues that the figure of Kurtz' African lover in the novel is a complex representation of a range of sexual fantasies that are used to reinforce the idea of West as synonymous with civilization.

From the Paper
"One of the key strategies in the representation of the "Other" - as a component in the making of the modern "West" - was that of "sexual fantasy". This essay will explore this strategy with reference to its application in Joseph Conrad's "Heart of Darkness". As will be argued, the figure of Kurtz' African lover in the novel is a complex representation of a range of sexual fantasies that are used to reinforce the idea of West as synonymous with civilization."

Tags:conrad, other, west

Abstract
The paper explores Conrad's "Heart of Darkness" in terms of the variable of imperialism.

From the Paper
"Reading "Conrad Against the Grain," Joseph Conrad introduces "Heart of Darkness" through the words of Marlow who points out to his fellow passengers that the Roman conquerors arriving in Great Britain encountered little more than savages and marshes and were at the time of their arrival literally on the very periphery of the civilized world. Later, of course long after the Romans were only a memory in England, the English themselves undertook the task of imperial colonial exploration and conquest."

Tags:Joseph Conrad, Heart of Darkness

Abstract
This paper anaylzes the central passage in Joseph Conrad's novella, "Heart of Darkness", from the scene between Marlow and Kurtz that takes place on the river-boat just prior to Kurtz's death. It is a highly dramatic scene, and one that is open to differing interpretations. The paper attempts to analyze what Marlow believed drove Kurtz to cry out the words, "The horror! The horror! ".

Tags:conrad, darkness, horror

Abstract
This paper links the dark vision of Joseph Conrad's "Heart of Darkness" to the fripperies of Jane Austen by showing that these writers can be seen as important bookmarks to the era of the modern novel. We cannot understand Conrad's work without understanding its connections to his time. The paper shows that by looking back to a writer like Austen, we can see how much has changed in the world at large and in the world of the novel during the Victorian era and the ways in which authors had begun to lose faith in the power of language to represent, to contain and to describe language. The paper argues that we cannot understand Conrad's relationship to language without understanding the larger context within which literature was created and consumed. The era from the coronation of Queen Victoria in 1837 until her death in 1901, was an era of a number of key social changes that would force writers to take clear positions on issues of immediate importance to the rest of society. The paper shows, therefore, that we see very little social criticism in Austen - whose "Pride and Prejudice" was written 20 years before Victoria ascended the throne - and almost exclusively social comment in Conrad's story, published in 1902, the year after Victoria died. But even as writers began to become engaged more and more in the world at large, they became increasingly aware of the fact that language is of limited use in effecting change. The paper shows that for a writer like Austen, the power of language had only to carry a plot and characters; for Conrad language had to have to have the ability to transform the world. It is thus hardly surprising that Austen should find language adequate to her desires and her needs and that Conrad should find it inadequate.

From the Paper
"Conrad throughout this book implies that civilizations are created by the setting of laws and codes that encourage people to achieve higher standards that civilization and social bonds compel us to act out our better selves. The institutions of communal and civilized life act as dams, as bulwarks to prevent humans from reverting back to their darker tendencies, which they will do as soon as they are left alone or loosed from the constraints of their own societies, an element essential to much of colonial thought, as Back and Solomos (2000) suggest. Conrad suggests, through his insistence on the primacy of metaphor, that language cannot be counted on to be one of those civilizing bonds. When a writer can no longer count on language to provide an anchor in the world, we recognize that we are entering the rocky waters of modernism."

Tags:imperialism, colonialization, Kurtz, Marlow

Abstract
The writer of this paper provides some background on Joseph Conrad's life and relates that he selected this author because of his interest in this time in history. The writer goes on to discuss how while Conrad's stories are fiction, they provide insight into the human condition and illustrate the dangers of colonialism. Ther writer specifically mentions the rich characterizations in Conrad's works and looks at the views of two critics on Conrad's works.

From the Paper
"Joseph Conrad was born Jozef Teodor Konrad Korzeniowski in 1857. He was born in Poland but did not spend a long time there as his family was exiled to Russia in 1862. His politically active parents died when he was young. His mother died when he was seven and his father died when he was eleven. Widmer maintains that exile and losing his parents had obvious "traumatic effects on the young Conrad" (Widmer). Conrad was placed in the care of his uncle who might have been stern but allowed Conrad to travel when he was 16. Conrad was fascinated with the sea and this passion prompted his uncle to allow him to move to Marseilles, where he lived for almost four years. He obtained apprentice jobs on ships, where he traveled the sea. Widmer notes that in the meantime, "Conrad's efforts to be a British novelist were arduous and anxious" (Widmer). He is one of the most well-read authors of dramatic realism and his works reflect an era of literature that attempts to delve into the human psyche. Perhaps one of the most fascinating aspects of Conrad's writing is the fact that he was not writing his stories in his native tongue."

Tags:colonialism, imperialism, greed, Kurtz, Nostromo