Abstract This paper presents a very positive review of the film, "The Rock", directed by Jerry Bruckheimer and the late Don Simpson and starring Sean Connery and Nicholas Cage. The paper summarizes and analyzes the film, pointing about both its strengths and its flaws and suggests that it is worth viewing for anyone wishing to indulge in a heart-pumping, action flick.
From the Paper "Is Alcatraz a movie with meaning? Will it change your perspective of life? I do not think so. However, if you enjoy "action-packed, blow-em up" type of flicks, and you are just looking for pure entertainment, this movie was made for you. It is one of the fastest, slickest, and most fun films of this genre. The Rock "rocks.""
Abstract This paper describes in-depth the life of Audrey Hepburn, the infamous Dutch Hollywood actress. The paper begins with her as a girl, born into Dutch Royalty, she suffered from hunger and poverty in Nazi occupied Holland. The paper provides chronological summaries of her role in all her films and plays, which provides the reader with a great sense of her enormous contribution to popular culture. It includes details of her personal life and her work as a special Goodwill Ambassador to the United Nations Children's Fund (UNICEF).
From the Paper "Gigi was Audrey's ticket to America. At the show's premiere in New York, Audrey was surprisingly visited by James Hanson, who had come to formalize their engagement (Paris 74). The run of Gigi was over by the spring of 1952. However, Audrey's career was about to take an even greater step forward. Paramount Pictures was searching for a young girl to play the role of Princess Anne in Willy Wyler's Roman Holiday (1953). Audrey was about to costar with Gregory Peck in her first American film. However, the film had forced her to postpone her wedding date. In fact, as soon as she got the part, the studios had advised her not to get married in the belief that millions of lovestruck fans would be disappointed (Paris 80). Audrey was soon convinced that she was not ready to be married, and she broke off her engagement to James Hanson."
Abstract In the 21st century, James Bond has become synonymous with fast cars, stiff drinks, high stakes and beautiful women. He is the quintessential British hero - men want to be him, and women want to be with him. This paper looks at how upon closer examination of Ian Fleming's 1958 novel, "Doctor No", it appears that Bond is not the perfect embodiment of the Alpha Male as we have come to regard him. It discusses how "Doctor No" shows thinly veiled homosexual anxieties in the relationship between Bond and Honeychile Rider.
From the Paper "James Bond is illustrated as a product of the British Public School system. Tony Bennett and Janet Woolacott, writers of Bond and Beyond, determine this from 'Bond's relationship to M [which] carries with it some of the nuances of public school 'fagging', fear, respect and admiration.' Ian Fleming's own education at Eton hints at the source of homosexual anxieties implicit in Doctor No. In Hugo Williams' commentary on Fleming, Williams remembers his own Eton days, 'having to cook sausages over an open fireplace for some older boy.' This insinuation at the same sex domesticity between the boys at Eton - where the younger boy is presumably the wife, the older boy the husband - is rehearsed throughout Doctor No."
Abstract This paper explains that the film "Austin Powers: International Man of Mystery" was inspired by a slew of sixties spy movies including the James Bond films. The author points out that most of Mike Myers inspiration came from the spy spoofs "Helm Series" produced by Columbia Pictures and loosely based on Donald Hamilton's novels. The paper explains that, in the part described by the author, the producers purposely switched the female character with a male character just after Austin hits the woman, setting the stage for the classic good versus evil theme of the film. The author underscores that the costumes play a huge role in the film with Austin dressing a bit on the feminine side, unlike the masculine 007 Sean Connery. The paper concludes that the film seems to reinforce stereotypes of men and woman in both space and time.
From the Paper "The scene I will look at is at the five minute and 18 second mark. It is in the beginning of the second chapter. The atmosphere is electric because Austin is at a club called the Electric Psychedelic Pussycat Swingers Club. Pink Floyd himself would be proud of the colors mixed in at the club. Lighting is very high for a club. The only effects are the different colors and shapes of light to signify a psychedelic mind-tripping club, which was typical in the sixties. The music was The Strawberry Alarm Clock "Incense and Peppermints" which are from southern California and was popular in 1967."
Tags: photographer, altercation, sex symbol, close-up shots, costume