Abstract This paper analyzes changes in interior design brought about because of the arts and crafts movement in the nineteenth century, noting that the movement made changes specifically in terms of the design of interiors, including the design of furniture. The movement was shaped by William Morris, best-known for the design of the Morris chair but also for being a leader in this artistic movement.
From the Paper "The arts and crafts movement was a reaction to the opulence and weight of design in the Victorian era. This movement made changes specifically in terms of the design of interiors, including the design of furniture. The movement was shaped by William Morris, best-known for the design of the Morris chair but also for being a leader in this artistic movement. In the nineteenth century, the Industrial Revolution changed the nature of manufacturing and so also affected the nature of design. The Victorian style that prevailed in the nineteenth century featured heavily ornamented interiors containing many pieces of furniture, collections of ornamental objects, and surfaces covered with fringed cloths. "
Abstract This paper details a brief history of boron composites from its earliest applications to recent developments. It studies the application of boron in composite epoxies and fibers and the use of these materials in airframe manufacturing. It includes figures showing usage of Boron composite. It concludes that boron has been very successful in aircraft manufacturing if the costs can be brought down.
From the Paper "Compounds of boron, most notably from unfinished borax ore, known as Tincal, were exported from Tibet in olden times. Historically, boron has been used for refining gold and silver in Arabia, ceramic glazes in China, and embalming in Egypt.
"Boric acid, a mild antiseptic, was isolated in the laboratory by chemistry professor William Homberg in 1720. Sir Humphrey Davy, a British chemist, and two French chemists, Joseph Gay-Lussac and Baron Louis Th?nard, discovered the element, boron, in 1808 concurrently. However, it took another 155 years before science turned its focus from borax to boron, and began to reveal the secrets of this mysterious and valuable element."
Abstract In this paper the author looks at the painting, ?Composition with Red Yellow and Blue? c. 1922 by Piet Mondrian and attempts to bring a sense of purpose to the painting and instill the reader with a sense of appreciation for the message that Mondrian imparts through his art. He concludes by examining the September 11th attacks in relation to Mondrain's art and contends that Mondrain would have regarded it as surreal.
From the paper:
"Mondrian believed that artistic expression should be found in the abstraction of form and color and that his use of vertical and horizontal lines would express the perfect harmony between these two extremes".
Tags: artists, painters, Piet, Mondrian, Composition, Red, Yellow, Blue, Amsterdam, Theosophical, Neoplatonic, Panthelistic, Paris, De, Stijl, Le, Neo, Plasticisme
Abstract This paper examines the history of composite materials in the aircraft industry, their uses, the benefits and downsides of their us, and their future applications.
Abstract This paper explains the importance of knowing how to write well and how to revise and edit well. The paper describes the difficulties most students face when they are asked to revise a paper they have written and why separating the writer's ego from the revision process is a prerequisite to good editing skills. The paper also looks at current methods for teaching revision and editing skills and suggests alternatives to these methods. Finally, two case studies are discussed in the paper.
Introduction
Revision and Editing: Difficulties
Revision and Editing: Advantages
Revision and Editing: Realities
Current Teaching Methods
New Ideas
Case Study - Actual
Case Study Method
Student One
Student Two
Corrective Methodology
From the Paper "The eager freshman English writer comes to the process of composition with many pre-conceived, previously successful methods for editing a first draft. A favorite teacher's well-intentioned message, a parent's unskilled assessment, or the student's own perceptions can stymie the editorial and revision process."
This paper reviews Susan Gordon Lydon's novel "The Knitting Sutra - Craft as a Spiritual Practice" and also delves into the private life of the author.
1,005 words (approx. 4 pages), 0 sources, 2006, $ 35.95
Abstract This paper examines the novel "The Knitting Sutra - Craft as a Spiritual Practice," written by Susan Gordon Lydon. The writer of this paper also discusses personal details of the author's background and describes how the art of knitting wove its way through Lydon's life and helped her get off drugs and stay sober. For Lydon, the craft is an obsession, a meditation, a challenge, a chance for peace of mind and a way to quiet the mind. This paper explores the novel's vivid imagery and spirituality. This paper discusses the author's firm refusal to just blindly follow anything, even the patterns for her knitting projects, which makes her a thinking person's rebel. The book is peppered with quotes from an astonishing range of sources including Sitting Bull, singer Boz Scaggs, author Clarissa Pinkola Estes and Grateful Dead drummer Mickey Hart.
From the Paper "The Knitting Sutra is a story of a woman, as women are rarely seen, one who owns herself. Her humor and passion shine throughout. If you would like to spark your mind and get it swirling with ideas, no matter if you read this through the eyes of a knitter or not, give this thought-provoking, richly written book a try. Susan's insatiable need for enlightenment and spiritual truth may wear you out at times, but it may also challenge your perspective on many, many things. You may even find yourself revisiting that unfinished sweater in your closet or that unfinished story in your desk drawer. The lesson - you never stop learning and you must never stop living...the two are inevitably intertwined."
Abstract This paper compares the Arts and Crafts and the De Stijl movements. It analyzes the features of each architectural movement individually and then compares the features between them. The paper then assesses their influence on contemporary British and Dutch architecture and design. The paper provides specific examples, with pictures of how the movements influence architecture today.
Table of Contents:
Objective
The Arts And Crafts Movement
The De Stijl Movement
Contemporary British and Dutch Architecture and Design
Three Development Routes in Dutch Urban Design
Summary And Conclusion
From the Paper "The Dutch, as compared to other countries where demand is generally met by producing generic housing that is mass-produced allow the designers a chance to design housing units upon graduation from school in part because the designers are trained to ensue upon immediate work after leaving school. The Deflt University of Technology emphasizes knowledge of a technical nature and the architects have the know-how to begin building early in their career. The reasons that Dutch designers are so successful is the results of "a situation in which construction of housing has become so systematized that it has created a well-oiled machine to support the experimentation young designers embrace." (Tisma, Bijlsma, and Dammers, 2007) Furthermore, 'Concrete shells and standard window assemblies can be deconstructed and reassembled in new ways, and even the gridded landscape in which new housing estates appear give the architects a field within which they can experiment. In a sense the whole Dutch building trade subsidizes experimentation by collectivizing individual homes into large-scale systems within which architects can create innovative forms." (p. 286) One example of the new housing estate in the Netherlands is named Hageneiland and is located just east of The Hague. This property was designed by MDRDV and was completed in 2001. This property is comprised by 119 primarily rental units. The arrangement of the housing stood a row of houses that were poured into concrete frames along the road with small front and backyards. However two units were left standing closer to the road and moved a few back and so forth which created a small village of structures since the front was not closed. This results in more interaction between neighbors going to and front their homes. Each group of units is covered in one material: (1) red tile; (2) blue metal; (3) concrete panels; and so forth."
Abstract This paper discusses the film, "The Craft", and explores the argument that the quest for knowledge beyond what is natural, inevitably leads to disaster. Arguments to disprove this theory are introduced, showing that modern thought may be more likely to condone our pushing the boundaries of knowledge than older, more conservative schools of belief. The paper examines the religious, sexual, natural, psychological and political aspects of searching for forbidden knowledge or power, as it relates to the film's Gothic tradition.
From the Paper "Certainly, the first part of Bonac's statement is an accurate depiction of the four girls? decision to attempt to invoke Manon. Sarah, the newcomer, is ignorant of her inherent powers; the others understand their potential for witchcraft but lack the necessary power (the "fourth" corner). Their wishes are innocent and harmless enough: the bullied Rachelle wants Laura to leave her alone, scarred Bonnie wishes for beauty, and Sarah hopes for Chris's love. Nancy wishes initially for "a smaller butt", and Sarah is told by Bonnie that Nancy really wishes she were not "white trash" (this latter wish being understandable when we see her home situation). However, finally she wishes for Manon to possess her, to "fill" her."
Abstract This literature review research paper examines the history of the Mission Style (Arts and Crafts) furniture and style movement. The brief history of materials and style gives a feeling of how this movement evolved and grew into the Prairie home style, which includes home design. It explains how modern reaction to the computer age has adapted the Mission style furniture to include modern materials and mass production to enable more people the opportunity to enjoy the style, function, and feeling of the original-era furniture.
From the Paper "The start of the Mission Style furniture era started in San Francisco, California in 1894. This Mission Style movement started in the Mission Communities in California when the Missions were training people to be furniture craftspeople. Often the materials they used were what were available locally. These materials included timber, fine wood, finishes, blacksmith nails, castings and hardware. (Mission Furniture 1980). The furniture built in this Mission Style was and is a blend of form and function that blends the natural beauty and warmth of the materials used."
Abstract This paper focuses on the main character of Sarah from the movie, "The Craft", and how she exhibits contradictory traits and behaviors. The paper demonstrates the complex character of Sarah by examining five sets of developmental issues.
From the Paper "The main changes in adolescent are cognitive, biological, and social. During adolescence, there are changes in thinking abilities and a transition to more adult social roles (Steinberg, 2005). Cognitive changes are especially important since adolescents think differently about themselves, relationships, and the world. These changes establish the context for adolescence. They also are part of the context of "The Craft", along with such social realities as extreme meanness and racism."
Abstract The paper offers a hypothesis on the percentage composition by mass of magnesium oxide and outlines the materials and procedure used in the experiment to test the hypothesis as well as the observations found. The paper then lists the calculations that determined the percent composition by mass of magnesium oxide is 35% oxygen and 65% magnesium. The paper includes a discussion on the results obtained.
From the Paper "The percentage composition is essentially how much of one element is contained within a single compound. The law of definite proportions states that a specific compound will always have the same elements within it by definite proportions of mass [ref 1]. If this law is determined to be true, then that would mean that the percentage composition of any given substance should be the same throughout multiple samples. The magnesium strip of metal is polished with steel wool to remove any contaminants that are on the strip. The contaminants on the strip of metal could come from the natural state of the air, the container they were in, or anything that has come in contact with the magnesium. When magnesium is combusted (burned) it produces a white-powdery substance that is also known as magnesium oxide."
Abstract This is a paper about Sergei Rachmaninoff and his composition style. The author uses examples from two preludes and analyzes his works. The paper also provides a brief biography of the composer and discusses his influences, both Russian and American.
From the Paper "Sergei Rachmaninoff's music has been described as stemming the most intimate impulses of his soul, purified and faceted in the furnace of his creative power. His highly personal sense of style can be seen in his works, sometimes making them difficult to classify into one category of literature. Some writers classify his music with the great Romantic composers, such as Chopin and Schumann, while other writers, with the New Russian School of composers, such as Musorgsky, Rimsky-Korsakov, and Borodin. Still other writers compared his music to the nationalist Russian music traditions of Tchaikovsky. Despite all these disagreements, most scholars do make a connection between Rachmaninoff and his Russian background, even if it is a very minor connection."
Abstract A report on ancient Egyptian jewelry. The author focuses on how the jewelry was crafted, specific styles of jewelry, and their symbolic meanings.
From the Paper "Ancient Egypt is known for its awe-inspiring monuments, mysterious mythologies and legendary treasures. Its history is rich and complex, reaching far back into the beginnings of civilization and spanning thousands of years. Much of what we know about this ancient culture comes from the ancient artifacts it has left behind. Among these is the multitude of its beautiful jewels. What types of jewelry did the ancient Egyptians wear and how was it significant to them? How did they manage to create such incredibly intricate and unique jewelry? "
Tags:craft, art, composition, meaning, symbolism, symbolic, symbol
Abstract This paper discusses a number of considerations when planning a program for wind band concerts and when expanding a band's repertoire. The author examines various articles, which focus on the challenge of finding new music, selecting it, and its appropriateness for a given level of skill in any particular band, especially in educational institutions.
From the Paper "Reynish, following Frederick Fennell, feels that Vaughan Williams and Holst should rightly be considered "the basis for the whole development of 20th century wind literature", but also adds that new works have figured in his work at the Royal Northern College of Music significantly recently, with Sir Richard Rodney Bennett having "contributed three major works to the wind ensemble repertoire." Reynish writes that other major 20th century composers to consider include Gregson, Bedford, Woolfendon, Wilby, Ellerby, Gorb and Buxton Ozz."
Abstract In this article the writer notes that for many years, glass work has been considered a beautiful craft form, mostly used in pieces as decor or an element of design. The writer discusses why has it been that for so many years, glass has been singled out in this way, even to its exclusion over such sculptural and less beautiful materials such as bronze and stone. The writer discusses the relegation of glass to the field of decoration, craft and design rather than that of fine art. In addition, the writer explores the elements which are necessary for sculptural works to be considered fine art. The writer examines what the recent explosion of interest in glass work has done to improve the image of glass as an art form. Ultimately, The writer looks at who defines the difference between art and craft - whether this is the artist, the critic or the viewer.
Introduction
Background - Definition of Art
Discussion
References
From the Paper "Such a weighty question probably lies beyond the boundaries of a paper such as this, so for the answers to this question we shall look to the ages and describe on how art has been defined in the past. Robert Collingwood, in his seminal work The Principles of Art made what is probably still considered to be the clearest definition of art. To Collingwood, art was the expression of emotions, and lives in the realm of emotion. Collingwood believed that the expression of emotion via art was a process which moves slowly from the hidden and vague to that which is explicit and clear. To Collingwood, art was the process of exploring emotions, which live within the subconscious of the artist and are not known to the artist beforehand. Collingwood was able to discern art from craft in that he believed that in crafts, the works man, the salesman knew before even the initiation of the project what emotion is being evoked, and that craft is then more calculating and deliberate in it's manner of arousing an emotional response. Ayn Rand also expressed theory surrounding art in several of her essays."
