Abstract This critical essay looks at Wilkie Collins's The Moonstone-- a novel that presents some interesting observations of religion that mirror the Victorian society of his day. These were people searching for a moral truth to put their faith in. Collins creates larger-than-life characters who settle into a fantastic plot. The author includes many quotes from the novel itself.
From the Paper " Throughout Wilkie Collins? detective masterpiece, The Moonstone, one notices the many varied beliefs represented by the different characters. Hailed as one of the first true detective novels ever written that follows the modern conventions of mystery novels, Collins is careful to balance the gap between plot and character. His original and diverse characters each have their own form of religion, which shines through in their narrative style, which Collins artfully portrays. Firstly, from the Introduction straight through to the Epilogue Collins flavours The Moonstone with Hindu mythology, through the three Brahmin men who closely guard the stone. Next, the quaint narrator Gabriel Betteredge represents a middle-class settled Protestantism, who relies on his Robinson Crusoe as his prophetic bible. Mr. Jennings represents the scientific viewpoint, the physician who trusts all his faith to science and medicine. Lastly, the fervent "rampant spinster" (259) Miss Clack shows the reader her very enthusiastic attachment to her Christian faith in saving others from going to Hell, through pestering them with continual pamphlets, in her amusing narration."
Abstract This reaction paper is about Michael Collins, the leader of the Irish Republican Brotherhood, his tactics, model, and his influence on later revolutionaries/terrorists. It looks at Collins' model of political violence.
From the Paper "Terrorism Having viewed the film Michael Collins and examined a limited sample of scholarly literature on the life of the Irish radical activist himself the purpose of this report is to discuss who and what Michael Collins was ..."
Tags: Michael Collins, revolutionary, Irish, terrorists
Abstract In this essay, the writer maintains that the legend and reality of the life of Michael Collins is matter of much debate and also a certain amount of mystery. The writer notes that the subject of Collins' motivations and character are dealt with in the film "Michael Collins" directed by Neil Jordan. The writer points out that there is a certain amount of ambiguity with which the film attempts to deal, in that Collins is the instigator of a brutal form of guerrilla warfare used as a reaction against the occupying British forces. The central aim of these actions was to oust the British from Ireland and to achieve an independent Irish Republic. There are two central aspects that this paper attempts to address in light of the view that the film puts forward about Collins. Firstly, the writer notes the view of Collins as an Irish patriot and secondly the writer assesses Collins' methods of retaliation against the British forces in Ireland.
From the Paper "The film itself leaves little doubt that the tactics that Collins employed against the British, while ethically questionable, were the only tactics that he felt were left to him in the face of the overwhelming force of British domination. At one point in the films he states that he hates the British not because of their nationality, colonial dominance or even their brutality, but because they have left him no choice but to employ harsh tactics that would increase violence and hatred. This reasoning is similar to the rationale behind many other guerilla or terrorist groups and tactics throughout the world. There is also suggestion in the film and the literature that the way that Collins used guerrilla tactics against the British was emulated by other leaders and groups such as Argentinean Marxist revolutionary, Che Guevara."
"This reason for the use of guerilla or terrorist tactics is often given as being inevitable, when a smaller force is faced by an intimidating and overwhelming or numerically superior oppressor that cannot be fought in a conventional manner."
Tags: Ireland, British, forces, patriot, terrorist, group
Abstract The paper shows how, like most controversial political figures, Collins was both admired and despised. The paper explains that loyal supporters of Collins saw him as a fighter for Irish freedom and independence, while the British and some in Ireland saw him as a violent radical. The paper discusses the film "Michael Collins" by Neil Jordan that illustrates Collin's tactics of guerrilla warfare and shows how violence inevitably has tragic consequences.
From the Paper "Like most controversial political figures, Michael Collins was both admired and despised. The adage that one man's terrorist is another man's freedom fighter definitely applies to Collins, for he was idolized across much of Ireland as a patriot, but was condemned by the British as a villain. Loyal supporters of Collins saw him as a fighter for Irish freedom and independence, while the British and some in Ireland saw him as a violent radical."
"In his film "Michael Collins" Director Neil Jordan (1996) portrays the violent final hours of the Easter Rising, during which British troops suppressed the rebellion and executed the Irish leaders by firing squad. Jordan's portrayal of the guerilla tactics of Michael Collins reveals why the British considered him a terrorist, for he targeted the British leadership in Ireland for assassination in order to create chaos and compel the British to grant the Irish independence."
Abstract Wilkie Collins was a significant literary figure during most of the second half of the 19th century. Two of his more successful novels were "The Woman in White" and "Moonstone". This essay is an analysis of characters in the novels. It examines how Collins uses his characters to bring a deeper meaning to his story. Collins' application and development of characters allows us to speculate how the world and its inhabitants coincide.
From the Paper "Plotting and the like are traits usually seen in a man in this type of novel. Marion is a protector of Laura, also an attribute assigned to a man Marion is the one to figure out that Fosco is the true villain of the novel. While Marion falls ill from fever after eavesdropping on Fosco and Glyde plotting, Laura is tricked into going to London."
Abstract The "double" was a symbolic device commonly used in the nineteenth century. Famous examples include Victor Frankenstein and his monster and Dr. Jekyll and Mr. Hyde. This paper shows that Wilkie Collins used the "double" several times in his fiction. It shows, however, that in "The Dead Hand," Collins used the symbolism of the double in a different way than other nineteenth century authors.
From the Paper "Another way Collins' use of the double in this story contradicts typical nineteenth century use is that Holliday destroys his brother's life unintentionally. This approach is very different from other nineteenth century authors. For example, in Frankenstein, the monster deliberately kills Victor's wife in retaliation for Victor's refusal to create a mate for the monster. In "The Dead Hand." while the narrator and reader soon realize the bitter young man Holliday revived is his brother, Holliday himself does not realize it, nor does he realize the woman he loves was engaged to his brother."
Abstract This paper presents a review and evaluation of Jim Collins' 2001 book: "Good to Great". It discusses the type of leader needed to bring a company from good to enduring greatness. The paper looks at key concepts, examples and the methodology employed by Collins and his research team.
From the Paper "In Taking Good to Great business writer researcher teacher JimCollins asks the question how do good companies become great companies. He provides the answer and in so doing comes up with several conclusionst hat challenge conventional wisdom ..."
Abstract A paper that answers specific textual questions from the stories within the 'The Harper Collins World Reader -- The Modern World' written by Mary Ann Caws and Christopher Rendergast in a concise and clear manner.
Abstract This paper looks at both the movie and book of "Michael Collins", a comparison and contrast of the two are addressed. As well the credibility of both are addressed.
Abstract This paper traces the life of Michael Collins, who, through his courageous involvement in the Irish revolution for independence, as well as his political activity, can be considered one of the greatest Irish heroes of all time. It examines how he was both a visionary and a realist, seeing not only that there was room for change in Ireland, but also that compromise can equal justice. It shows how he was well-respected by the people of Ireland, not only for his bravery and courage, but also for his ability to lead others with confidence and a clear sense of equality. He was a revolutionary leader who, through determination and will, led his country to independence from Britain.
From the Paper "He returned home to Ireland in December 1916. In 1917, he was elected to the Sinn Fein (Barrett, 1997). The Sinn Fein was, and still is, an establishment which attempts to form a new Ireland based on sustainable social and economic development; genuine democracy, participation, and equality and justice. Collins was elected Member of Parliament as a Sinn Fern candidate in the British General election held in 1918. The party formed a separate Government in Dublin known as Dail Eireann (Loftus, 2003). The British were quick to react and the new government was barred and forced to go underground (Bowden, 1973)."
Tags: sinn, fein, parliament, easter, rising, independence, britain
Abstract This paper examines the life and career of Shel Silverstein who was a famous children's author as well as a prolific songwriter, humorist, singer, playwright, adult cartoonist and poet. It discusses how his work has been embraced by millions of people of all ages since the early 1950s. It also looks at how the poet Billy Collins has earned the respect of many young people through his humorous, reader-friendly poetry and how he implemented the Poetry 180 Program, a poem a day for high school students of America.
From the Paper "After leaving the military, Chicago born Silverstein befriended Hugh Hefner and became a cartoonist for Playboy in 1956. Silverstein never planned on becoming a children's author as he states "I never planned to write or draw for kids. It was Tomi Ungerer, a friend of mine, who insisted... practically dragged me, kicking and screaming, into [editor] Ursula Nordstrom's office. And she convinced me that Tomi was right, I could do children's books." (poemhunter.com) His career as a children's author began with the 1963 of Uncle Shelby's Story of Lafcadio, the Lion Who Shot Back, but it was not until The Giving Tree that he first achieved widespread fame as a children's writer. "
Abstract This paper analyzes the formal and thematic significance of the sibling relationships within Jane Austen's "Persuasion," Charlotte Bronte's "Jane Eyre" and Wilkie Collins' "The Woman in White."
From the Paper "The relationships between family members often serve as the central focus in works of literature. In particular many writers place significance on the dynamics within the sibling relationship as such relations often present complex provocative models of ..."
Abstract This paper examines how "The Road Not Taken" by Robert Frost and "Introduction to Poetry" by Billy Collins, are similar in a number of ways while also presenting differences by contrast. One poem tells a story of a traveler, while the other chronicles the thoughts of what seems to be an instructor. The paper looks at how each poem utilizes language differently, with the wording of one being far more eloquent and florid than the other. Similarities in topic but disparities in both language use and qualities are further explained in the comparison of these two poems.
Outline:
Introduction
The Road Not Taken
Introduction to Poetry
Compare/Contrast
Conclusion
From the Paper "The Road Not Taken by Robert Frost begins by establishing both the narrator and the setting. A traveler is within the woods, deciding upon which path in a fork which lies ahead of him to take. The lines are in verse and rhyme, with the literary descriptions of the location being quite vivid. One path ahead of the traveler is worn down and well used, while the other "just as fair, and having perhaps the better claim, because it was grassy and wanted wear..." The traveler takes a moment to consider which path to pursue, as one is of well-used while the other presents something of a mystery. First, he thinks perhaps he shall take the path most taken; rationalizing that he will one day take the fresh path. However, the recognition that he may never again come to this particular fork in the road sparks within him, changing his course. "
Abstract This paper takes a look at Jim Collins' book, 'Good to Great'. According to the paper, Collins critiques the culture of mediocrity. The paper discusses how Collins' study of effective organizational management presents case studies and quantitative data to illustrate why and how some companies succeed, becoming the best in their field. The paper further reports that according to Collins, greatness comes from a combination of factors.
From the Paper "Discipline comes into play in the ways good-to-great companies integrate technology into their operations. Rather than implement technology for technology's sake, good-to-great organizations use technology as a tool specific to their needs. Technology never prevents a great company from losing its footing or discipline. Technology, according to Collins in Chapter 7, "Technology Accelerators," accelerates change and can help an organization remain competitive and on-target with goals. Rarely does technology actually catalyze the shift from goodness to greatness. In the following chapter Collins claims that great companies use acquisitions as accelerators, rather than as instigators, of change."
Abstract This paper focuses on the issue of African-American women and feminism, from the 1960s to the present, while focusing on the views and opinions of various authors such as Patricia Hill Collins. Collins, a powerful voice in matters of black feminist epistemology, contends that because black women have access to both the Afro-centric and feminist standpoints, then, for a full analysis, both traditions should be represented through an "alternative epistemology." Collins also states that the key dimension of an Afro-centric feminist epistemology is the black woman's centrality in families and community organizations.
The writer of this paper discusses the issues that pertained to many African-American women in the 1960s and 1970s, who felt that the objectives and practices of feminism pertained mainly to white women. In the early 1970s, black feminists challenged this situation, questioning the assumption that white feminists spoke for all women and demanded -and eventually were given- women's studies programs on the experiences, culture and literature of black women. At that time, the activist black women who made the demands were denounced for espousing black nationalism, nonetheless, appropriate courses on "women of color" were eventually added to the women's studies' curriculum, which are detailed in this paper. This paper examines the progress and empowerment of African-American women over the years who are now able to lead in ways they had never thought possible, prior to 1960.
Table of Contents:
Introduction
Main Body of the Paper: Literature Review
Epistemology
Conclusion
References
References Not Included in the Body of the Paper
From the Paper "In her book, Collins suggests that the Black feminist thought processes speaks to "the importance that knowledge plays in empowering oppressed people." Moreover, Black feminist thought offers a "fundamental paradigmatic shift in how we think about oppression," though the process of reconceptualizing "the social relations of domination and resistance." Black feminist thought also empowers "subordinate groups" by infusing them with "new knowledge" that helps them define the reality of their own existence. What is impressive about Collins - besides the fact that clearly she's brilliant, alert to what real Black women are doing and feeling - is that she is fair-minded when it comes to her scholarship, and generally eschews long and emotional harangues about the white culture, and about white feminist epistemology that has in the past stood in the way of African-American feminists reaching out to the world with their vision."
