Abstract
In this article, the writer discusses that the concept of colliding cultures, as illustrated in 'Master Harold... and the Boys', 'Dream on Monkey Mountain', and 'No Sugar' contains both negative and positive implications. The writer notes that all three plays demonstrate that when cultures collide, the inevitable result is domination and oppression, which originate in racism because competing ideologies also are at work. The writer maintains, however, that the plays also are based on an alternate meaning of colliding cultures which involves illumination of one culture by another, as well as exposure of the value and dignity of the oppressed by comparison with the lack of humanity by the other. The phenomenon of changing identity as one of the main outcomes of colliding cultures is an important theme in all three plays, and this is explored along with strategies to indicate altered identity such as shifting forms of language.

Outline:
Introduction
The Meaning of Colliding Cultures
Manifestations of Colliding Cultures
Consequences of Colliding Cultures
Symbolism and Imagery
Conclusion
Works Cited

From the Paper
"Hally is situated in a privileged class since he just happens to be the son of the proprietors, and so he can lord it over the black men. Hally has been culturally and socially conditioned to be the men's master but, in fact, he relies on them for emotional support. In an ironic reversal, they are the boys while he is the master. While Hally illustrates white dominance, he is too immature for the segregation but is quite capable of extreme racism against his friend Sam. There is a mutual emotional bond between Sam and Hally, and Sam is Hally's intellectual equal so that segregation is not possible."

Tags:oppression, domination, humanity, class, struggle

Abstract
This paper examines the concept of colliding cultures, which includes the image of colliding worlds as is graphically illustrated several literary works such as "Master Harold... and the Boys", "Dream on Monkey Mountain" , and "No Sugar." According to the paper, these works encapsulate racism and present the colonial experience as having no temporal boundaries. The paper concludes by stating that all the associations of oppression and subservience are present in these works and their characters.

From the Paper
"The Concept of Colliding Cultures in 'Master Harold... and the Boys', 'Dream on Monkey Mountain', and 'No Sugar.' In Fugard's play, the impact of colonialism is fully apparent in the subservient role and demeanor of Sam and Willie. Meanwhile, the arrogant, ignorant, but privileged seventeen-year-old white boy holds power over the two mature men. This play encapsulates racism and presents the colonial experience as having no temporal boundaries. As Beck..."

Tags:collision, ideology, culture

Abstract
The paper discusses how the rapid change technology has outpaced upgrades and changes to our legal system. The paper argues that the rising incidents of hate crimes is a cause for concern and a chance to reevaluate our core principals.

From the Paper
"As children we are taught very early in our education about the freedom of speech and protections provided by the first amendment of the United States Constitution. This right is further ingrained in or subconscious throughout our lives. Unfortunately rising racial and political hatred combined with advances in electronic distribution have threatened the status quo and have forced America to explore the possibility of placing restrictions on our sacred right of free speech. Everyday you can read the paper and see that there is war raging not only on the world's battle fields but in the media."

Tags:constitution, hate crime, racist

Abstract
The paper relates that until recently, few members of the general public knew much about Darfur, let alone anything of the intricate details of its political and ethnological divisions, but this changed due to the work of a relatively small number of highly focused non-governmental organizations with media-savvy public relations departments, sometimes helped by well-known figures. The paper then explores how one woman's unique efforts to call attention to Darfur, however, has created the most controversial publicity campaign of all in regards to the region. This is Nadia Plesner, and the story of her use of a trademark design to call attention to Darfur, and the lawsuit that has resulted, is the subject of this analysis.

From the Paper
"Darfur is a vast, mostly desert province in the western part of Sudan. Spreading out over an area larger than Texas, Darfur has been the home of various North African tribal groups for millenia and has changed hands several times in the past century. Most critically in terms of the effect it has had for Darfur's recent history, the region was forcibly incorporated into Sudan in 1916 by Britain, without consultation of its inhabitants. Unofficial Sudanese government policy over the past ninety years has tended to favor the eastern part of the country and the region around its capital, Khartoum, to the detriment of Darfur and its..."

Tags:plesner, darfur, media

Abstract
This essay shows how Shakespeare's "Hamlet" struggles with the concept of age and growing old. He is pitted against age with his dad's ghost and the real life of his uncle but he has the energy and youthful ideas of youth with which to combat their wisdom. He grows and before he dies he becomes a true adult, something that the audience is happy to see happen, because he was so tortured for so long.

From the Paper
"This is the play in which the famous line, "This above all: to thine own self be true". - (Act I, Scene III). originated. This was the way Hamlet finally learned that he had to do what he had to do to make his life content and he could not worry about how it would affect everyone else. If he lived his life for others he would be forever miserable and that would do no one any good."

Tags:Hamlet, Shakespeare, young, old, life, content

Abstract
In the article "Passa Passa: Interrogating Cultural Hybridities in Jamaican Dancehall," Hope discusses a specific aspect of the dancehall culture created by working class, inner city black youth in Jamaica. The specific aspect with which she is concerned is the weekly Wednesday night street dance, Passa Passa. All in all, this is a useful contribution, especially given the potential for cultural hybridity to cast light upon the construction of identity and the power politics of contemporary society, as well as the dynamics of change.

From the Paper
Passa Passa: When Power, Politics and Dance Collide In the article "Passa Passa: Interrogating Cultural Hybridities in Jamaican Dancehall," Hope discusses a specific aspect of the dancehall culture created by working class, inner city black youth in Jamaica. The specific aspect with which she is concerned is the weekly Wednesday night street dance, Passa Passa. All in all, this is a useful contribution, especially given the potential for cultural hybridity to cast light upon the construction of identity and the power politics of contemporary society, as well as the dynamics of change. As expressed by Nayak: ... more thorough treatment of the possibilities/ constraints of cultural

Tags:passa, passa, jamaica

Abstract
This paper explores the concept of colliding cultures and competing ideologies as well as the related theme of identity in the three plays; "Master Harold... and the Boys" by Athol Fugard, "Dream on Monkey Mountain" by Derek Walcott, and "No Sugar" by Jack Davis. The paper also analyzes the strategies used in the plays such as symbolism, irony, and contrast in their elucidation of colliding cultures. The paper explains that contrast in use of language serves a significant purpose in relation to evolving identity for the oppressed. The paper also notes that colliding cultures can be reduced to the values of white dominant culture in opposition to the other - whether they happen to be black, aboriginal people, or some minority ethnic group. In conclusion, the paper shows that because all the other variables such as identity never are static, the concept of collision is also fluid and appears where it would be least expected.

From the Paper
"Davis' No Sugar is similar to Fugard's play in how it demonstrates the immediacy and perennial nature of colonialism. Mitchell (18-20) expresses this reality by stating that "the rhetoric of postcolonialism assumes that anti-colonialism has either overthrown imperialism or exhausted itself in the attempt". The fact is such a goal has not nearly been achieved; we continue to live in a colonial world. Walcott demonstrates class struggle and collision in his play through the ability of his Odysseus who is able to undermine the totalitarian power of the Cyclops (Giannopoulou 13)."

Tags:symbolism, irony, mimeticism, reactionary, nativism, drama

Abstract
This paper discusses the Medium Access Control (MAC) Protocol, which enables different devices to connect through a common, shared medium by providing three main features: The ability to detect when the shared media is free and the device should send the data, the ability to decide what to do if the data collides with data from another device and the ability to determine how long to wait before re-sending data that has collided. The paper includes illustrations

From the Paper
"The data is monitored during transmission and if it changes, a collision is assumed to have occurred and the detecting device sends out a "jam bit" or "jam sequence," a random bit pattern meant to "kill the corrupted frames." At the other end, MAC receivers read the first 6 bytes of the PCI, determining the destination address of the frame. If that address matches it's own, the receiver continues to read the rest of the frame. The PDU or data payload of the frame is then read, followed by the CRC. The MAC receiver calculates the CRC to detect any errors in the data, such as a collision, and allows it to discard corrupted frames. Once done, the receiver transmits back confirmation data to the source, notifying it whether the data was sent successfully or was corrupted and needs to be resent."

Tags:Ethernet, LAN, PDU, CRC, CSMA/CD

Abstract
This paper looks at the following questions: Why was there such an interest in Hong Kong during the time of the Opium War? Is it actually true that empires collided and sacrificed lives on the basis of a single drug? Were there no other factors involved? The purpose of this paper is to develop these questions and discover to what extent the Opium War of 1839-42 was indeed centered on opium in Hong Kong.

Abstract
This paper looks at how Dickens explored and intertwined the contradictory concepts of justice that collided during the French Revolution namely a collective social justice versus an individual's rights and liberties. The paper critically examines Dickens' portrayal of lead characters such as Sydney Carton, Charles Darnay and Monsieur and Madame Defarge, whom Dickens issues as archetypes. These individuals are swept up in the events of the French Revolution, and their choices make them representative figures of the various segments of society who were caught up in the Revolution.

From the Paper
"A Tale of Two Cities" was written in 1859, during what is widely considered Dickens' second phase of writing. During this time, the last two decades of his life, Dickens novels moved from humor and satire, and increasingly dealt with themes like cynicism and despair.
In other novels written during this period, Dickens wrote of a girl whose childhood is affected by a father's confinement in debtor's prison (Little Dorrit), the decline of Victorian society due to a rising materialism (Our Mutual Friend)."

Tags:french, revolution, literature, english