Abstract
This paper is a review of "The Cherry Orchard" by Chekhov. It is a play about family relationships. The cherry orchard belongs to Madame Ranevsky and is used a symbol for all that is beautiful about this character and her family, as well as all that is useless and futile. The writer looks at each characters perception of the orchard, which offers an insight into the weaknesses of these characters. The author argues that the fate of the cherry orchard reveals a death impulse as well as a life sustaining one in the play.

From the Paper
"Madame Ranevsky is a cultured woman of beauty and charm. However, she has recently come back from a trip to Europe with her daughter Anya. She is representative of the Russian aristocracy's love of all that is profligate, cultured, European, and non-Slavic. She does not work, and she contributes little to society. Her beauty is fading, but she still has a great deal of charm and personal attractiveness. However, she is losing her estate because of her spendthrift ways, losing the beauty of her way of life and the orchard because there is nothing to substantiate and economically sustain the orchard's beauty."

Tags:play, family, relationships, symbol, madame, ranevsky, beautiful, futile, useless, death

Abstract
This paper discusses how "The Cherry Orchard" is not a mythical play in the standard gothic sense. Instead, the mythic within this play is something that can be understood and observed though the viewing of said work. The Cherry Orchard is haunted. The writer discusses how the play is haunted by ghosts of the past. These ghosts which live within the mansion and indeed within the orchard itself manifest themselves in the characters who are both fighting to hold onto the past and those who are battling to move forward into the future.

From the Paper
"All of the characters within the work are motivated by the ghosts of the past, but there are two characters which stand out as being moved by them. The first is Ranevsky and the second is Lopahin. Ranevsky is haunted by the need to hold onto the orchard. She lost her son in a drowning at the orchard and this is one of the ghosts which haunts the place. She believes that she must hold onto it because of the value to her family. The place has history for her. But it also haunts her. In her heart she wishes that she were not so bound by the place."

Tags:ranevsky, lopahin, ghost

Abstract
This paper discusses the pursuit of happiness in Anton Chekhov's play "The Cherry Orchard." The paper analyzes the characters within the play and looks at the actions they take in order to attempt to achieve happiness. It then discusses which of the characters did, in fact, manage to achieve the happiness they were pursuing. The paper suggests that real happiness comes from personal satisfaction and a willingness to take action and improve one's life.

From the Paper
"For many of the characters in the play, happiness is more like the absence of misery. This is seen by the way that the characters spend their time escaping into the past to hide from their problems. Lyobov Andreyevna is the main example of this. This is specific to her memories of the death of her son. This is the reason that she leaves her home and travels overseas. She then spends her time on frivolous things that do not really achieve true happiness. One good example of this is seen where she hires an orchestra for a party, despite not having any money to pay them. This shows that she views happiness as being based on short-term pleasure. In effect, her life is about escaping from misery by constantly seeking pleasure. This does not allow her to achieve any true happiness."

Tags:achievement, improvement, material

Abstract
This paper provides a brief essay on how Anton Chekhov relies on nature to shape both the structure and the themes of "The Cherry Orchard".

From the Paper
"Anton Chekhov's "The Cherry Orchard" is highly shaped by the author's kinship with nature. This is true in terms of themes of the play as well as its structure. This analysis will discuss how nature is the guiding force in shaping the play's structure and themes. In "The Cherry Orchard", we watch as a family loses possession of their estate and cherry orchard. In the play, Chekhov uses nature to shape his structure and themes. For example, each of the...."

Tags:Russia, spring, summer, fall, technology, seasons

Abstract
The paper discusses the significance of the George Washington and the Cherry Tree myth. The story was first presented in 1806 and since then it has become an important part of the American culture but in recent times this myth has gained popularity for another reason. It now helps America understand what the age of realism has done to its society and cultural traditions. With the loss of innocence, people now view everything with skepticism and therefore even the most highly celebrated figures of American history are often doubted. The paper therefore addresses the symbolism present in the story and studies it from a different perspective.

From the Paper
"The Myth or fable of George Washington and the Cherry Tree? is more about adding an element of romance to the old figures of American history and is less about teaching honesty or moral values. While the story is clearly the type of fable that one would want to tell his children so that they would understand how important it is to stay away from lies and deception. But the actual moral of this story was a rather different one. We need to understand the symbolism present in the story. The child tells the truth to his father not because George Washington himself was a truthful person who as the story says told his father. "I can't tell a lie, you know I can't tell a lie. I did cut it with my hatchet." But the story is more about the father's tolerant attitude towards his children."

Tags:george, washington, america, skepticism, president, realism

Abstract
This paper focuses on the unique writing style of Chekhov, showing how although the themes he addresses echo the concerns of his period, his characters are unlike others seen in literature and his light comedic style serves as a template for other dramas. Chekhov's plays 'about nothing' are unique, though, in that they strike us with their use of sound and with the idle talk of both protagonists and secondary characters that seem to dance around themes rather than approach them in a linear fashion.

From the Paper
"Much of the idle talk that is apparent in "The Cherry Orchard" is designed to portray those that come from an upper-class background as being flighty and concerned with trivialities. When Varya comments "you have a broach like a bee," we are reminded of Nora in Ibsen's "Doll House" and her macaroons. We see that even though these women of patrician sensibilities are capable of recognizing threats to their prosperity that they ultimately spend much of their time focusing on matters of the senses: in at least several instances, people will comment extensively on the weather, comparing it to the weather in Paris or the weather several months ago. A contrast to this daydream-like approach to life is provided by Lopakhin, who is a businessman versed in matters of finance and real estate development."

Tags:drama, style, theme

Abstract
In this paper, the writer accentuates the fine lines between rich and poor, landowner and slave, success and failure, that emerge in the play. The politics and economy of Russia were somewhat muddied at the time, and the capitalists, who used to be serfs, were now taking over the aristocracy, whose members did not have money-managing skills. The paper shows how Lyubov Andreyevna and her brother cling to the aristocratic past, Lopakhin is the capitalist (embodiment of the present economy) and Trofimov is a sort of prophet, predicting the rise of communism (though even Chekhov would not live to see that era). Differences in culture, speech, action, demeanor and viewpoints between Firs and Lopakhin; and all the characters (even the servants) are described.

From the Paper
"After feudalism was abolished in Russia in 1861, Russia was undergoing some gradual yet drastic economic changes. The growth of entrepreneurial activity was centered around Moscow while St. Petersburg was crumbling with the tsar as he lost authority to the rising merchant class. For centuries, wealth and income had been based solely on the ownership of land. Technically, the serfs were not slaves, but their economic situations forced them into complete submission; their masters could trade them for horses or even dogs. The serfs were freed in 1861, but with no money or property, so for decades, many were still dependent on their masters. It wasn't until just before the turn of the century that these men began to find their wealth in the form of industrial capitalism (textile production being the most prominent business). Soon these old aristocratic and new capitalist worlds began to battle with each other. This is the Russian economic background of Anton Chekhov's "The Cherry Orchard." (Worrall 13) Lyubov Andreyevna Ranevskaya is a middle-aged aristocratic woman who returns from France to find her estate in danger of being subjugated by the rising merchant class, specifically Yermolay Alexyevich Lopakhin. Chekhov does not favor either the aristocrat or the merchant, but stresses the strengths and weaknesses of both groups' ideals. No one person or governmental system is perfect, and everyone's "absurd, unhappy lives' (Lopakhin " 45) fall victim to the continual change of any society."

Tags:andreyevna, aristocracy, emancipation, landowning, lopakhin, lyubov, ranevskaya, russia

Abstract
This paper presents a brief analysis of how Chekov uses the inanimate objects in his play as almost living things, reflecting on the emotions and attitudes of the characters.

From the Paper
"We don't see things as they are. We see them as we are." This quote by Anais Nin expresses an essential point of view for this discussion about the symbolic meaning of inanimate objects, since it is our personality and our memories, which determine our character and meaning. Our feelings towards certain objects are individual, as everyone associates different things in a different manner. Insofar, "we see them as we are", since they can mirror our past, pains, hopes and our ideals. Thus they become more than just an object, but a symbol for a certain part of someone's feelings and life This is also the case in "The Cherry Orchard": objects as the nursery room, the bookcase and the cherry orchard take on their own symbolic life. "

Tags:chekhov, cherry, in, inanimate, life, object, of, orchard, symbolic, the

Abstract
This paper compares and contrasts three works of literature that discuss the main characters in each as they relate to a central conflict of each work. The works are Chekhov's play "The Cherry Orchard," Conrad's novel "The Heart of Darkness," and Henry James' novel "The American."

From the Paper
"There are a variety of themes and conflicts in Chekhov's |The Cherry Orchard" Conrad's "The Heart of Darkness" and James' "The American". In Chekhov's drama we find conflicts of class economics and relationships. In Conrad's tale ..."

Tags:Heart of Darkness, Conrad, The American, James, The Cherry Orchard, Chekhov

Abstract
The given quotation by Don Cherry is directly relevant to the subject matter of this course as it reflects a populist attitude towards crime and criminal activity that, fostered and reinforced by the elements in the mass media, has political and social significance. This paper will argue the thesis that while Cherry's statement is theoretically grounded to some degree, I cannot agree with it in general given the critical flaws in his core argument. As will be seen, the observation does not consider the complex variables that contribute to the full range of criminal activity in Canada.

From the Paper
Criminology Question Three The given quotation by Don Cherry is directly relevant to the subject matter of this course as it reflects a populist attitude towards crime and criminal activity that, fostered and reinforced by the elements in the mass media, has political and social significance. This paper will argue the thesis that while Cherry's statement is theoretically grounded to some degree, I cannot agree with it in general given the critical flaws in his core argument. As will be seen, the observation does not consider the complex variables that contribute to the full range of criminal activity

Tags:crime, justice, canada