Abstract
This paper relates that the major cinematic areas of tradition in Brazilian cinema include cannibalism, hunger, vera cruz and other areas of social and political significance. The paper then takes a look at each of these
Latin American traditions and in an effort to provide an understanding of each tradition in Brazilian filmmaking history. The paper juxtaposes these traditions to the events of the eras in which they emerged and the dual dichotomy of Brazil's political impact on filmmaking, and cinema as an impact on Brazilian society.

Table of Contents:
Introduction
Literature Review
The Early Years
Cinema Novo
"Vidas Secas"
"The Guns"
"Garota de Ipanema" (Girl From Ipanema", 1967)
"Terra em Transe" ("Lang in Anguish", 1967)
Third Cinema
Amacio Mazzaropi
1980s - 1990s: A Shift In Brazilian Filmmaking
"At Play in the Fields of the Lord"
Conclusion

From the Paper
"The earlier works between 1930 and 1959 were creative, although the costumes relied largely on the actor's own sense of style and resources. This cinema reflected the development that the country was going through, and investment by foreign markets and banks. Between 1956 and 1961 the country experienced growth in economic output and production. Not so different than in America, where this period represented what has often been referred to as the good years for the nuclear family; in Brazil the Brazilian president, Kubitschek promised 50 years of progress in five, and he made good on his promise."

Tags:hybridity, voice, chanchada, political, popular