Abstract
This paper reviews William Shakespeare's "Macbeth" and in particular, analyzes how the character of Macbeth goes from being a brave loyal soldier to a murderer by the end of the play. It looks at how Macbeth is loyal to the King and serves his country as a soldier, not like the Thane of Cawdor. It also examines how at the start of the play Macbeth is ambitious, brave, superstitious and dedicated to his wife and how he becomes cruel and deceitful from the influence of Lady Macbeth. It explores the events that show this change i.e. the murders Macbeth commits, his intentional revisit to the witches and his response to his wife's death.

From the Paper
"At the beginning of the play, Macbeth is a brave and loyal soldier in King Duncan's army. He killed the enemy in the battle; the situation was very treacherous which makes him a hero. Before Macbeth appears, he is described by King Duncan as "noble" Macbeth. Macbeth is seen as a strong soldier who is trustworthy and brave, a truly laudable figure. Duncan describes him as "worthiest cousin". To the wounded sergeant, he is "Valor's minion". All of these descriptions show that Macbeth is a loyal soldier and fought for his country very well. Macbeth puts his country and life before himself. This is what a true hero is, someone who puts other people before himself."

Tags:king, duncan, witches, thane, of, cawdor, lady

Abstract
This Macbeth commentary focuses on the interpretation of Act 1, lines 115-155, and offers a discussion of the literary devices used by Shakespeare. The paper highlights the themes present in the passage and notes that this scene was not as visual as the previous one; it seemed more focused on the characterization of Macbeth and Banquo and progress of the play. It was more inclined towards the attitudes Macbeth and Banquo seem to have towards the prophecies and their fulfillment.

From the Paper
"This part of Macbeth is a continuation of the events that occur after Macbeth and Banquo encounter the witches. The witches lure Banquo and Macbeth by telling them a series of prophecies which will or might occur. These lines come just after Ross informs Macbeth that he has become the Thane of Cawdor, thus fulfilling one of the prophecies the witches told Macbeth earlier in the play. The following lines depict Macbeth's reaction to the news and how he starts to believe that they might actually be true. The lines also serve as a comparison of Banquo's and Macbeth's characters. These lines show that Banquo has a stronger character and doesn't believe the witches but it also shows the extent of the friendship between Banquo and Macbeth. The lines begin with Angus telling Macbeth that even though the Thane of Cawdor still lives, but the Thane of Cawdor has betrayed his country and since "treasons capital" Duncan has "overthrown him". With the end of Angus' speech the reader finds out that Macbeth has become the rightful Thane of Cawdor purely by chance. This seems to both shock and intrigue Macbeth, it's as though the prospect of becoming king greatly pleases Macbeth. Macbeth is unable to hide his excitement, and in his aside tells the audience that "The greatest is behind" and yet to come."

Tags:Banquo, Thane, of, Cawdor, Chance, Valour, Fortune

Abstract
This paper discusses the element of violence in the play "Macbeth" by William Shakespeare and how the title character uses violence to achieve his desire of becoming King of Scotland. It explains that although he succeeds in becoming King, Macbeth is ultimately a deserved victim of violence himself.

From the Paper
"Violence is inextricably bound up with the character of Macbeth in Shakespeare's play of the same name. When Macbeth is first mentioned, it is in the context of violence: Macbeth, as one of the King of Scotland's generals, has scored a military victory (Act I, Scene i). As a reward, Duncan, the king, bestows upon Macbeth the title of thane of Cawdor (I, i). The current thane of Cawdor has evinced himself as a traitor and the king strips him of his title. Furthermore, in the same sentence as the bestowal of the title of thane of Cawdor on Macbeth, the king also pronounces the death sentence on the current thane of Cawdor. Thus, even when Macbeth has nothing to do with a death, in this case the thane of Cawdor's, he is still inked to violence, since the king mentions Macbeth in the same sentence as Cawdor's death sentence."

Tags:cawdor, macduff, duncan

Abstract
The paper shows that although "Macbeth" (Shakespeare) and "Oedipus Rex" (Sophocles) are great tragedies from two very different time periods, the similarities that exist between the two are remarkable. It discusses how Shakespeare and Sophocles both understood exactly what it took to write great tragedy. By comparing how fate plays a part in each play, the paper examines whether perhaps Sophocles and Shakespeare were on similar wavelengths. It also examines whether the tragic heroes of each play are doomed to live out their fate or whether there is an element of free will that causes each of their downfalls.

From the Paper
"Oedipus believed that the prophesies of Apollo may full well come true and in an effort to outfox fate, he fled his home and vowed to never let the prophecy come to pass. In doing so, he played right into the hands of Apollo and set off a chain of events that would eventually lead to the prophecy being fulfilled. But was it fate that led Oedipus to commit these horrid acts or was it Oedipus' own strong will and determination to prove it wrong that caused his downfall? Could it be Oedipus' own bullishness that led to his imminent demise? Could it have been Oedipus' ego that forced him to kill his father, then a stranger, on the road?"

Tags:Thane, Cawdor, Lady, Banquo, Duncan, Macduff, Polybus

Abstract
The paper examines the use of lying among the various characters in the play "Macbeth" by William Shakespeare. It discusses how lying and deception spreads from a supernatural phenomenon to become entrenched as a human modus operandi among the characters, especially Macbeth and Lady Macbeth.

From the Paper
"Even Duncan himself is unwittingly drawn into the witches' web of equivocation, saying that "what the Thane of Cawdor hath lost noble Macbeth hath won" (I ii 67). He means to say that Macbeth has inherited the title which the Thane of Cawdor has relinquished by rebelling against the king. As the play unfolds however, this statement takes on an added dimension as it becomes evident that Macbeth has inherited not just Cawdor's title, but also his role as the traitorous murder of the king and usurper of the throne."

Tags:banquo, equivocation, macduff, Thane, of, Cawdor

Abstract
This paper argues that because Lady Macbeth becomes like a man and undermines her own husband's masculinity, she was able to pressure Macbeth into killing the king.

From the Paper
"Lady Macbeth is a woman of great ambition, even if that means convincing her husband to kill the king. She uses her speech and actions to ultimately convince Macbeth to put aside his own conscience and combine forces with his wife to murder Duncan. By becoming like a man and undermining her own husband's masculinity, Lady Macbeth pressured Macbeth into killing the king."

Tags:battle, prophecies, thane, of, glamis, cawdor, king, hereafter, duncan, letter, wife