Abstract This essay critically examines the film, "Don?t Say a Word", by looking at the contemporary notions of modern psychology used both as the focus of the film's dramatic plot, and also in the way it plays out the themes of madness and sanity that run throughout the film.
From the paper:
?In "Don"t Say a Word.? Michael Douglas portrays a New York psychiatrist. He has a beautiful, young, and innocent daughter. He also has a mad, beautiful, nearly catatonic patient. This mental patient resides in a locked ward. She does communicate occasionally, but not in any comprehensible, normal fashion. Instantly the theme between madness and sanity is set up between the two girls, one young and innocent, one young and unappealing. It also introduces the theme of catatonia relatively recent in the plot.?
Abstract This paper examines the movie "Don't Say a Word", directed by Gary Fleder, and focuses particularly on its deeply disturbed protagonist, Elizabeth. The young lady manifests a number of mental problems, so many and so variable that her psychiatrist becomes suspicious that she is faking. The paper points out that she is indeed partially faking her symptoms. At the same time, she is a troubled young woman and does suffer from depression and related problems because of certain traumatic events. The paper adds that the link between the events and her reaction is clearly made and serves to show her portrayal to be realistic. The paper takes a close look at how well she mimics certain problems so convincingly, enough to fool even medical professionals. Ultimately, she is diagnosed with counterfeit schizophrenia. The paper concludes, however, that the severe traumas in her life might have led to the onset of real disorders.
From the Paper "Schizophrenia may be the most severe of the psychiatric disorders, and this problem leads to a disability resulting from negative symptoms and cognitive deficits, which may at times include delusions and hallucinations. These symptoms are in keeping with what psychiatrists in the film see when they examine Elizabeth. The modern conception of schizophrenia was made first by German psychiatrist Emil Kraepelin at the beginning of the twentieth century, and in 1959, Schneider offered a set of first rank symptoms of the disease. These symptoms included audible thoughts, hearing voices arguing, hearing voices commenting on one's actions, the feeling of influences on the body, thought withdrawal, delusions, and the belief that one's feelings and volitional acts are influenced by others (Stefan, Travis, & Murray, 2002, pp. 12, 15)."
