Abstract
This paper is a character analysis of Cassio, the representation of "good" in William Shakespeare's tragedy "Othello". This paper showsthat, regardless of Othello's suspicions of Cassio, Cassio's character still upheld his faith and respect for Othello.

Abstract
This essay discusses how, in William Shakespeare's tragedy, "Othello", the characters of Iago, Desdemona, and Cassio shape the title character's actions.

Abstract
This essay examines the three female characters portrayed in the Tragedy of Othello the Moor of Venice. It finds that Bianca, the mistress of Cassio, is an innocent. Although she is apparently a prostitute, there is a cleanness about her, and a concern for Cassio. Emilia is a conventional waiting woman, fiercely loyal to her mistress. Eventually she exposes Iago for the fiend that he is, and is murdered for it. Desdemona is the sweet, open woman, Iago's opposite, who remains loyal to the end.

Tags:othello, emilia, bianca

Abstract
This paper discusses three women in William Shakespeare's "Othello" and their different relationships with the men they love. It looks at Desdemona and her adoration of Othello, at Emilia and her loyalty to the abominable Iago and finally at Bianca as the sensual mistress of Cassio. The paper describes the characters' love throughout the play and looks at the various outcomes of that love.

From the Paper
"Cassio, Othello's lieutenant, is a young blade, the dashing, handsome man whom Iago admits has virtues that Iago cannot match. (V:i:18-20) In Bianca, he has a mistress rather than a wife, apparently a prostitute (IV:i:95-96), and while his actions suggest that he is reasonably fond of her (III:iv:167-78), he apparently does not intend to marry her (IV:i:116-117, 120-22, 124-26, 128-30), and while he will try to attend to her when he can (III:iv:176-77), he offers her no assurance that he will give her anything more than a handkerchief he has happened upon. (III:iv:186) When he gives this to her, she is jealous, that this is something from another woman, but there is a youthful innocence and exuberance in her remarks, not the burning rage of Othello's jealousy. (III,iv:178-81; IV:i:147-161) She becomes a tool in Iago's scheming, as he speaks of her to Cassio, while Othello believes that the conversation is about Desdemona. (IV:i:94-144) Although she ordinarily treats love as a mere commodity (Kernan), when she finds Cassio wounded, she seems genuinely concerned for him. (V:i:115-20) Iago turns his malice on her, suggesting she had a role in the attack, which is all Iago's doing. (V:i:85-86, 100-01, 104-10, 116) She recoils at the accusation, but can do little about it. (V:i:122-23)"

Tags:mistress, Iago, Cassio, adoration, character

Abstract
This paper discusses how, in William Shakespeare's "Othello", Desdemona, Bianca, and Emilia, the three main female individuals, are shown in different lights through the usage of both uplifting and demeaning descriptions. It looks at how Desdemona's humble and benevolent character is contrasted greatly against the harsh words used by Othello to describe her, how Emilia's outgoing and outspoken personality is revealed when speaking to both Desdemona and Iago and how Bianca's allegiance to Cassio differs significantly from her darker hypocritical side. It also analyzes how all three female characters reflect their personas through their actions, displaying their emotional outpourings, opinions on controversial issues, as well as their strengths and weaknesses.

From the Paper
"The main object of affection is Desdemona, the one woman who is known by all men as the wife of Othello. She is called by Othello "gentle" (I.I.28) as well as "gentle mistress" (I.3.205) by Brabantio. Cassio describes her as "a most exquisite lady" who is "most fresh and delicate creature" (2.3.20, 22-23). Desdemona displays her gentleness through her actions with her father and Othello. She attempts to be diplomatic and faithful to the people she most loves, especially when she is confronted by her father about Othello (I.3.208- 218). She is "bound" to her father "for life and education," showing how loyal and grateful she is towards to her father for raising her as a notable parent. Desdemona also believes that she should take the role that her mother once took by stating that she must upkeep the "duty" by "preferring you (Brabantio) before her father.""

Tags:Cassio, Iago

Abstract
This paper explains how Shakespeare uses the soliloquy in Act 2 ,Scene 3, lines 335-362, in "Othello" to demonstrate to the audience Iago?s nature and to provide insight into his character. It shows how, in this scene, Iago reveals a devious plot that involves three other characters in the play with the intention on destroying two of them, Othello and Cassio. The third, Desdemona, is secondary, and her function for him is only as a vessel to carry his plan into action.

From the Paper
"By content alone, one may deduce that Igao lacks strong character and a high moral value. It is difficult to believe that a character with a strong sense of morality would hatch such a plot, regardless of the circumstances that causes Iago's actions. We know that the circumstances that fuel his motivation certainly do not warrant this type of action by Igao. But for argument's sake, even if the circumstances were different and Iago was not fueled entirely by jealousy, his obvious lack of respect for the other characters? well being provides strong clues into understanding the type of character he is."

Tags:desdemona, cassio, othello

Abstract
"Othello" by William Shakespeare is a play demonstrating that we all have strengths and weaknesses and that, while the best of us will focus on people's strengths, the worst of us will not only focus on their weaknesses, but use them in destructive ways. It discusses how, throughout the play, the weakness of jealousy directly or indirectly brings the destruction and downfall of all the major characters, including not only Othello and his bride Desdemona, but Iago, his wife Emilia, Roderigo, and Cassio.

From the Paper
"Othello is particularly vulnerable because, being a Moor, he is somewhat an outsider (Weller, PAGE). He is accepted as a leader in society and as a great military man, but he is aware of his differences. He used them to charm those around him, wooing and winning the beautiful Desdemona and then defending her marriage to others, but the villain of the play, Iago, knows that it can be easy to cast doubt on an outsider, and he uses Othello's differences to his own perverted and personal advantage."

Tags:iago, emilia, roderigo, cassio

Abstract
This paper discusses how the characters in William Shakespeare's "Othello" are what really make the play come to life. It provides a brief summary of each of the main characters with a character analysis and a description of their contribution to the plot of the play. It shows how Othello is bold warrior and a good person, how Iago brings all of the evil and fallacy into the play, how Desdemona is young and innocent and how Cassio's character is vulnerable and easily manipulated.

From the Paper
"The character of Desdemona is young and innocent. When she is wrongly accused of infidelity, her innocent response to his rage is "I never gave him cause!" (III.iv.155). Desdemona's innocent nature is highlighted in the play, through the contrast with the two other female characters, the cynical Emilia and Cassio's mistress, Bianca. These women are harsh and ugly, and make Desdemona seem all the more pure. Her love for Othello is a major part of her character. She permits his abuse of her, although it shakes her self-confidence. She is an obedient and devoted wife. She carries her love for Othello with her even as he strangles her to death."

Tags:desdemona, cassio, iago, infidelity, jealousy, madness, murder

Abstract
This paper discusses jealousy as one of the central motives in William Shakespeare's play, "Othello." It discusses the jealousy between Iago and Cassio, the Moor and Cassio, as well as between Iago and the Moor. The paper shows how through Iago's deceitfulness, hatred and disloyalty, the tragedy of the play occurred. The paper suggests that if it had not been for Iago's unsympathetic sentiments and the jealousy, the play might have had a different ending.

From the Paper
"Even though many blame the tragedy on Othello's gullibility, it is Iago's tricky and devious behavior that launched and triggered it. Since Othello profoundly trusted Iago, he hardly ever suspected any infidelity from him and that is proven throughout the whole script, in statements such as, "Honest Iago,/ My Desdemona must I leave to thee"(Act I, Scene III, 295). As a consequence, Iago took advantage of Othello's trust and kept revealing more of his forged love, which is proved in the play when Iago alleged that, " Though I do hate him as I do hell-pains,/Yet, for necessity of present life,/I must show out a flag and sign of love" (Act I, scene I, 154-156). It is the "flag and sign of love" which Iago revealed, that instigated Othello's gullibility, and if it wasn't for that advantage, Othello would've not fallen in Iago's trap. Unfortunately, the one closest to the heart is the greatest enemy; because it is him that knows the weakness of one's heart and mind. Iago was indeed very disloyal to his Moor, and deceitful by his behavior toward him."

Tags:jealousy, deceitfulness, Moor

Abstract
At the core, Desdemona's dedication to her husband, Othello, is as pure as that of Juliet to Romeo. Desdemona was not blessed with great intellect or passion. Hers was not a love like Juliet's which was forged in fire. (V.ii.323). In the process of destroying Othello, Iago's actions result in the deaths of Othello, Desdemona, Emilia (Iago's wife), Roderigo and the wounding of Cassio and of Iago himself. Perception indeed plays an enormous part in both plays, but perhaps no more so than in "Othello".