Abstract
This paper discusses the films, "Vertigo" and "Psycho" by Alfred Hitchcock portraying Hitchcock's penchant for duality. The writer explains how Hitchcock makes clear that the essence of suspense is the permanent struggle between the obvious and what could be. The paper illustrates the duality evident in "Vertigo" - the struggle between life and death; and that in "Psycho" - the evaluation of openness and mystery.

From the Paper
"For many, the name Alfred Hitchcock conjures hazy and disconnected memories of Cary Grant and Ingrid Bergman in Rio, Tippi Hedren being chased by killer birds, or Jimmy Stewart in a wheelchair; but for others"those that are somewhat more experienced with the work of Hitchcock"the utterance of his moniker means much more. Indeed, many consider Hitchcock to be not only one of the most prolific and entertaining filmmakers, but also one of the most profound. A recurring"and certainly intriguing"motif that holds together his body of work is his incessant interest and portrayal of duality: the conflicting, yet in some ways similar, nature of life. That is to say, Hitchcock (and no other, on as prestigious a level) was able to brilliantly compare, reduce, and then reevaluate polar opposites that every human encounters. Love or hate, man or woman, privacy or voyeurism, and dishonesty or fidelity were just some of the many themes he unraveled in the stories and aesthetics of his films. Two such films"with particular interest as each illustrates by movement, mise-en-scen, and narrative strategy, Hitchcock's penchant for duality"are Vertigo, in which he juxtaposes the archetypal struggle between life and death, and Psycho, where he dabbles in the much more complex evaluation of openness and mystery."

Tags: cinema, movies, mystery, filmmaking, carlotta, madeleine, scottie, norman, marion

Abstract
This paper reviews Thomas De Waal's and Carlotta Gall's "Chechnya, Calamity in the Caucasus", John Dunlop's "Russia Confronts Chechnya: Roots of a Separatist Conflict", Stasys Knezys' and Romanas Sedlickas' "The War in Chechnya", and Anatol Lieven's "Chechnya: Tombstone of Russian Power". The review synthesizes the main theme of the demise of Russian nationalism.