Abstract This paper examines how the Dude from the film "The Big Lebowski" betrays the traditional image of the hero with his less-than-perfect physique and substandard ambition. It explores the Dude's role as mediator between the oppressive, zealous Walter and the passive, naive Donnie as well as his heroic role as he blunders through his misinformed attempt to rescue Bunny on behalf of the Big Lebowski from the apathetic German nihilists. The paper also delves into the buffering role the Dude plays between the aggressive Jackie Treehorn and the ostensible victim Bunny. Finally, the paper explores the Dude's fulfillment of Maude's odd wishes in spite of the Big Lebowski's oppositions, who adopts the role of the aggressor in this situation.
From the Paper "In what may appear to be a common friendship between three men, the Dude actually plays a critical role in mediating the conflicting natures of his two closest friends. Walter, an eccentric, outspoken, Vietnam veteran relentlessly chides Donnie, whose absentmindedness is a ready fuel source for Walter's self-righteous anger. Essentially, Walter and Donnie respectively personify an opposition between defilement and naivety, which casts Walter as the strong and Donnie as the weak. Though the Dude forgoes active intervention between the two in most circumstances, his mere presence reconciles Walter's hostility with Donnie's passiveness, a presence that prevents, and even rescues Donnie from becoming entirely subjugated by Walter's dominating personality. "
From the Paper " Commercial animation directors from the Golden Age of the 1930s and 1940s tended to be male and to have drifted into this new form of expression by accident. Some were trained in art and may even have worked as commercial artists or newspaper cartoonists before becoming animators, and even those who had worked in some kind of art before learned on the job because this was a new art form and had it sown methods and its own rules. Charles M. "Chuck" Jones became one of the best-known of the directors fro Warner Bros. in the thirties and forties and was identified with a number of the major characters from that animation company. His background suggests a source for much of his humor and for his attitude toward the material he would produce in the form of a favored uncle who told stories and helped nurture a love for the bizarre image in the boy."
Explains that the German-American migration brought several aspects of today's culture with it. Many holidays and holiday traditions can be traced back to Germany, including Easter and Christmas.
Abstract This paper discusses the traditions of Easter and Christmas, and the traditions that were brought from Germany: the Easter bunny, the Christmas tree, and even holiday sweets, all come from Germany. The history of the holidays and specific traditions are all examined, as well as people, places, and dates.
From the Paper "German beliefs and customs have an undisputed impact on American life. Millions of immigrants emigrated from Germany into the United States since the founding of America. German Americans played an instrumental role in the success of life on the new continent. It was only natural that the early settlers retained their German customs. These customs have become integral into American life, and now shape many special events American celebrate. Many German beliefs have assimilated into mainstream culture, and are rarely seen in everyday society. Holidays in particular are important holdouts of a?"Old Worlda"? customs, because they are religiously preformed, and passed down from generation to generation. Can you imagine a Christmas without a Christmas tree? Can you think of Easter without the Easter Bunny? Easter and Christmas are just two examples of the many holidays that German Americans have played an important role in forming."
Abstract On August 15, 1971, Richard Nixon announced that the US dollar would no longer convert to gold, effectively ending the Bretton Woods system. Tobin suggested a new system for international currency stability, and proposed that such a system include an international charge on foreign-exchange transactions. The Tobin Tax was born. This paper examines how the Tobin Tax aims at reducing short-term speculative currency transactions in order to enhance more stability within today's international financial markets. It concludes that the issue of a Tobin Tax not only arouses questions about the way to address the problem of financial speculation but also expresses the necessity of introducing more democratisation within the international economic management, by calling into question the neo-liberally sustained effectiveness of de-regulated markets that actually has proved faulty in the view of recent major financial crisis.
From the Paper "However, Patomaki puts the emphasis on four major problems characterising the international financial system that the Tobin tax can hardly address. Since tax-avoidance is likely to remain in a global economy dominated by neo-liberal principles of de-regulation, offshore centres would not be reduced by the introduction of a currency transactions tax. Moreover, the problem of "short-termism" would not be easily addressed by the Tobin tax with respect to speculative attacks of a large extent in the context of devaluation. Then Patomaki evokes the problem of "further flow of resources to financial markets": the extraction of tax revenues from financial capital movements would not necessarily be used to sustain non-financial actions but could also re-enter the financial process in a neo-liberal economy. Finally, he denounces the problem posed by the "governance of credit and investments": the Tobin tax is not likely to do anything against "the asymmetric dependence of most governments on the Bretton Woods institutions or the credit-rating agencies" (PATOMAKI, 2001: 221)."
Abstract This paper critically analyzes "Eating a Banana," "The Human Toilet II," and "Pauline Bunny" by Sarah Lucas. The writer compares the beliefs contained in these writings to those of Laura Mulvey in her theory of the male gaze. The writer discusses that Mulvey posited that men perceive women as sexually objectified objects to be oppressed and controlled. In response to hegemonic discourse on the sexual objectification of women, the writer challenges gender stereotypes and sexism in the works.
From the Paper "This paper analyzes the work of Sarah Lucas specifically "Eating a Banana", "The Human Toilet II" and "Pauline Bunny" and analyzes it in relation to Laura Mulvey's theory of the male gaze. Mulvey postulates that men objectify women by their gaze that render them to be mere objects affording men pleasure and control. Lucas subverts this sexist and oppressive paradigm by presenting images ... "
Tags: Sarah Lucas, photography, mixed media, feminism, sexism, female representations, male gaze, Laura Mulvey
