Abstract This paper explains that, although he died in a plane crash at the age of 22, Buddy Holly accomplished what some might only achieve in a lifetime; he is one of the greatest America musicians. The author relates that having met Elvis Presley in 1955, Buddy started writing songs like Elvis', Buddy started recording "Rock n' Roll", the new craze; his first hit was "That'll Be the Day", followed by the even bigger hit, "Peggy Sue". The paper concludes that, even in his short life, Buddy had written and sung over a 120 songs and influenced the British Music Invasion including the Beatles and the Hollies who sang his songs and copied his singing style.
From the Paper "Charles Hardin Holley was born on September 7, 1936, in Lubbock, Texas. His parents thought that it was too long a name for a child, so they nicknamed him Buddy. Buddy's interest in music started early at the age of eight when he started playing the violin, however, like his nine-month piano career this affliction did not last long. It was not until late the ninth year of his life that he took up the guitar, which he eventually played for the rest of his life. With his talent forming for the guitar at the age of thirteen, he moved to a new school and met Bob Montgomery in the fall of 1949. Bob Montgomery had a lot of the same interests that Buddy did, including music and they began a country and blues band."
Abstract This paper looks at Buddy Holly's influence on the music of the Beatles. It shows that Buddy Holly's influence and courage to experiment and innovate led the Beatles to their own innovation and impact on the pop music scene; enabling them to make significant contributions to opening up rock and roll to the British and the world, making it not just a regional American sound, but an international phenomena.
From the Paper "Working within his rock band, "The Crickets", Buddy Holly? unique approach to his music, with his new and ground-breaking vocal style and guitar technique would become the example to be followed, imitated and would set a standard that would be built upon by other artists including Bruce Springsteen, Bob Dylan, and particularly groups and artists comprising the "British Invasion" of the American music scene in the ?60s. Mixing elements of country, Rhythm and Blues, blues, rockabilly, gospel, and pop, Holly developed a musical hybrid, resulting in a body of work that is as fresh today as it was in the 1950s.
His groundbreaking attitude toward experimenting and breaking out of set styles and formulas gave other music writers and performers the courage to do so as well, during a time when artists were encouraged to stick to "what works" and "what sells records". The Beatles, too, were a different type of band that would also forever influence the development of music. When they first began playing together, they played mostly covers of other groups? hit songs, from a variety of genres; part of their initial success came from their borrowing or dubbing over music which had already been a hit for other artists."
Tags: rockabilly, gospel, pop, blues, band, harmony, band, music
Abstract This paper discusses how according to Michael Davis, American popular culture has always reflected a common "insecurity" about masculinity "at the global and local level." The paper further discusses how the films "Brokeback Mountain" and "High Fidelity," reflect this anxiety. The paper classifies both these films as 'buddy films'.
From the Paper "In classifying both of these films as "buddy film" genres, it is important to remember exactly what a film genre is constituted by--film genres are usually defined by various formulaic structures (such as the outsider nature of the protagonists, alone tending sheep on a mountain, or alone in their superior musical tastes in a bubble-gum pop music listening world) and identifiable types of characters (such as the inarticulate man, the boisterous 'kid') who behave in recognizable patterns. Genres also have standard relationships, such as male bonding in active friendships forged over saving the world or saving music. Genres also often make use of various forms of syntax, such as the frequent joking typical of buddy films that conceal real emotion, rather than displays emotion, unlike the language deployed between men and women. Also, genres deploy similar filmic techniques such as the buddy film's use of communication through action, and make use of conventions, such as the use of the road or a physical problem as a medium for getting to know one another (Dirk, 2006) "
Abstract This paper discusses how there is a case for calling Buddy Holly the century's most influential musician. It looks at how his skills in songwriting, singing, and playing music went on to influence the musical scene in both America and Europe all the way into the 21st century.
From the Paper " In 1955, Buddy heard Elvis Presley perform live for the first time. His country roots were never the same after that. This marks the end of his career as a country singer and the beginning of his life as a rock and roll musician. He was strongly influenced by Presley. This is obvious in the many similarities in their music. However, there were also several major differences. The biggest difference is the source of their music. Holly wrote most of his own music, while Presley is known for his outstanding work with covering songs. Another obvious difference between the two singers has to do with their voices (Carlin 27). Due to his Texan roots, Buddy's vocal inflections had a southwestern twang to them. Elvis's accent, however, was purely a southern one. Holly's voice had a lighter tone than Presley's did, although he was still able to use it demonstrate extreme contrast in his songs. Not only was his sound different from Presley's, but his appearance couldn't have been more so. "
Abstract The paper relates that the 'Tall Buddies' program provides younger children with older mentors in hopes that it will encourage them to improve their self-esteem, resolve behavioral issues and improve their reading scores. The paper provides a literature review that supports the theoretical basis for the 'Tall Buddies' program. The paper shows how 'Tall Buddies' is an excellent resource for schools that wish to improve their reading scores, boost student self-confidence and reduce behavioral problems.
Outline:
Section 1: The Problem
Section 2: Literature Review
Section 3: Procedure
Section 4: Evaluation
Conclusion
From the Paper "Teachers struggle to find new methods to help at-risk students. Reading proficiency is closely tied to self-esteem and the absence of behavioral issues. The theory behind "tall buddies" is that students learn best from their peers because they can relate to them. Tall Buddies provides younger children with older mentors in hopes that it will encourage them to improve their self-esteem, resolve behavioral issues and improve their reading scores."
Abstract An examination of the history of cities and their developments with focus on the city of New Orleans. The author describes the city from the point of view of two writers: Louis Armstrong and Buddy Bolde and their two novels "Satchmo" and "Coming Through Slaughter". These two novels help us understand the lives of these two men as well as the city that was an essential part of their lives and their heritage as well as the city's violence, an inseparable part of New Orleans.
From the Paper ""Some cities you might not even know that you were in them, so little there is there. You could be kidnapped and dropped down in scores of American cities and unless you happened to see a sign announcing your location or had a native handy to ask where you might be you might never know where you had landed, so interchangeable are so many of the towns and cities and especially suburbs in the United States. "
Abstract This paper discusses three different children's books: "Bud, Not Buddy" by Christopher Paul Curtis, "A Single Shard" by Linda Sue Park, and "Joey Pigza Swallowed the Key" by Jack Gantos. Each story is discussed in detail with a short paragraph about the authors. Each book is special in different ways.
Abstract This paper presents a detailed examination of what the outcome might be in using older children with self-esteem issues to work with younger children at school. The writer argues that such a program will promote self-esteem and reduce behavior issues with the mentors as they begin to feel connected and capable as contributing members of the school. The paper specifically discusses a program called the Tall Buddy Program.
Table of Contents:
Introduction
Self Esteem
Conclusion
From the Paper "Students with high self esteem have a documented advantage over students with low self esteem. A Tall Buddy Program will allow students with low self esteem to increase their self esteem by mentoring to students who are younger. The younger students will also benefit form the program as they have a buddy to turn to while they learn to navigate the path of education in elementary school.
Students who have high self esteem go on to become adults with high self esteem and it is those adults who cure disease, invent things, and provide positively to the society that they live in. It is important to help students with low self esteem get it turned around as they enter the upper school grades so that they will be equipped with the "can do" attitude that will allow them to succeed and go on to pursue their adult desires and goals with confidence. Students with low self esteem become adults with low self esteem which can translate to higher welfare roles at a cost to taxpayers. It is to society's advantage to help students who have low self esteem change their perceptions and given them confidence in their ability to contribute to the world."
Abstract This research study provides a critical review of the relevant peer-reviewed and scholarly literature concerning peer-assisted learning in general and how these programs have been used to help young readers in particular. The paper also presents a case study of the effectiveness of this initiative at an elementary school that provides services to at-risk 6th graders due to emotional, social or behavioral problems and 1st grade struggling readers. The paper explains that the product of the study will be a best practices guide to help educators at all levels identify which peer-assisted technique might be best suited for their individual needs, how to implement it, and how to monitor its effectiveness to ensure long-term success.
Table of Contents:
The Problem
Purpose of the Study
Importance of the Study
Review of Literature
Introduction
Background and Overview
Benefits of Mentoring
Table: Key Benefits of Mentoring in Peer Tutoring Settings
Implementation
Evaluation and Monitoring
Summary
Procedure
Development, Purpose and Approval of Project
Who did You Involve in the Developmental Process and Why?
Implementation
Evaluation
Table: First and Sixth-Grade Teacher Feedback Concerning Efficacy of Tall Buddies Reading Initiative
From the Paper "The benefits of mentoring are also well established. According to Barton-Arwood and her colleagues (2000), a wide range of benefits have been cited in the literature for differing professions, ages, and populations that have used mentoring; these benefits include: (a) development of emotional supports and friendships, (b) improved self-esteem and confidence for mentor and mentee, (c) an increased set of knowledge and skills (e.g., academic achievement), and (d) an improved social network. While methods and roles differ, the reported outcomes and benefits are similar across populations."
Tags: engagement, social component, tutor tutee instructions
Abstract This paper examines the novel "Hunters in the Snow" by Tobias Wolff. The author looks at the main themes in the novel and examines the characters and the experiences they undergo.
From the paper:
"In Tobias Wolff's short story, "Hunters in the Snow", the author depicts three men who on the surface appear to be congenial hunting buddies. However, as the story unfolds, it becomes apparent that there is more than friendship in their relationship. There is a simmering resentment of each other that seems to be highlighted amidst the appropriate setting of the cold, bleak winter season. The cavalier attitude of these men and the effect of their words targeted at each others weak points makes for a rather perverse realization that under these men's simple visages lies a cruel complexity of human nature, which is as frigid as the snow on the ground."
Abstract This paper examines the way in which "Goodbye Pork Pie" reflects the social and political climate of New Zealand in the 1970s. The author investigate the "Kiwi" culture as portrayed through the film. The author writes that New Zealand is presented as distinctive through iconographical features of the culture and countryside through which the journey takes place, as well as the time period. Women are sidelined as the narrative is engineered around the comradery of two kiwi 'blokes', John and Jerry. Furthermore, the paper describes that the film criticizes the right-wing government of its time and focuses on two antiheroes.
From the Paper "Goodbye Pork Pie, directed by Geoff Murphy, and released in Cannes in 1980, is a distinctively New Zealand interpretation of the popular American road movie: a derivative of the buddy-western genre. The buddies, John and Jerry, are propelled by circumstance into a chance meeting and a consequential life of running from authority that seems to have nothing else to do, but to pursue (and pursue?) a little stolen yellow mini."
Abstract This paper discusses and analyzes the literary work, "Tambourines to Glory" by Langston Hughes. The paper examines the significance of the work, and shows what Hughes was trying to say through his fiction. The paper describes the good versus evil theme of the story and illustrates the author's humorous approach to telling the tale.
From the Paper "The protagonists are two women who pose as sisters and decide to start a church, not for spiritual salvation or a great belief in the Lord, but for money. "Money! I sure wish I had some. Say Essie, why don't you and me start a church like Mother Bradley's? We ain't doing nothing else useful, and it would beat Home Relief. You sing good. I'll preach. We'll both take up collection and split it" (Hughes 19-20)."
Tags: essie, laura, buddy, harlem, renaissance, god, devil, gospel, church
Abstract This paper looks at the different functions of APLA provides and the charitable services it offers. These functions include-- a call center for questions about AIDS, education services to encourage safe sex, fights for HIV/AIDS related legislation, residential services, a woman's program, food distribution center, adult-child buddy program and legal aid in HIV-AIDS related cases.
From the Paper "The Necessities of Life Food Bank distributes approximately $2 million worth of groceries to over 1,300 poor clients every year. Professional dentists and hygienists offer various dental services at the Greene/LeBaron Dental Clinic. The Public Benefits and Insurance Counseling helps people apply for government assistance such as Medi-Cal and other forms of health insurance. Clients also have access to the HIV/AIDS Legal Services Alliance (HALSA). This organization offers free services to clients dealing with financial, economic and legal matters. Licensed professionals at APLA's Pacific Center offers mental health services to the clients (M. G. Muchler, telephone communication, May 22, 2000)."
Tags: charity, health, education, sex, legislation, support
Abstract This paper reviews Oliver Stone's 1987 movie "Wall Street" about Gordon Gekko, the financial wheeler-dealer giant who represents the mood of the times, when financial hustlers made fortunes ruthlessly buying and selling company stocks and controlling markets, often by unscrupulous means. In particular it examines the ethical principles that are violated as related to business. It analyzes how greed is presented as part of American business and how Buddy (Gekkos protegee) reacts and deals with the issues of ethics and how his view of greed and ethics evolves and changes throughout the film.
From the Paper "Lured into the lair by Gekko's enthusiasm and "take no prisoners" attitude, Bud is seduced by success, where money buys power and power buys the magical kingdom of one's creation, the elite of the elite. He wants a kingdom of his own, and Gekko is his ticket. When Gekko approaches him to spy on a financial peer, Bud counters, but.."I could lose my license. If the SEC found out, I could go to jail. It's inside information, isn't it" (Stone 1987)? Gekko reminds him of the inside tip Bud had given him about the airline company his father works for and explains that it is information he wants from Bud, nothing else. Unless Bud is willing to go the distance to get it for him, then Gekko has no use for him. Bud hesitates, but not for long. He reasons that this is justified, a means to an end, the end being information to gain the edge."
Tags: gekko, capitalism, stocks, markets, business
Abstract Some of the topics discussed in this paper are: Buddy Bolden, sources of the 'sound', privilege of sound, myths and legends in the history of jazz.
