Abstract
This paper will discuss the relationship between the brothers, Norman and Paul in the book "A River Runs Through It" by Norman Maclean. By analyzing the way that the two brothers get along, the way that the novel is structured will teach us how the author created them in this way. The notion in the relationships of the character as brothers, reveals the way that the story was crafted and we can see how the story is directed by their relationship.

Abstract
This essay describes the younger twin brother's dual role as both protagonist and antagonist in the Grimm brothers' fairy tale, "The Two Brothers". The paper also notes the moral split between the twins.

From the Paper
"Grimm's tale 'The Two Brothers' is a convoluted treatise on the merits of traditional Christian values that is narrated in a startlingly dark manner. This elaborate fairy tale is unique in that it features a main character that functions both as secondary protagonist and primary antagonist. Via effective utilization of the fable's younger twin brother as initial hero and eventual foil, the Grimm brothers condemn the conventionally Christian vices of wealth-seeking..."

Tags:Grimm Brothers, protagonist, antagonist, fairy tale

Abstract
This article analyzes each of the 'Brothers Karamazov' both individually and as an integral part of the very fabric of this classic Dostoyevsky tale. The paper discusses how each brother's personality and motivation are not only fascinating, but also play an indispensable role in the gradual development of the story's spiritual theme.

From the Paper
"His high-strung, sensitive temperament causes such devastating events as his learning that Smerdyakov murdered his father, believing he had Ivan's own silent complicity in the crime, to drive him to a nervous breakdown. (Of course, after Smerdyakov commits suicide, Ivan is unable to prove his allegation and his own fragile mental state prevents him from making a convincing case in court on behalf of his innocent brother, Dimitry.) He has, however, by this time devised a plan for Dimitry's escape, though it will, of course, be necessary, under the circumstances, for others to carry it out.

At the end of the book, Ivan has basically hit bottom. During his strange nightmare of the devil--which he believes is real--he exhausts all his arguments against the existence of God and faith in Christ, pouring out all his doubt through the dream "devil," which is himself; and soon, a few positive spiritual signposts begin to emerge. He expresses (covertly, through the "devil" persona,) his intense desire to "join the (heavenly) chorus and shout 'hosanna' (to God,)" as well as to receive a "tiny grain of faith...(which) will grow into an oak tree...and save (his) soul." It appears that there is, indeed, hope for Ivan yet, which is one of the final spiritual messages of the book."

Tags:Dostoyevsky, Karamazov, brothers, patricide, Alyosha, Elder, Zossima, Russian, novels, Smerdyakov, Grushenka, Snegiryov

Abstract
This paper reviews the film about an epic quest entitled "Brother Where art Thou?" which was based on Homer's "The Odyssey." The paper describes the adventures the protagonists faced and the various references the film made to Homer's original work. The reviewer also examines the goal of Ulysses, the main character in the movie, and concludes it is a righteous goal, even if he attempts to achieve it in a dubious manner.

From the Paper
"The three face many adventures, including many references to Homer's epic poem. They meet a blind oracle who tells them they will have many adventures and face many "ob-stack-ales." They meet sirens, and Cyclops, and many other characters, just as Ulysses discovers the same things in his journey. The film does not seem to have the same outcome as the poem, but in the end, it does, and that is one of the things that makes it so enjoyable. The viewer does not know what is coming until the end, and the journey is complete."

Tags:George Clooney The Odyssey Oh Brother, Where Art Thou

Abstract
This paper examines the values in Farley Mowat's short story, "Walk Well, My Brother," contrasting the selfishness and resentment of Lavery with the selflessness and love of Konala.

From the Paper
"In Farley Mowat's "Walk Well, My Brother" he makes a great contrast of values between Lavery and Konala. Lavery is angry, resentful and self-absorbed, thinking only of himself and not at all of Konala and her needs. Moreover, he is prejudiced against her, based on her primitive culture viewing her as beneath him. When she offers him raw fish after the plane crashes, he shouts at her; "Eat it yourself, you animal." (Mowat) She then builds a fire and..."

Tags:Walk Well My Brother, values, pride, love, resentment, fear, Farley Mowat

Abstract
This essay provides a short biography of Orville and Wilbur Wright and their invention of the airplane early last century. The paper explains that the airplane was a technical mystery for many years, but relying on each other's strengths, they worked very well as a team to solve the problems. It concludes that even though the brothers were not formally educated, they succeeded in inventing one of the most revolutionary technologies of all time.

From the Paper
"The Wrights' growing local reputation as skillful cyclists and mechanics led to many requests from friends to fix their bicycles. In 1893 they capitalized on the situation and opened a small rental and repair shop. Their bicycle business provided them with an adequate and enjoyable living, an upstanding reputation in the local business community, and an outlet for their mechanical interests. Knowledge and experience with bicycles also proved valuable to the Wrights' development of a successful airplane."

Tags:aviation, brothers, flight, kittyhawk, wright

Abstract
The writer of this paper examines unique literary writing style of both
Jacob Ludwig Carl and Wilhelm Carl Grimm, better known as the brothers Grimm. This paper supplies a concise look into the background of both men, describing their strategy for working together to create the first widely recognized fairy tales, which include such classics as: "Snow White," "Hansel and Gretel" and "Cinderella." This paper analyzes the Grimm's rare writing style, which can be seen in their use of masculine and feminine symbols as well as their use of realism. Both men also used a great deal of religious imagery and themes, pitting evil against good. Many critics have expressed various opinions regarding the collective works and individual stories of these two men.

From the Paper
"The Grimm brothers' unique writing style can be seen in their use of masculine and feminine symbols as well as their use of realism. These men also used a great deal of religious imagery and themes, pitting evil against good. Many critics have expressed various opinions regarding the collective works and individual stories of these two men. Some critics believe that certain patterns in the brothers' stories can be explained by psychoanalyzing the text for certain types of symbolism. For the most part, the original and modern critics have both been pleased with the compilation and story telling skills of these two men. Some critics believe that a large part of the struggle that occurs in Hansel and Gretel is due to symbolism involving gender conflicts around and between the main character."

Tags:brothers, fairy, grimm, literature, tales

Abstract
This is a book report based on Bargon's novel: "Temptations of St. Ed &Brother S And The Monastic Tradition". The three elements of medieval Christian monasticism that are evident in Bergon's novel are: the temptations of the flesh, conflict within the community of monks or between monks and Church hierarchy, and the choice that must be made between service and solitude.

Tags:temptations, ed, brother

Abstract
This paper discusses that, in their film, "O Brother, Where Art Thou?," the Coen brothers built in ironic commentary that underscores the understanding of the story of Odysseus. The author classifies the film as a "road picture." The author states that like Homer the always-inventive Coen brothers have taken recognizable allusions to other movies and the surprise of new ones and blended them into a remarkable film.

From the Paper
"Into this, they weave some very obscure allusions: Waldrop is the surname of Penny's suitor and of Howard Waldrop who wrote a novel called A Dozen Tough Jobs, in which the central character is a modernized version of Hercules. The title of the movie comes from a 1941 play by Preston Sturgis, called Sullivan's Travels, in which the protagonist must choose whether to obey the studios and create a facile, feel-good comedy or portray the real sufferings of exploited man."

Tags:ironic, commentary, road, inventive, allusions, tapestry, reference, action, south, rural

Abstract
The following paper draws parallels between Homer's "Odyssey" and the Coen Brother's "O Brother Where Art Thou?". In the year 2000, the inventive and provocative filmmakers Joel and Ethan Coen reworked the Odyssey in a liberal way, changing scenes, settings and characters. The writer compares the original epic and the original screenplay and discusses dozens of small but meaningful comparisons. For instance, Odysseus and his men descend into Hades where they encounter several ghosts from Odysseus's past; in the film the boys meet a fellow inmate who they thought was dead. Odysseus from the original epic and Ulysses from the film (played by George Clooney) both have to prove to their wives that they are true: Ulysses must bring Penny the ring to redeem himself. In the Odyssey, Book 23, Penelope declares that "there are tokens with which we two alone are acquainted," (Butler trans.). Although it was written millennia ago in ancient Greece, the parables of the Odyssey remain extant for a reason: Its themes are universal and accessible and adaptable for all time. The Coen brothers' movie "O Brother Where Art Thou?" exemplifies Homer's timelessness, as well as their own versatility.

From the Paper
"Homer's Odyssey is more than an epic tale of a man "who wandered far and wide," across the sea; it is an archetypal journey with universal and enduring import. It is not difficult to find parallels between Odysseus's adventures and modern ones, for ultimately the Odyssey transcends its details. Homer erected a narrative structure that lends itself to adaptation and reconstruction. Most notable to modern reinterpretations of Homer's Odyssey is James Joyce's Ulysses, which focuses on and develops the relationship between father (Odysseus/Leopold Bloom) and son (Telemachus/Stephen Dedalus). In the year 2000, the inventive and provocative filmmakers Joel and Ethan Coen reworked the Odyssey in an equally liberal way, changing scenes, settings, and characters. But whereas Joyce's version of the Odyssey is microcosmic, its journey more psychological than physical, the Coen brothers' O Brother Where Art Thou? rambles through a decidedly physical and farcical tale. At first glance the film resembles Homer's epic little: only certain elements are obvious like George Clooney's character's name (Ulysses) and the three sirens by the river. A deeper investigation of the film and the original text reveals numerous, if more subtle, references."

Tags:Depression-era, Mississippi, prison, American, south, sepia, camera, filters, jailbird, husband, estranged, family