Abstract
This paper examines the values in Farley Mowat's short story, "Walk Well, My Brother," contrasting the selfishness and resentment of Lavery with the selflessness and love of Konala.

From the Paper
"In Farley Mowat's "Walk Well, My Brother" he makes a great contrast of values between Lavery and Konala. Lavery is angry, resentful and self-absorbed, thinking only of himself and not at all of Konala and her needs. Moreover, he is prejudiced against her, based on her primitive culture viewing her as beneath him. When she offers him raw fish after the plane crashes, he shouts at her; "Eat it yourself, you animal." (Mowat) She then builds a fire and..."

Tags:Walk Well My Brother, values, pride, love, resentment, fear, Farley Mowat

Abstract
This paper reviews the film about an epic quest entitled "Brother Where art Thou?" which was based on Homer's "The Odyssey." The paper describes the adventures the protagonists faced and the various references the film made to Homer's original work. The reviewer also examines the goal of Ulysses, the main character in the movie, and concludes it is a righteous goal, even if he attempts to achieve it in a dubious manner.

From the Paper
"The three face many adventures, including many references to Homer's epic poem. They meet a blind oracle who tells them they will have many adventures and face many "ob-stack-ales." They meet sirens, and Cyclops, and many other characters, just as Ulysses discovers the same things in his journey. The film does not seem to have the same outcome as the poem, but in the end, it does, and that is one of the things that makes it so enjoyable. The viewer does not know what is coming until the end, and the journey is complete."

Tags:George Clooney The Odyssey Oh Brother, Where Art Thou

Abstract
This is a book report based on Bargon's novel: "Temptations of St. Ed &Brother S And The Monastic Tradition". The three elements of medieval Christian monasticism that are evident in Bergon's novel are: the temptations of the flesh, conflict within the community of monks or between monks and Church hierarchy, and the choice that must be made between service and solitude.

Tags:temptations, ed, brother

Abstract
The following paper draws parallels between Homer's "Odyssey" and the Coen Brother's "O Brother Where Art Thou?". In the year 2000, the inventive and provocative filmmakers Joel and Ethan Coen reworked the Odyssey in a liberal way, changing scenes, settings and characters. The writer compares the original epic and the original screenplay and discusses dozens of small but meaningful comparisons. For instance, Odysseus and his men descend into Hades where they encounter several ghosts from Odysseus's past; in the film the boys meet a fellow inmate who they thought was dead. Odysseus from the original epic and Ulysses from the film (played by George Clooney) both have to prove to their wives that they are true: Ulysses must bring Penny the ring to redeem himself. In the Odyssey, Book 23, Penelope declares that "there are tokens with which we two alone are acquainted," (Butler trans.). Although it was written millennia ago in ancient Greece, the parables of the Odyssey remain extant for a reason: Its themes are universal and accessible and adaptable for all time. The Coen brothers' movie "O Brother Where Art Thou?" exemplifies Homer's timelessness, as well as their own versatility.

From the Paper
"Homer's Odyssey is more than an epic tale of a man "who wandered far and wide," across the sea; it is an archetypal journey with universal and enduring import. It is not difficult to find parallels between Odysseus's adventures and modern ones, for ultimately the Odyssey transcends its details. Homer erected a narrative structure that lends itself to adaptation and reconstruction. Most notable to modern reinterpretations of Homer's Odyssey is James Joyce's Ulysses, which focuses on and develops the relationship between father (Odysseus/Leopold Bloom) and son (Telemachus/Stephen Dedalus). In the year 2000, the inventive and provocative filmmakers Joel and Ethan Coen reworked the Odyssey in an equally liberal way, changing scenes, settings, and characters. But whereas Joyce's version of the Odyssey is microcosmic, its journey more psychological than physical, the Coen brothers' O Brother Where Art Thou? rambles through a decidedly physical and farcical tale. At first glance the film resembles Homer's epic little: only certain elements are obvious like George Clooney's character's name (Ulysses) and the three sirens by the river. A deeper investigation of the film and the original text reveals numerous, if more subtle, references."

Tags:Depression-era, Mississippi, prison, American, south, sepia, camera, filters, jailbird, husband, estranged, family

Abstract
This paper relates that the plot of the film "O' Brother, Where Art Thou?" evolves around the protagonist Everett and his friends, escaping from a Mississippi gang and going in search of 1.4 million dollars, which Everett claims to have hidden in a valley flooded by the lake, and continues with some very bizarre incidents, characteristic of the Coen brother's work. The author points out that, although the Coen brothers did not directly base their film on Homer's "Odyssey", there are many references to it, such as the three friends stumbling across a blind prophet who predicts their future as the Homer's sirens did. The paper explains another reference: The hero of the film is trying to get back to Ithaca in Mississippi; whereas, in the classic, Odysseus is trying to get back to Ithaca in Greece.

From the Paper
"Like in the epic, the movie starts of with reference to the rural Mississippi. This, too, is just a fantasy place and not reality like most of the rest of the movie. In the movie, the three heroes on a journey home, come across a political campaign and are shoved into a radio station and are mistaken for radio stars. They also stumble upon a Klan Meeting and are on the way to Everett's wife who is going to marry another guy who does not get himself thrown into jail all the time, and fortunately, (or rather unfortunately), they happen to have seven daughters who she plans to pack off. This makes you wonder how illusionary and fable-like the film sounds."

Tags:plot, bizarre, ithaca

Abstract
This paper is a piece of creative writing describing the circumstances under which a person was informed about the serious injury of a brother, the writer's only relative. It goes on to describe the brother, Eddy, his rehabilitation and the care that the writer provided for him, including the hardships and the successes.

From the Paper
"Finally, Eddy was rehabilitated enough to come and live with me. Oh, he was still in a wheelchair, but I'd paid to install ramps at my small house, and I found a good physical therapy facility close to the house. I wanted Eddy home with me, I felt he'd progress better and feel better, too, but I wasn't sure Eddy really cared anymore. He'd sunk into a deep depression. His doctors had prescribed antidepressants for him, but I wasn't really sure he was taking them. Still, I looked forward to his moving into my home. I wanted to take care of my brother, and I wanted to help him get better."

Tags:rehabilitation, depression, nurse

Abstract
This paper discusses that, in their film, "O Brother, Where Art Thou?," the Coen brothers built in ironic commentary that underscores the understanding of the story of Odysseus. The author classifies the film as a "road picture." The author states that like Homer the always-inventive Coen brothers have taken recognizable allusions to other movies and the surprise of new ones and blended them into a remarkable film.

From the Paper
"Into this, they weave some very obscure allusions: Waldrop is the surname of Penny's suitor and of Howard Waldrop who wrote a novel called A Dozen Tough Jobs, in which the central character is a modernized version of Hercules. The title of the movie comes from a 1941 play by Preston Sturgis, called Sullivan's Travels, in which the protagonist must choose whether to obey the studios and create a facile, feel-good comedy or portray the real sufferings of exploited man."

Tags:ironic, commentary, road, inventive, allusions, tapestry, reference, action, south, rural

Abstract
This paper presents an in depth analysis of linguistic use of dialect in the film "O'Brother Where Art Thou". The author provides several examples from the film to show how Everett and The Salesman use southern, Depression era dialect to maintain power and manipulate people involved with them.

From the Paper
"Throughout the film, Everett demonstrates an extreme concern with our appearances in order to maintain his facade. For example, his obsession with maintaining well groomed hair. But more importantly, his obsession with outwardly appearances continues to manifests throughout his speech patterns. Whenever Everett wishes to impress someone his has recently met, he elevates his speech in order to socially mark himself as educated. For example, the Railcar Boarding scene, Cousin Wash's Cabin and The Restaurant scene are situations Everett is encountering new personalities, which he feels he must impress. This pattern of Everett's elevated dialect remains consistent throughout the film.
"Another dialectical pattern Everett consistently demonstrates is, whenever his leadership role or personal values are questioned, he again resorts to a dialect reflected of a highly educated individual. This provides Everett's personality with several benefits. First, Everett projects a protective shield from the personal attack by baffling the speaker with elevated dialect. Secondly, it reestablishes Everett in a leadership role by socially marking himself as the superior individual. Finally, and most importantly, Everett is able to manipulate individuals by socially marking himself as superior through elevated dialect. Examples of this behavior are evident in the Gopher Eating scene, Walking Down a Road Following Barn Burning and the Car Interior Following Baptism. Also noteworthy is Everett's linguistic pattern of academia. Once again, Everett uses this technique to maintain his social status as leader. Everett consistently demonstrates knowledge regarding academic subjects such as mythology, psychology and ecology. Fine examples of this dialectical shift occur during the Hitchhiker at a Crossroads, George Nelson at the Campfire, and The Flood."

Tags:dialectical dialect linguistic speech, linguistic pattern, speech patterns

Abstract
This paper critically analyzes Paul Montrose's essay, "The Place of a Brother in "As You Like It": Social Process and Comic Form". The paper presents a response to this essay, which reiterates Montrose's main thesis that the conflict in William Shakespeare's "As You Like It" is resolved by elements of Nature and Fortune, as opposed to the usual way, which involves using the resources of playfulness and boldness, moral virtue and witty deception.

From the Paper
"At the beginning of this motherless play, we see certain elements of savagery, which can be linked to male behavior. Oliver's savageness can be demonstrated as he hires Charles to, in so many words, kill his brother and can be seen in the following passage: "Therefore use thy discretion. I / had as life thou didst break his neck as a finger" (I.i.144-145). In As You Like It, all of the laws and savage masculine behavior occurs in the courtyard, a place which lacks feminine characteristics and influence."

Tags:comic, deception, orlando, rosalind

Abstract
This paper is an analysis of the poem "How to Watch Your Brother Die," by Michael Lassell. It's given through the point of view of a heterosexual male.