Abstract
This paper considers immediate causes and remote causes of a brawl at a baseball game between the two teams. It also looks at the Impact of the emotionally charged competitive atmosphere of the game.

From the Paper
"In the picture of the baseball brawl more than a team's worth of players are shown in various stages of beating each other up. It is possible that some of the players are trying to break up the .."

Tags:baseball, brawl, cause and effect, personal essay

Abstract
The paper looks at three theories that explain violence in sports. The paper picks examples of sports violence that show examples from all areas of sports: fan violence in a Greek volleyball game, a professional foul in hockey, reports of fan violence in baseball and a riotous celebration in college football. The paper discusses what can be done to prevent such violence.

Outline:
Brawl in Greek Volleyball
Todd Bertuzzi
Fan vs Sportsman
Violence and Celebration

From the Paper
"Violence in sports is a serious social issue. Sports violence occurs most frequently in team sports, hockey being an obvious example; however, it is also perpetrated by coaches, spectators, and is reinforced by the media. Spectator violence is a common theme of research, and out of this research, three theories of violence in sports has been developed: Biological theory, which argues that sports violence is an aspect of aggression, a natural human instinct, and is an acceptable way of discharging aggression. Psychological theory considers that the aggression of sports violence is a result of frustration; therefore, losing games, or being threatened by another team, may provoke aggression. This does not answer incidents where violence is perpetrated by the winning side."

Tags:spectators, fans, teams, rivalry, aggression

Abstract
This paper examines how the Elizabethan dramatists Christopher Marlowe and William Shakespeare were contemporaries and how, for the latter part of Marlowe's dramatic career, they were rivals as well. It looks at how Marlowe's career as a playwright was cruelly cut short after the author was murdered in a tavern brawl, probably the result of his political intrigues. The paper shows that regardless of the reasons for Marlowe's untimely demise, the difference between the older Marlowe and the young Shakespeare had already become manifest in the characterization of the main protagonists of the two men's plays. It explores how Marlowe clearly influenced Shakespeare's early writings and how, while Marlowe used broad character brushstrokes to create a vivid narrative and caricature of human character and morality, Shakespeare created a new way of dramatically rendering the human character in shades of gray. In particular, it examines how both men used similar themes, such as the presence of "Jewish" values in a money-grubbing 'Christian' society.

From the Paper
"All of Marlowe's protagonists are larger than life, from Barabas to Faustus and lastly to Tamburlaine, in the scope of their desires. They are both sustained and destroyed by their respective evils. Barabas' poisoning reflects the Jewish dietary laws that Shylock merely tacitly refers to, "I will not eat with you," in Act I of "The Merchant of Venice." Faustus is destroyed by his love of knowledge and power, just as Tamburlaine is destroyed by his desire to conquer the world. All of these men stand outside of their societies, and reflect what is wrong with their societies an over emphasis on money, scholasticism, and power respectively."

Tags:jew, shylock, barabas, faustus

Abstract
This paper explains that "Othello", like Shakespeare's other "big" plays, abounds in spectacular examples of theatrical effect, such as the brawls and the big pageantry;however, the theatrical effect of the rest of the play represents communication by gesture and look, the eloquent silences and whispered, spoken and shouted language. The author points out that jealousy in Shakespeare's "Othello" is a mask for the fear of death because what the jealous lover fears is that there will not be time or space enough for him. The paper relates that one of the peculiar splendors of "Othello" is that Othello's belated jealousy cannot be understood without first understanding Iago's primal envy of Othello, which is at the hidden center of the drama.

From the Paper
"Shakespeare's Iago appears in two aspects: his external appearance, as he reacts with others and his inner life as revealed by the soliloquies. Forget the soliloquies for a moment, and examine the face that Iago turns to the world. Here is a clever, ambitious man coolly manipulating others for his own ends. The current theories of will and reason he voices belong to his character both "psychologically" and dramatically. He denies the reality of loving feelings, they are only a lust of the blood, a permission of the will; he asserts the supremacy of the will and intelligence, ..."

Tags:spectacular, language, mask, iago, envy