Abstract Beginning with a definition of the term renaissance, this paper explores, through specific examples of writing, art and architecture, how and why the Italian renaissance may be characterized as a glorification of human power and human activity. Petrarch and his contemporaries are presented as examples of a return to classical idealism in Europe. Further, an exploration of the dignity of man, as well as renaissance art and architecture are detailed, giving weight to the paper's thesis. Specific art examples discussed in the paper include the Merode Altarpiece (1425-1428) by Master of Flemalle, Michelangelo Buonarrotis' David and Bramante's Tempietto.
From the Paper "The Renaissance, from the French word renaissance and the Italian word rinascita, both meaning rebirth, is considered by some to have officially begun in 1341 when Francesco Petrarch (1304-1374) was crowned in Rome with the Laurel wreath, the ancient symbol of victory and merit. Petrarch, as one of the first humanist writers, explored modern life through the lens of the ancient Romans and Greeks. Both Petrarch and his contemporary Boccaccio (1313-1375) "were famous in their own day as poets, scholars and men of letters - their achievements equivalent in honor to those of the heroes of civic virtue." As the word humanism suggests, the principle concerns of its advocates were human values and human interests, which are distinct from, but not entirely opposed to, the other worldly values of Christianity."
Abstract This paper explains that the Basilica of Saint Peter in Rome reflects the acts of Saint Peter, serves as a model for all the great Churches in Italy and provides a deep historical and religious framework for Christianity. The author points out that Saint Peter is one of the most significant icons of the New Testament. The paper notes that the first Basilica of Saint Peter, finalized in 324 and which was designed in the form of a cross, became worn through the ages and reconstruction was inevitable. The author explains that reconstruction of the new Saint Peter's Basilica, begun in 1503, involved Donato Bramante, who implemented a Greek style cross design, followed by Antonio da Sangallo, who added the Baroque features to the interior, Michelangelo, who contributed his awesome dome, and Bernini, who designed in 1667 the square directly outside the Basilica.
Table of Contents:
Saint Peter's Profile
The Deeds of Saint Peter
Saint Peter's Burial
History of Saint Peter's Basilica
Architecture of Saint Peter's Basilica
The Deeds of Saint Peter Reflected in Architecture
From the Paper "Jesus christened Peter with the name, Cephas. In translation, Cephas means 'The Rock'. The inference of this name clearly describes the role that Saint Peter played as a primary leader during Jesus' life. As a disciple, Peter witnessed a great deal of miracles and promoted the salvation of Christianity through example. Along with apostles James and John, Saint Peter remained close to Jesus and advised him on many issues. Peter was present for many of Jesus' trials and miracles, documented as the main apostle at Jesus' transfiguration, the revival of Jairus's daughter from the dead and the Agony of the Garden of Gathsemane."
