Abstract
This paper discusses the film, "The Craft," and explores the argument that the quest for knowledge beyond what is natural, inevitably leads to disaster. Arguments to disprove this theory are introduced, showing that modern thought may be more likely to condone our pushing the boundaries of knowledge than older, more conservative schools of belief. The paper examines the religious, sexual, natural, psychological and political aspects of searching for forbidden knowledge or power, as it relates to the film's Gothic tradition.

From the Paper
"Certainly, the first part of Bonac's statement is an accurate depiction of the four girls' decision to attempt to invoke Manon. Sarah, the newcomer, is ignorant of her inherent powers; the others understand their potential for witchcraft but lack the necessary power (the "fourth" corner). Their wishes are innocent and harmless enough: the bullied Rachelle wants Laura to leave her alone, scarred Bonnie wishes for beauty, and Sarah hopes for Chris' love. Nancy wishes initially for "a smaller butt," and Sarah is told by Bonnie that Nancy really wishes she were not "white trash" (this latter wish being understandable when we see her home situation). However, finally she wishes for Manon to possess her, to "fill" her."

Tags:witchcraft, manon, gothic, sarah, nancy, chris, supernatural, bonnie, rachelle, bonac