Abstract
This paper examines Barbara Neely's first novel, "Blanche on the Lam", and in particular, looks at how Neely makes it clear from the very first page that this book is about race, class, and gender, although the race and class issues seem to get slightly more attention than gender, at least in a direct, in-your-face way. It shows how, from the very first page, Neely sets Blanche up as a worthy and experienced commentator on the issues of race and class.

From the Paper
"Blanche White may be broke, black and female, but in her own mind, of which she keeps good control, she is worthy. In her own mind, she calls her employers especially the hateful Grace for whom she works while on the lam by the first names, rather than Mrs. or Ma'am. "It helped her to remember that having the money to hire a domestic worker didn't make you any better than the worker, only richer". In Blanche's mind, there is no class, although it took a lot of reminding to keep her convinced of that in the society she lived in. Riding in her employer's car to the country house, she noticed a police car and didn't want to be recaptured."

Tags:blanche, grace

Abstract
This paper examines Blanche in "A Streetcar Named Desire" and her relationships with the people around her.

From the Paper
"Blanche Dubois is the protagonist of Tennessee Williams' play "A Streetcar Named Desire". Her character represents a life that is falling apart and she expresses this disintegration in her inability to control her thoughts, actions and words in her interactions with the major characters in the play; Stella, Stanley and Mitch. Blanche's sister, Stella Kowalski, lives with her husband in New Orleans. When Blanche and Stella first see each other in Stella's apartment, Blanche's anxious and babbling behavior is off-putting and..."

Tags:Blanche, relationships, Tennessee Williams

Abstract
This paper compares the two fictional characters of Blanche in Tennessee Williams' play "A Streetcar name Desire" and Julie in August Strindberg's drama, "Miss Julie." It considers both women as products of their society who gave in to their weaknesses.

From the Paper
"Miss Julie" and "A Streetcar Named Desire", while written during two different times in history both relate the downward spiral of two women from degenerating aristocratic families both of whom were unable to interact with men in a healthy manner ..."

Tags:A Streetcar Named Desire, Miss Julie, Blanche Du Bois

Abstract
Analysis of the character of Blanche DuBois in the Tennessee Williams play. Blanche's duality; her illusions vs. reality; conflicts between her sexual & spiritual longings. Blanche's threat to the domesticity of Stella and Stanley. Clash between Blanche and Stanley regarding her insistance on illusion and his on reality. Stanley's belief that Blanche's illusions are ruining his home, and his rape of her to shatter her illusions. Blanche's destruction. Stella and Stanley to live with illusion that he did not violate Blanche.

From the Paper
"In the play A Streetcar Named Desire by Tennessee Williams, Blanche DuBois is a character whose duality becomes apparent as the play progresses. She holds herself out to be one sort of person with one sort of background, but in fact, her life has been very different from what she pretends. For her, the illusion is a necessity in order to continue to live. For her brother-in-law, Stanley Kowalski, the illusion is an affront and has to be exposed. In the character of Blanche, the duality derives from a conflict between sexual longing and the spiritual side of her nature in a world that sees the two as separate, when in fact they are combined in every person.

Blanche sees herself as a martyr and is always referring to the way life has treated her. The loss of her and Stella's childhood home is a key reference point. Blanche's character is ..."

Abstract
This paper contends that the tragedy of "Streetcar Named Desire" is down to the failed relationship between Blanche and Mitch and that exclusively the tragedy relies on several facets of abuse in order to produce a genuine catharsis of pity and sympathy.The paper also discusses how these facets of abuse rely on Stanley's harassments as well as Blanche's inability to conform, how there is no middle ground between Stanley and Blanche and how, if there had been, perhaps Blanche's chances with Mitch would have been more fruitful. The paper contends that Blanche's failed relationship with Mitch represents the final straw from which the rest of the tragedy of "Streetcar Named Desire" unfolds, and from which she can never recover having felt that she was so close to a solution.

From the Paper
"The relationship between Mitch and Blanche is represented as her salvation; he's different "to the others", more "sensitive", and so appeals to Blanche's similar need for an understanding soul mate, someone who adheres to her idea of a 'southern gentleman' which is important because of the ideals Blanche bases her needs on; that of a compassionate partner. Examples in Mitch of his southerly gentlemen traits his bowing to her at the end of scene V inducing an "interest" in Blanche as he offers her flowers, and applies a politeness that contrasts so gravely with Stanley's treatment of her. Blanche seeks a partner who can satisfy her sexual appetite and offer her support. Indeed in Elia Kazan's 1951 production of Streetcar Named Desire, Blanche and Stella go to find Stanley at the bowling alley, and as they are seeking him out, her eyes follow the males there seductively. This pilgrimage of sorts to find a partner is in my opinion hinting at her true character; a tormented soul seeking typical things. Blanche treats men as objects of passion that she may acquire at will, indeed this is one interpretation of Blanche's hamartia; a trained seductress, who frequented the local soldiers' barracks back at her home. "

Tags:Stanley, salvation

Abstract
The paper describes the poster "La Revue Blanche" and its three different figures. The paper explains how Bonnard's "La Revue Blanche" creates the idea that this journal is the best in the city of Paris. The paper also highlights how Bonnard's "La Revue Blanche" shows the divisions between the French classes with one side being well-off and intelligent (the woman) and the other living in poverty and ignorance (the "urchin").

From the Paper
"La Revue Blanche (1894) by Pierre Bonnard (1867-1947), a French artist primarily associated with the avant-garde movement and artists that were part of the Post-Impressionist Parisian school of painting, was designed as a promotional poster for the monthly Paris-based journal named in the title which in October of 1891 was published "under the direction of the brothers Thadee, Alexandre and Alfred Natansona" and was seen by middle and upper-class Parisians as "one of many French journals devoted to the arts and letters that proliferated" in the late 19th century in France. 1 Exactly what Bonnard is trying to say with this poster has much to do with advertisement. For example, this poster might possibly mean that the readers of "La Revue Blanche" (The White Review) should be cautious of other periodicals trying to imitate it, or that other journals like it are not as good and will never achieve as much success. La Revue Blanche also represents the bustling city of Paris in 1893, full of intelligent, talented and upper-class individuals with new ideas and a taste for modernism."

Tags:society, woman, urchin

Abstract
This paper examines how Tennessee Williams uses themes of escape, illusory light, and truth vs. fantasy through out his plays. In particular, the paper looks at how Williams brings these themes into his famous play "A Streetcar Names Desire" to depict the nature and attitude of Blanche DuBois. The paper attempts to show how, within the play, Blanche's facets of hypocrisy, fantasy, and deceit make her a memorable character in American literature.

From the Paper
"Blanche also lives in a nonrealistic, fantasy world. Even with her age, Blanche lives in an unrealistic world. When talking about her relationship with Mitch and her age, Blanche even says, "I want magic!" (Williams 81). Blanche has to put herself in a fantasy world where she is young, desirable, and able to experience the magic of love and romance. Blanche tries to make everyone believe in her fantasy world so that she can actually live in it. While in the bath tub, Blanche sings "--But it wouldn't be make-believe If you believed in me!"(Williams 99). By singing this song, Blanche shows not only that she is living in a fantasy, but also thinks that if other people believe in her fantasy it will become reality."

Tags:fantasy, hypocrisy, escape

Abstract
The world that Blanche DuBois inhabits in Tennessee Williams' play Streetcar Named Desire is a world all of her own, characterized by motifs that accentuate the theme of illusion. On the other hand, Stanley and Stella's world seems to be grounded in a harsh reality. In this essay, it will be argued that Stanley and Stella, as well as Blanche, all inhabit worlds that are defined and made possible by illusion. Thus, the play appears to define reality as the illusions that we choose to make our lives beara

From the Paper
A Streetcar Named Desire Topic 1: Blanche's World and Reality The world that Blanche DuBois inhabits in Tennessee Williams' play Streetcar Named Desire is a world all of her own, characterized by motifs that accentuate the theme of illusion. On the other hand, Stanley and Stella's world seems to be grounded in a harsh reality. In this essay, it will be argued that Stanley and Stella, as well as Blanche, all inhabit worlds that are defined and made possible by illusion. Thus, the play appears to define reality as the illusions that we choose to make our lives bearable and possible.

Tags:american, literature, streetcar

Abstract
This paper discusses how no two characters in fiction symbolize the qualities of the neurotic, upper class Southern woman more than Tennessee Williams' Blanche DuBois in "A Streetcar Named Desire" and Daisy Buchanan in F. Scott Fitzgerald's "The Great Gatsby." It demonstrates how although different in many respects, both women are tragic contemporary figures of American literature.

From the Paper
"Blanche has had a rather tragic that has left her emotionally starved and on the verge of a breakdown. She married at a young age, only to discover her husband was bi-sexual and when confronted committed suicide. This has haunted her and led her to numerous sexual partners, nameless faces actually. She was forced to sell the plantation due to the funeral bills from her parents' death. Now Blanche is essentially a pathetic middle-aged alcoholic pretending she is wealthier, younger and more beautiful than she has become. The pain of her past keeps Blanche from living in reality, however, she is aware of how she looks and shies from any direct light."

Tags:upper, class, southern, woman, suicide, death

Abstract
This paper looks at the duality of Blanche in the play. It explains how she is a character whose duality becomes more and more apparent as the play progresses. She holds herself out to be one sort of person with one sort of background, but in fact, her life has been very different from what she pretends. The writer explains that the duality derives from a conflict between sexual longing and the spiritual side of her nature in a world that sees the two as separate, when in fact they are combined in every person.

From the Paper
"Blanche sees herself as a martyr and is always referring to the way life has treated her. The loss of her and Stella's childhood home is a key reference point. Blanche's character is revealed as it contrasts with that of Stanley -- Blanche aspires to the spiritual, and Stanley just accepts the animal and denies the spiritual. A key conflict in the play is the threat Blanche poses to the domesticity of Stanley and Stella, and from Stanley's point of view this is bound with his belief in reality as contrasted with Blanche's desire to live by illusion. Stanley is a character who is open and direct. From the beginning of the play he is made to seem elemental."

Tags:duality, sexual, longing, conflict, spiritual