Abstract This paper examines Barbara Neely's first novel, "Blanche on the Lam", and in particular, looks at how Neely makes it clear from the very first page that this book is about race, class, and gender, although the race and class issues seem to get slightly more attention than gender, at least in a direct, in-your-face way. It shows how, from the very first page, Neely sets Blanche up as a worthy and experienced commentator on the issues of race and class.
From the Paper "Blanche White may be broke, black and female, but in her own mind, of which she keeps good control, she is worthy. In her own mind, she calls her employers"especially the hateful Grace for whom she works while on the lam"by the first names, rather than Mrs. or Ma?am. "It helped her to remember that having the money to hire a domestic worker didn"t? make you any better than the worker, only richer.? In Blanche's mind, there is no class, although it took a lot of reminding to keep her convinced of that in the society she lived in. Riding in her employer's car to the country house, she noticed a police car and didn?t want to be recaptured."
Abstract This paper compares the two fictional characters of Blanche in Tennessee Williams' play "A Streetcar name Desire" and Julie in August Strindberg's drama, "Miss Julie." It considers both women as products of their society who gave in to their weaknesses.
From the Paper "Miss Julie" and "A Streetcar Named Desire", while written during two different times in history both relate the downward spiral of two women from degenerating aristocratic families both of whom were unable to interact with men in a healthy manner ..."
Tags: A Streetcar Named Desire, Miss Julie, Blanche Du Bois
Abstract The paper describes the poster "La Revue Blanche" and its three different figures. The paper explains how Bonnard's "La Revue Blanche" creates the idea that this journal is the best in the city of Paris. The paper also highlights how Bonnard's "La Revue Blanche" shows the divisions between the French classes with one side being well-off and intelligent (the woman) and the other living in poverty and ignorance (the "urchin").
From the Paper "La Revue Blanche (1894) by Pierre Bonnard (1867-1947), a French artist primarily associated with the avant-garde movement and artists that were part of the Post-Impressionist Parisian school of painting, was designed as a promotional poster for the monthly Paris-based journal named in the title which in October of 1891 was published "under the direction of the brothers Thadee, Alexandre and Alfred Natansona" and was seen by middle and upper-class Parisians as "one of many French journals devoted to the arts and letters that proliferated" in the late 19th century in France. 1 Exactly what Bonnard is trying to say with this poster has much to do with advertisement. For example, this poster might possibly mean that the readers of "La Revue Blanche" (The White Review) should be cautious of other periodicals trying to imitate it, or that other journals like it are not as good and will never achieve as much success. La Revue Blanche also represents the bustling city of Paris in 1893, full of intelligent, talented and upper-class individuals with new ideas and a taste for modernism."
Abstract This paper looks at the duality of Blanche in the play. It explains how she is a character whose duality becomes more and more apparent as the play progresses. She holds herself out to be one sort of person with one sort of background, but in fact, her life has been very different from what she pretends. The writer explains that the duality derives from a conflict between sexual longing and the spiritual side of her nature in a world that sees the two as separate, when in fact they are combined in every person.
From the Paper "Blanche sees herself as a martyr and is always referring to the way life has treated her. The loss of her and Stella's childhood home is a key reference point. Blanche's character is revealed as it contrasts with that of Stanley -- Blanche aspires to the spiritual, and Stanley just accepts the animal and denies the spiritual. A key conflict in the play is the threat Blanche poses to the domesticity of Stanley and Stella, and from Stanley's point of view this is bound with his belief in reality as contrasted with Blanche's desire to live by illusion. Stanley is a character who is open and direct. From the beginning of the play he is made to seem elemental."
A comparative analysis of the characters of Blanche DuBois from "A Streetcar Named Desire" by Tennessee Williams and Daisy Buchanan from "The Great Gatsby" by F. Scott Fitzgerald.
Abstract This paper discusses how no two characters in fiction symbolize the qualities of the neurotic, upper class Southern woman more than Tennessee Williams? Blanche DuBois in "A Streetcar Named Desire" and Daisy Buchanan in F. Scott Fitzgerald's ?The Great Gatsby.? It demonstrates how although different in many respects, both women are tragic contemporary figures of American literature.
From the Paper "Blanche has had a rather tragic that has left her emotionally starved and on the verge of a breakdown. She married at a young age, only to discover her husband was bi-sexual and when confronted committed suicide. This has haunted her and led her to numerous sexual partners, nameless faces actually. She was forced to sell the plantation due to the funeral bills from her parents? death. Now Blanche is essentially a pathetic middle-aged alcoholic pretending she is wealthier, younger and more beautiful than she has become. The pain of her past keeps Blanche from living in reality, however, she is aware of how she looks and shies from any direct light."
Tags: upper, class, southern, woman, suicide, death
Abstract This six-page undergraduate paper examines and analyzes the 1990 murder trial of Blanche Taylor Moore in North Carolina for the poison murders or attempted murders of several people, including her father, first husband, first husband's mother, boyfriend, and second husband.
Abstract This paper is a critical analysis of Tennessee Williams "A Streetcar Named Desire", focusing on the character Blanche and what she symbolizes.
From the Paper "In A Street Car Named Desire, Tennessee Williams displays the character Blanche having many issues. She tells fibs to protect herself from being looked upon disapprovingly. But her secrets are unveiled when Stanley, Blanche's brother-in-law, bumps into a couple of Blanche's acquaintances. Blanche symbolizes all beautiful women who are insecure because they have something they cannot let go or hide from."
Abstract The paper relates that Pierre Bonnard's 1894 "La Revue Blanche" (The White Review) was a poster designed to promote a Parisian periodical that published work by cutting-edge writers of the late 19th century. The paper describes the two figures of a woman and a dwarf in the drawing and their significance. The paper asserts that Bonnard's work is still powerful today due to his stylistic composition and the unique and haunting nature of his figures.
From the Paper "Bonnard's primary aesthetic influences were Japanese woodblock prints which accounts for the flat textures and perspective of La Revue Blanche (The White Review). The print shows the beautiful, detailed face of a beautiful female Parisian aristocrat with pale eyes and a shapely nose that casts an alluring, slightly off-center and mysterious gaze at a point just slightly off-center from the viewer's position in relation to the print. Her slender form and thick black ruffled coat are flat and black and evidently from the ink of a woodprint. They stand in stark and striking contrast to her detailed face. Her towering hat is a similar contrast in darkness and light, starkness and detail. The hat is only a vague shape but the small white flowers are extremely well-crafted and detailed."
Abstract Analysis of the character of Blanche DuBois in the Tennessee Williams play. Blanche's duality; her illusions vs. reality; conflicts between her sexual & spiritual longings. Blanche's threat to the domesticity of Stella and Stanley. Clash between Blanche and Stanley regarding her insistance on illusion and his on reality. Stanley's belief that Blanche's illusions are ruining his home, and his rape of her to shatter her illusions. Blanche's destruction. Stella and Stanley to live with illusion that he did not violate Blanche.
From the Paper "In the play A Streetcar Named Desire by Tennessee Williams, Blanche DuBois is a character whose duality becomes apparent as the play progresses. She holds herself out to be one sort of person with one sort of background, but in fact, her life has been very different from what she pretends. For her, the illusion is a necessity in order to continue to live. For her brother-in-law, Stanley Kowalski, the illusion is an affront and has to be exposed. In the character of Blanche, the duality derives from a conflict between sexual longing and the spiritual side of her nature in a world that sees the two as separate, when in fact they are combined in every person.
Blanche sees herself as a martyr and is always referring to the way life has treated her. The loss of her and Stella's childhood home is a key reference point. Blanche's character is ..."
Abstract This paper uses the Aristotelian definitions of tragedy in order to place Blanche Dubois as the tragic hero in "A Streetcar Named Desire." The paper first looks at the symbolic and actual setting of the play, then analyzes Blanche's character to find her "tragic flaw/s." The essay shows Blanche as a creator of her own fate, not a victim of Fate.
From the Paper "It is the view of the Kowalski's apartment as a representation of the afterlife, a place of punishment and reward, which first introduces to us Blanche as a self-determining tragic protagonist. If the afterlife is fair, and we must assume it to be, then she has earned her rewards and punishments there. Yet this is not only a story of earned consequences, but also of Blanche's metaphorical "expulsion from paradise," though this is certainly a paradise much troubled. Elia Kazan, the director of this play under Williams, realized the mythological fall from "grace" in his "intuition and then conviction...that he should envision each of the eleven scenes as a step in Blanche's progression from arrival to expulsion." It is astonishing to follow how easily Tennessee Williams casts a victim of rape and social oppression into a mold built around self-destruction."
A comparison of these two female protagonists from "A Streetcar Named Desire" (Tennessee Williams) and "The Great Gatsy" (F. Scott Fitzgerald), respectively.
Abstract Blanche Dubois and Daisy Buchanan are two main characters in literature. Blanche is the main character in Tennessee Williams' play "A Streetcar Named Desire" and Daisy is the main character in F. Scott Fitzgerald's novel "The Great Gatsby". An analysis of these two characters in this paper shows that while they are similar based on their upbringing and their need to hide from reality, they are opposites on all other fronts, including how their upbringing has influenced them, what they are concerned with, how they experience love, whether they are willing to make sacrifices, whether they are able to let go of the past and how their problems are resolved.
From the Paper "Another difference in the two characters is how they experience love. Daisy appears to be incapable of love. While she does claim to have loved Gatsby in their past, she quickly forgets him when he goes to war and she begins seeing other men. She also claims to love him in the present but when it comes the time to make a decision, she chooses Tom because he has wealth. In addition, she allows Gatsby to take the blame when she runs over Myrtle Wilson and does not even attend Gatsby's funeral. These are all signs that Daisy does not feel love, but only experiences love based on how it benefits her. Blanche is almost the complete opposite. She feels love deeply, to the point where she cannot let go of the love she feels for her husband Stanley."
Abstract The paper studies Tennessee Williams' famous play, "A Streetcar Named Desire". It delves into the theme of dominant male patriarchy and the repressed and civilized female societal element as represented by the two main characters Blanche and Stanley.
From the Paper "As to the first element, it seems clear that Blanche was testing Mitch. For what appears to be the first time in many years, she is seriously considering not a brief fling, but a real relationship. Her first marriage was destroyed in part because she did not originally understand or thoroughly know the boy she wed. She has had many flings since then, not unlike the one she suggests that Stella should have chosen over marriage to Stanley: "A man like that is someone you go out with--once--twice--three times when the devil is in you. But live with?" (Williams, 50) This time, Blanche wants to make sure it is not just Desire, but something real. She wants his respect, and to be able to respect him. This is why she withholds her attentions: "He hasn't gotten a thing but a good night kiss, that's all I have given him.. I want his respect. And men don't want anything they get too easily." (Williams, 57)".
Abstract This paper presents a detailed look at "A Streetcar Named Desire" by Tennessee Williams. The author of this paper takes us on a tour of the story and explains how each subsequent encounter between Stanley and Blanche leads to increased violence and antagonism.
Abstract This paper explains how, in Tennessee Williams's play, "A Streetcar Named Desire", Blanche Dubois gets what she deserves because she begins to believe the lies she told in order to uphold the illusion that she is still a pristine Southern belle. With a tarnished reputation, she arrives at her sister's apartment in New Orleans in the hopes that she will be able to escape the scandal she caused as a school teacher in Mississippi.
From the Paper "When Stella asks about Belle Reve, the plantation the Bubois family owned, Blanche decides to tell her that as more family members passed away, she claims she couldn't handle the financial depression. She had to let the Belle Reve go to pay for the funerals and processions that followed. However, she tells Stella's husband Stanley that it was her male ancestors that caused the lost of the plantation by stating, ?...our improvident grandfathers and father and uncles and brothers exchanged the land for their epic fornications--to put it plainly! The four-letter word deprived us of our plantation...?(Williams, 9)."
This paper looks at how the American Dream is represented in the opening scenes of Tennessee William's "A Streetcar Named Desire" through the content and initial impressions of the key characters.
953 words (approx. 3.8 pages), 0 sources, 2005, $ 33.95
Abstract This paper examines how in "A Streetcar Named Desire", the American Dream is contrastingly represented in two key characters: Blanche DuBois and Stanley Kowalski, the latter holding Southern ideals and hoping for a life of privilege, comfort and protection; the former believing in a life characterised by toil, an impulsive and reckless sense of spontaneity, and eventual reward and success. It looks at how by adopting an intriguing setting in New Orleans, a series of crucial and symbolic minor characters, and a plot which slowly but meaningfully unravels itself, Tennessee Williams creates content for a screenplay which provides a fascinating interpretation of the American Dream.
From the Paper "Firstly, the characters of Blanche DuBois and Stanley Kowalski provide a differing interpretation of the American Dream. Blanche was born and raised in the deep American South, into a world where her every need, wish and desire would be catered for. She would dwell in a lavish mansion with her family, receive a quality education, be waited upon by coloured servants, and, furthermore, would eventually marry an equally privileged young man who could provide for her the protection which she was accustomed to. This is not so much protection in a physical sense, but rather, the guardianship of her honour. This would involve preventing her from being exposed to cursing, abuse cruelty, and anything else that would seem improper in an upper class Southern society. "
