Abstract In this article the writer discusses that the outlaw biker gangs are the opposite of the 'classy' Mafia since they portray the rebellious nature of man and ride out into the sunset in their Harleys with the wind blowing in their faces. The writer notes that of the various outlaw biker gangs, the most famous - and probably notorious ones - are the Hell's Angels and the Outlaws gangs. Both groups were founded in the first half of the 1900s, one during the Depression Era while the other was a spin-off of a World War II unit. The writer looks at Sheila Ahern's 'The Gang's Not All Here' article which gives a brief history of these two outlaw biker gangs.
The writer concludes that that a closer look at statistics throughout the years would prove a major involvement of the various outlaw biker gangs in almost all types of criminal activities.
From the Paper "Outlaw biker gangs have been known to indulge in various criminal activities from drugs, prostitution, murder-for-hire to blackmail. With the emergence of the Internet and other modern technologies, the various outlaw biker gangs have launched a public relations campaign to show that they are misunderstood segments of the society and the criminal activities attributed to them are works of wayward members that have nothing to do with the general membership of the group. "
Abstract This paper examines the correctional institution recruiting-grounds of both the Aryan Nations and the Black Guerrilla Family. It looks at how the Black Guerrilla Family is typically found in adult prisons, but has also been reported as active by local law enforcement in adult jails and in juvenile correctional institutions. It also examines the BGF's enemy, the Aryan Brotherhood, first formed in the early 1960s in San Quentin, which is composed predominately of outlaw bikers and the ranks of the American Nazi Party and other groups.
From the Paper "The potential danger posed to society by many of the extremist and terrorist groups and organizations that exist today can be directly assessed from their links to convicted criminals, and their associations with organized crime. There are two principle associations between domestic terrorist groups and the criminal subculture within the United States; the first and most obvious being the use of crimes such as robbery, theft and drug trafficking as a means to accumulate funding to achieve their higher goals, and secondly as a population and environment from which to recruit willing and able members."
Abstract This paper explores issues of how hip-hop culture, which includes not just rap music but beat-boxing, turntablism, break-dancing, krumping, and other manifestations, has been the focus of a great deal of negative attention due to what is widely perceived as a negative and debasing image or stereotype of women that is put forth in the culture.
From the Paper "From an historical perspective, hip-hop music has not been around for very long, compared to other forms of music that have sparked societal debate, such as rock and roll and disco. Hip-hop music arguably began in the late seventies with artists like Grandmaster Flash and Electro, and focused on talking or rapping rather than singing, over a strong beat, often break-beat, and sampled instrumentation from other songs. Hip hop was male-dominated in its early days, as it continues to be today, and the lyrics for many hip-hop songs focused on presenting an idea of masculinity that was centered on the reality of life on the streets. As hip-hop gained in popularity through the 80s and even mainstream rock groups like Blondie and the Talking Heads dabbled in rap, this ethos was extended, expanded, and reinforced by groups like Public Enemy, Boogie Down Productions, and the Ultramagnetic MC's, who featured male lead rappers who were often dismissive of females and also often sought to stereotype women as being gold-diggers, bitches, and soap opera addicts. "Rap music has been around a little over 25 years now with hip-hop culture being slightly older. We now have generations of heads who grew or are growing up listening to rap. We are just beginning to see the long term effects and benefits of the imagery gleaned from videos and lyrical content; at this point it's safe to say that the effects are deep and long reaching" (Oshun, 2001). The 80s also saw the rise of so-called gangsta rap, which took the ethos of masculinity and mixed it with the myth of the outlaw or crime figure as rapper, supported by groups like N.W.A., Ice-T, and Geto Boyz."
Abstract The paper traces the early development of motorcycle gangs that led to the founding of the Hells' Angels. The paper contrasts different peoples' and groups' perceptions of, and analyzes the bases of their antipathy for, or support of, the gang. It reviews media attention the gang has garnered, including the period when author Hunter Thompson rode with the gang, and the book which he eventually wrote about that time. It also mentions other books written by member of the gang themselves, and includes some anecdotes about various notorious gang members. In conclusion, the writer expresses the feeling that if the Hells' Angels had better portrayed themselves at an earlier stage, they would not be so despised today.
From the Paper "The Hell's Angels may be the largest motorcycle gang, but they were not the first. "The Booze Fighters" were the first of what was to become a new breed of motorcyclists, the outlaw gang. During one fourth of July celebration in 1947, they lived up (or down) to their name, and terrorized the agricultural town of Hollister, California. This not only got them into the news, but got their story eventually into the movies, with a film entitled "The Wild One." Three years later, in another small California city called Fontana, some other young motorcyclists saw the reports in newspapers and LIFE magazine, and decided to emulate the media's accounts of these outlaw bikers. This group took its name from a 1930s movie of the same name, that had nothing to do with motorcycles. Directed by Howard Hughes and starring Jean Harlow, it portrayed the exploits of a group of World War I fliers, calling themselves "The Hell's Angels."
