Abstract
"This paper is a discussion of the works of five of the greatest directors in international cinema. D. W. Griffith, John Ford, Orson Welles, Alfred Hitchcock, and Ingmar Bergman have each had enormous influence in their art because of their individual vision and striking approach to filmmaking.

From the Paper
"This paper is a discussion of the works of five of the greatest directors in international cinema. D. W. Griffith, John Ford, Orson Welles, Alfred Hitchcock, and Ingmar Bergman have each had enormous influence in their art because of their individual vision and striking approach to filmmaking. Their visual concerns have been dramatically different, but the commitment of each has led them to create powerful, effective films that continue to affect the work of filmmakers in every genre and every nation today. All five have made significant contributions toward turning filmmaking into an art, while developing different aspects of cinema and varying genres, and all five can be considered great artists.

David Wark Griffith was born in Kentucky on January 22, 1875. He began his career as an actor in small touring ..."

From the Paper
" Ingmar Bergman's 1957 film The Seventh Seal is a work of stark and powerful imagery, with one strong image succeeding another to build a whole, not unlike watching a medieval tableau whose scenes are intended to teach a lesson. Underlying this film is a strong sense of the theatrical. In a sense, this is true of any great film, but in the case of The Seventh Seal concepts of drama and the theatrical are inherent in the structure of the work and in the way the director shapes the material, as if moving from one scene in a play to the next, and all the while doing so by drawing attention to the theatricality as a way of enhancing the meaning of the whole. The film is a philosophical work in which ideas are embodied in human actions, in symbolism, and in the dramatic elements of the film. In this sense, the filmmaker is developing his philosophical ideas out in.."

Abstract
This paper discusses key elements of two films namely, Ingmar Bergman's "Wild Strawberries" and Agnes Varda's "Vagabong". It explores the journey of the main character of each film, one a journey inward and the other a flight from society.

Tags:Wild, Strawberries, Vagabond, Journey, Bergman, Varda, Film

Abstract
This paper examines the film "Notorious" in the context of the relationship between Cary Grant and Ingrid Bergman. As spies and lovers, Bergman and Grant are constantly testing one another's trustworthiness and love. This paper concludes that a love that trusts cannot test the object of its affections.

Abstract
This paper analyzes the films of Bergman, Truffaut and Hawks as they focused on telling stories of an existentialistic nature. These films search for a deeper meaning behind life's questions. It explains that these films could not be more different in content and style but also hit a nerve: A rawness that penetrates the film-goers mind and makes them ponder not only the film's meaning but also their own meaning.

From the Paper
"The post-Second World War climate was that of tremendous transition and change for its people. The world was full of tension and uncertainty. Much of how people were functioning had a direct relationship with the outcome of the war and new realities associated with war such as technologies like the nuclear bomb. By going to the movies, one could forget about the reality of what was happening. Movies created a place for people to escape the worries of their lives and forget about the everyday hardships. Many people went to the movies to regain something they had lost during the war. "

Tags:war, philosophy, self

Abstract
In this paper, the writer studies the cinematography elements in 'Casablanca'. The writer discusses that the lighting on Bergman's face reveals her role as the central female romantic interest, as Curtiz often has her face framed in close up shots that define her beauty and seductive power. Also, the writer notes that the low-key illumination of light and shadow of the film reflect the classical film noir style that often provided sharp contrast that reflected the characters in the film often-turbulent relationships.

Tags:film, cinema

Abstract
This paper interprets the main theme of Michael Curtiz' film "Casablanca" as being the need to sacrifice personal interests in the name of achieving a greater good. The analysis uses four specific scenes in the film between Rick (Humphrey Bogart) and Ilsa (Ingrid Bergman) to reinforce this point, focusing on how cinematography, sound, mise-en-scene and editing help reinforce the main theme.

From the Paper
"The beloved film "Casablanca" is a love story set against encroaching war and fascism. Featuring a cast of ex-patriots in a movie about the dangers of fascism, the genuine emotions of the multinational cast significantly enhances the appeal of the film. With some of the most famous and beloved lines of dialogue in cinema history, like "Here's looking at you kid" and Max Steiner's superb score, the film's different elements combine in ways that make Casablanca on every critic's top ten films list."

Tags:Nazis, love, relationships, totalitarianism, fascism, cause, isolationist, self-sacrifice, war

Abstract
This paper examines "All That is Solid Melts into Air: The Experience of Modernity," in which author Marshall Bergman examines modernity and concludes that nothing is permanent in modernism. The paper shows how Marshall argues that permanence is impossible because modernism demonstrates no shared purpose, which imposes consequences in the form of a constant breakdown of institutions and a steady deterioration of sociopolitical cohesiveness.

From the Paper
"In his book, All That is Solid Melts into Air: The Experience of Modernity, author Marshall Bergman examines modernity and concludes that nothing is permanent in modernism. He argues that permanence is impossible because modernism demonstrates no shared purpose, which imposes consequences in the form of a constant breakdown of institutions and a steady deterioration of sociopolitical cohesiveness. In order to support this thesis of impermanence, Bergman evaluates Karl Marx, whom he considers a major figure in the history of modernity. Marx was an outsider who sought to destroy the organizing principle of modern society--capitalism--and replace it with communism."

Tags:marx, and, modernity

Abstract
The first part of this paper examines Ingmar Bergman's film "The Seventh Seal" and how it addresses the theme of existentialism in its contemplation of whether God truly exists. The second part looks at Billy Wilder's film "Sunset Boulevard" and how it uses the theme of existentialism regarding choices and limits. Finally, this paper looks at Woody Allen's film "Shadows and Fog" and it' use of existentialism is an allegory for the search for meaning and it theme of existentialism in the search for the meaning of life.

From the Paper
"Billy Wilder's 'film, "Sunset Boulevard"' tells the story of a forgotten movie star, Norma Desmond, who lives in a huge mansion, reminiscing about the past and dreaming of a comeback. Norma is a dramatic character with theatrical expressions and illusions of grandeur. She is involved in a relationship with Joe Gillis, a writer who is half her age and allows himself to be kept by her. In addition, she has a strange relationship with her butler, Max, who was once a great silent film director and was married at one time to Norma, as well. "

Tags:antonius, blok, norma, desmond, joe, gillis, god's, existence, individual, existence, freedom, choice

Abstract
"This paper is a discussion of the works of five of the greatest directors in international cinema. D. W. Griffith, John Ford, Orson Welles, Alfred Hitchcock, and Ingmar Bergman have each had enormous influence in their art because of their individual vision and striking approach to filmmaking.

From the Paper
SUPREME COURT'S 4TH AMENDMENT JURISPRUDENCE

This essay traces the evolution of the jurisprudence of the American Supreme Court in its interpretations since 1960 of the Fourth Amendment. In balancing the rights of the people to be secure against unreasonable searches and seizures by law enforcement and other governmental agencies and the interests of public order, the Court under Chief Justice Earl Warren (1953-1969) tipped the scales in the 60s in favor of individual rights, by ruling that the prohibitions of the Fourth Amendment applied to the states and local governments under the exclusionary rule, emphasizing the importance of searches and seizures being conducted in accordance with search warrants issued by neutral judges or magistrates and restricting the legitimate scope of warrantless searches. Subsequent Courts under Chief Justices ..."