Abstract
This paper explains that female characters in fairy tales are sometimes viewed as being helpless and innocent and at other times as being powerful. The author then summarizes and reviews Angela Carter's story, "The Company of Wolves", and relates that it embraces a new form of the commanding protagonist, who thwarts both man and wolf using her burgeoning sexuality. The paper underscores that Carter's protagonist , like some of the female characters in fairy tales, has "more power" than men because of her very presence as the hero of the story.

Table of Contents:
Introduction
The Company of Wolves
Conclusion

From the Paper
"A young man appears before the girl on the path, a metaphorical sheep in wolf's clothing. Innocently trusting appearances, the girl is attracted to his obvious good looks and his attempts to woo her. Arranging a race to her grandmother's house whereby, if he wins, he will obtain from her a kiss, the man departs. By the time he has reached grandmother's house - earlier than the girl - it is clear to the reader he is a werewolf, or a "wolf-man". As in Little Red Riding Hood, the youth tricks his way into the grandmother's home and eats her up, as it were."

Tags:wolf-man, narrative, superwoman, allure, bedmate