Abstract
This paper examines how Matthew Frye Jacobson?s book, "Barbarian Virtues", considers imperialism or colonialism as a part of the United States?s history that is often forgotten. It looks at the trends of immigration and internationalism from 1876 to 1917 and how Jacobson writes that modern American nationalism grew out of the unusual and complex make-up of industrial imperialism. It also examines how Jacobson especially highlights the involvement of the United States in the Philippines to illustrate America?s imperialistic policies.

From the Paper
"The position of biology and race became part of the thinking of who would be best to come to the U.S. The "science" of eugenics followed by many in the U.S. explains it all: The word eugenics (from the Greek eugenes or wellborn) was coined in 1883 by Francis Galton, an Englishman and cousin of Charles Darwin, who applied Darwinian science to develop theories about heredity and good or noble birth. Phrases such as "survival of the fittest" and "struggle for existence" came into use at the end of the 19th century when eugenics societies
were created throughout the world. "Negative eugenics" relied on marriage restriction, sterilization, or custodial commitment of those thought to have undesired characteristics."

Tags:eugenics, internationalism, immigration, imperialism, colonialism

Abstract
This paper discusses Herodotus' preoccupation with Barbarian customs, and explains how his Histories promote "Greekness" through the examination of that to which the Greeks compared themselves and inevitably found they were superior. The writer looks at Herodotus' cultural and intellectual milieu as well as his stated objectives in writing the Histories, and describes the cultural dualism he created by disparaging as well as giving due credit to non-Greek civilizations. The writer explains that the Histories contain much legend and fantasy and are more about customs and culture than battles or wars.The paper concludes that Herodotus created a past for the Greek people that is part myth and part reality, using Greek cultural superiority over non-Greek Barbarism in order to bring a pan-Hellenic unity to a people scattered over disparate regions and islands.

From the Paper
"Despite this prevailing view, Herodotus appears to have taken a far more objective approach to determining the worth of people. In his proem, during his opening remarks, he clearly separates Greeks and Barbarians as inherently different but still reminds his audience that Barbarians are capable of great deeds. Herodotus outlines to the audience that his Histories are to be concerned not just with those deeds and the wider Greco-Persian conflict but also their causes. This explicit interest with causality is such that it has led to claims that Herodotus is the father of sociology, the father of anthropology and suggests that the content of his work must be concerned with custom."

Tags:Aegean, Sparta, Athens, city-state, Persian, heathen, Delphi, Cyrus, xenophobia, Sophism

Abstract
This paper compares the attempts of King Theoderic of the Ostrogoths to establish his kingdom out of the Goths and Romans in Italy with the less cohesive settlement of the Anglo-Saxons in England. The author begins by describing the Ostrogoths and the history of their contact with the Roman empire, and shows that the Goths' adoption of Roman culture was the main reason for their success at settling in Italy. However, it ultimately led to the disappearance of their own identity and culture, as they assimilated and ceased to be barbarians. On the other hand, the Anglo-Saxons took the opposite approach, keeping themselves mainly apart from the native Briton culture, and subsequently maintained their settlement for centuries. The author points out that the term 'Anglo-Saxon' is still used today, almost as a synonym for 'Caucasian.' The paper concludes that their ultimate success may have been due to their retention of their own culture and the eventual adoption of Catholicism, something which the Ostrogoths refused to do.

From the Paper
"It has been said of the Ostrogoths that they were more Roman than the Romans, but how was this instituted and where did Theoderic get the inspiration from? The Ostrogoths as a people had had both indirect and direct contact with the Roman Empire for centuries. However, in 461, as the eight year old son of one of the Ostrogothic warrior leaders, Theoderic had been taken against his will to live in Byzantium for ten years. Living in the heart of what remained of the Roman Empire, Theoderic would have been exposed to Roman ways of living, perhaps more so than the ways of his own people. He would use this vital knowledge later in life when establishing his rule over two very different races, and create a kingdom unlike any of the other barbarian settlements."

Tags:architecture, extinction, Bede, Gildas, littoral, Bible, Zeno, Gaul, Byzantine

Abstract
The writer of this paper presents the reader with a overview of the book's content and meaning. The true tale of the life of Quiroga and the events of the Argentina revolution are also discussed in this review with reference to the book.

From the Paper
The authors of literary works often use their words to convey meaning or a lesson. The author uses ideas and creates the scenario in which the reader can feel that he or she has become a part of the story or time frame in the book. It is not unusual for a reader to close a good book with a sense of longing for the story to continue. This is the case in Domingo Faustino Sarmiento s; Facundo : Or, Civilization and Barbarism.

Tags:book, originally, written, era, accounts, research, efforts, true, flavor, hint, euthenics, biography, harsh, realities

Abstract
The paper argues that Coetzee's barbarism in this sense is more like what Strachey means, a failure to act civilized even if the social order is such that it would normally be characterized as civilized. The paper discusses how this defines the way that barbarism is not a universally accepted means of behavior, since the greater and more powerful Empire is now acting in a barbarous manner toward the enemy.

Tags:language, powers, history

From the Paper
"The purpose of this paper is to discuss the book, "Barbarians at the Gate: The Fall of RJR Nabisco", by Bryan Burrough and John Helyar. This meaty volume is an excellent chronicle of the downfall of a company whose resources and success were legendary in American business circles, but whose leaders during the feverish Reagan years risked everything on a gambit to enrich themselves, and ended up losing all of it. The story centers around one man, Ross Johnson, the flamboyant, free-spending former chief of Standard Brands and R.J. Reynolds Tobacco, who wanted more and more control and money, to the point of self-destruction.

Ross Johnson was the perfect point man for such an ill-fated adventure. As the authors point out Johnson was most creative in the area of his expense accounts."

Abstract
This paper will examine the representation of barbarians in Roman art, and particularly sculpture. It will be argued that the primary mode of representation of barbarians in Roman art occurred within the iconography of empire, where the barbarians represented the Roman "other" whose existence as defeated figures reflects on the power and grandeur of Rome. However, it will be seen that there exists significant variations in the depiction of barbarians even within this iconographic code. The primary variation, it will be argued, occurs between the sculpture of the imperial center and that of the periphery. While in Rome the obsession with realism governed the artistic representation of barbarians for centuries, on the frontiers of the empire barbarians were often represented by "barbarian" artists, with significant departures from the dominant mode of realism.

Abstract
What is a hostile takeover? How does it happen? What are the consequences for the company that is acquired? Those are some of the questions I plan to answer in this paper. Though not as prevalent today as in the 1980s, a period when hostile takeovers were at an all-time high, such takeovers still exist and, in a few instances, are very visible.

From the Paper
"This study will provide a review of Barbarians at the Gate: The Fall of RJR Nabisco, by Bryan Burroughs and John Helyar. The study will include a brief summary of the principal points made by the authors; a description and discussion of the economic, social/cultural, legal, political, and technological environments affecting RJR Nabisco at the time of the leveraged buyout attempt; and a consideration of the strategic options for RJR Nabisco, along with which option was actually chosen.


From the title of the book, we understand immediately and clearly that the authors of the book feel that greed is the overriding force at work in the story of RJR Nabisco. Indeed, the book is an extension of the title in the sense that the story told by the authors is not a story of business, but a story of money. It is not a story of products, or of technology, or of..."

Abstract
This paper deals with the theme of responsibility in three works of world fiction; Iain Bank's "Complicity" (Scottish), Coetzee's "Waiting for the Barbarians" (South-African) and Sartre's story "Le Mur" ("The Wall") (French). It analyzes whether the characters in these different works are responsible for their own fate and whether they can also be held responsible for the fate of others. It attempts to show through the literature how our actions or even the lack of them bring forth ethical questions on our responsibilities towards the consequences of our actions and on the degree of responsibility we have in this regard towards others.

From the Paper
"Sartre makes the question of responsibility even more complicated. In his story le Mur he asks the question if an individual is responsible for something he caused but could not expect to cause. The protagonist of the story is Pablo, as a member of the resistance captured by soldiers he is given two choices by his captors. Or Pablo gives away the hiding place of the leader of the resistance or he is executed. At the beginning of the story he refuses to give his leader away and is put in prison. In the room where he is held prisoner Pablo goes trough many different stages of fear, and at the end his (regular) life now seems precious, but far away: C'est un sacre mensonge.

Tags:fate, actions, pablo, cameron