Abstract This paper looks at how the banquet scene in Macbeth is not just the dramatic culmination of the play's action; but the events occurring at the banquet represent a culmination of many of the themes found in the play. The author examines some themes and how they are symbolized at the banquet.
From the Paper "The banquet scene in Macbeth, Act III scene 4, can be seen as the climax of the play. Beyond this point there can be no hope of recovery for Macbeth. The scene is the climax of the story line for the play, but also goes beyond this. It is a culmination of all the themes and metaphors that run through the play. By combining the culmination of all these events in this scene, the deeper meanings to the events of the play are truly demonstrated."
Abstract The paper provides an overview of a proposed hall that will provide quality banquet hall services to the general public, suitable for a broad spectrum of financial abilities. The paper discusses the marketing objectives and strategies and includes a competitor analysis.
Outline:
Introduction
Marketing Plan
Mission Statement
Services
Marketing and Promotional Strategies
Marketing Goal
Conclusion
From the Paper "The concept of Torchelle's was derived from the idea that a banquet hall should offer something for every budget. People who want to marry, hold family reunions and other celebrations or simply get together because they enjoy a good time should be able to find an affordable venue to do that in. The Greensboro, North Carolina area has several advantages over larger metropolitan areas including New York and Philadelphia in that it is a more cost friendly place to live and entertain while at the same time offering an array of local activities to keep visitor interest up."
A look at the issues of gender and ethnic identity in Asian American film and literature through the review of the films " Double Happiness" and "The Wedding Banquet" and Maxine Hong Kingston's novel " The Woman Warrior: Memoirs of a Girlhood Among Ghost
2,900 words (approx. 11.6 pages), 8 sources, 2002, $ 106.95
Abstract This essay looks at the issues of gender and ethnic identity in two films and one novel, Double Happiness, The Wedding Banquet, and Maxine Hong Kingston's The Woman Warrior: Memoirs of a Girlhood Among Ghosts. These works provide the framework from which a reconsideration of ethnic and gender identity can take place. In these works, this reconsideration of identity centers on balancing old structures of identity with new experience and searching for a potential empowerment and confluence in the balancing the formation of a new identity.
An analysis of the representation of Asian identity by the West in Hunt Hoe's documentary," Who is Albert Woo?", Maxine Hong Kingston's novel, "The Woman Warrior", Mina Shum's film," Double Happiness" and the movie "The Wedding Banquet".
2,900 words (approx. 11.6 pages), 7 sources, 2002, $ 106.95
Abstract This essay will explore Hunt Hoe's documentary, Who is Albert Woo?, Maxine Hong Kingston's novel, The Woman Warrior, Mina Shum's film, Double Happiness, and the movie The Wedding Banquet in order to explore the complex representation of Asian identity in the west and the attempt by these three works of art to break racist stereotypes, which not only reduce and minimize Asian identity, but additionally negate the immigrant, cross-cultural experience.
From the Paper "At the risk or resorting to clich"s, it is generally accepted that beauty means different things to different people. How did Socrates know that the attendees of the banquet would judge him based primarily on physical appearance" Perhaps he believed similar people with similar beliefs, such as pederasty, share similar views of beauty and love. Socrates is acknowledging the fact that the pederasts judge and value physical beauty above other forms. Apollodorus is not unprepared to tell us this story, if it is what he must do; but why is he prepared to tell it? What have we to learn from this? Each is free to take from The Symposium what they choose, to filter out the verbose eulogies and determine the true nature of eros for ones self. However, Socrates and Diotima's fascinating interpretation on the evolution of the perception of beauty is arguably the most compelling and revealing concept that should be extracted from this reading."
Abstract This paper discusses the way in which food is used as a metaphor throughout the play's dialogue as a measure of how excessive various characters are in love and in politics. It shows how the play begins and ends with the theme of food as its focus and quotes lines from the body of the play to strengthen this claim.
From the Paper "Cleopatra in particular uses food frequently to express her love for Anthony. She not only does this physically over the course of the play, using banquets and strong drink as a way of celebrating his return and whiling the hours away when he is in Rome. Everything is something to be consumed in Cleopatra's eyes, and food also functions verbally as metaphor for her love and her desire to possess Anthony completely and utterly. ?Give me some music, moody food/Of us that trade in love.? (2.5.1) However, in the eyes of some of the other characters in the play Cleopatra is herself a kind of food. Enobarbus, Anthony's trusted friend states: ?Other women cloy/The appetites they feed, but she makes hungry/Where most she satisfies.? (2.2.241-244)"
Abstract Ancient Rome had an impressive and varied musical tradition. There were many different traditions in Roman music and many different situations in which music was used by the Romans. The paper shows that music was often played at large events at which masses of people gathered, such as gladiatorial fights, festivals and banquets. There was also a tradition of popular music for stringed instruments, such as the kithara, which greatly resembles our modern guitar. The paper shows that there was also a tradition of more refined classical-type chamber music that was played for the wealthy and the important citizens of Rome at gatherings and parties. In order to accommodate so many diverse styles of music, it was necessary that the Romans develop an impressive array of musical instruments proper to each style. The paper discusses the instruments developed by the Romans, including the lyre, the harp, the kithara, the lute, the flute, the panpipes and the tympani, as well as trumpets and vast array of different percussive instruments. The paper shows that these instruments, many of which antedate Roman society, were employed in Roman music for a variety of different ends and with a series of different purposes, all of which testifies to the complexity and impressive diversity that comprises the Roman musical tradition.
From the Paper "The kithara was perhaps the most famous, oft-used, and most romanticized instrument played by Roman musicians. The most impressive players of the kithara were said to be able to literally make the instrument weep through their deft manipulation of the strings. The kithara was very similar to our modern guitar, and, indeed, the word guitar can trace its etymology back to the roman word kithara. The kithara was larger than either the lyre or lute and it was also heavier. The kithara, however, was also able to be tuned much more precisely than either of those instruments could be and it was loud and had a more trebly and piercing tone that distinguished it from those other instruments. Popular players of the kithara who wrote and sang songs were known as the citharista, and the most popular of them were respected and lauded as much as the popular musical virtuosos of our own day are. The number of strings was at least more than the lute, but the evolution of the guitar up till the present day has included changes in the number of strings on the instrument."
Abstract This paper offers a well-structured and reasoned analysis of the need for flexibility in hotel management. Examples are offered in terms of positive and negative aspects of hosting large events such as conferences and banquets.
Abstract This paper is an outline of gender/ethnic identity. In this essay, I will explore gender and ethnic identity in two films and one novel, "Double Happiness", "The Wedding Banquet", and Maxine Hong Kingston's "The Woman Warrior: Memoirs of a Girlhood Among Ghosts".
Abstract This paper emphasizes the hallucinations of Macbeth when he sees the dagger floating in midair before him and when he sees Banquo at his coronation banquet. This paper also emphasizes the hallucination of Lady Macbeth when she sees blood on her hands that won't come off. This paper has references to the play, as well as references to two critics.
From the Paper "In the beginning of the play, MacBeth and his wife have total control over their own lives. But, MacBeth loses his self-control, which makes him see a dagger floating in midair, before he kills Duncan. He also loses his self-control when he hallucinates that Banquo is at his coronation banquet. Lady MacBeth loses her self-control at the end of the play when she hallucinates that she has spots of Duncan's blood all over her body. The hallucinations of MacBeth and his wife symbolize a loss of self-control by those characters in the play."
Abstract This paper explains that Roland Barthes relates that the knowledge a viewer needs to understand the meaning of the image is bound up with perception and association, intangible and fluid cultural products, rather than with the stable carriers of meaning that constitute language. The author explores two Netherlandish paintings using this theory: "Still Life with Fruits and Flowers" by Balthasar van der Ast (late 1620s), which is in the Norton Simon Museum, Pasadena, California, and "Banquet Still Life" by Abraham van Beyeren (1667), which is in the Los Angeles County Museum of Art, Los Angeles, California. The paper concludes that these still life paintings immediately present the viewer with two layers of potential meaning: The decorative and the symbolic, with the latter very often embodying religious messages.
From the Paper "Van der Ast's painting has as its focal point a large shallow bowl filled with fruit, partially encircled by a ring of fruit, shells, insects and other objects, while on the left of the picture is a glass jar containing flowers. Flowers and fruit possessed a particularly wide range of significance, as well as being regarded as attractive objects in their own right, and accordingly they are often found in still life paintings of this period. On an aesthetic level the image is an appealing one, with a balanced but lively composition, depicting attractive objects, and providing the eye with a variety of textures and colours. This aesthetic level of appeal is itself a carrier of meanings - that such an image, of such content, was seen as appealing in the society of its time itself tells us something about the symbolic as well as the directly artistic nature of this image. It is a painting of goods rather than people, produced in a commercial society, and as Richard Leppert has observed, "still life's attention to goods - possessions, things one could 'have' and by having in part define oneself -guaranteed its popularity with and significance for an audience of principally rich buyers". The nature of this type of art, the "time-consuming, meticulous work" that such elaborate pictures demanded, was expensive and thus in itself symbolized wealth. The physical nature and appearance of the painting is thus tied to the layers of meaning that can be excavated below its surface."
Abstract This paper details the life of Inigo Jones, talks about where he derived many of his architectural themes and style, discusses the influence he would have on future architects and architecture and explains how many of his structures would become key architectural landmarks in England.
Introduction
Roman Architecture
Inigo Jones
Architecture
Conclusion
From the Paper "Inigo Jones was born on July 15, 1573, in the Parish of St. Bartholomew's, Smithfield. Much about his life remains unknown, including the derivation of his name, details about his mother, and most of his early training. A tradition exists that he was apprenticed to a joiner in St. Paul's Churchyard, but this is only a tradition, with no evidence to support it. The anonymous author of the account in one book holds that Inigo was "early distinguished by his inclination to drawing, and was particularly taken notice of for his skill in the practice of landscape-painting," though most give no credit to this account. Little is known about whatever job he was pursuing until he gave it up to travel to Italy."
Abstract This paper explains that Judy Chicago applies vulvar representations to her works with the same frequency that penile representations were applied to male statuary from time immemorial; however, Chicago creates female genitalia not to portray realism, as the male genitalia on Greek, Roman, Renaissance or any other heroic statuary, but rather to make a feminist statement. The author describes "The Dinner Party" installation as a triangular banquet table, with each side 48 feet long, sitting on a ceramic floor inscribed with the names of 999 notable women of history, both ancient and modern and at each of the 39 places is a plate, with some version of female genitalia on it and a porcelain chalice. The paper relates that "The Dinner Party" belongs to the genre of conceptual art; Chicago, along with Duchamp and Christo is deemed to be a valuable modern minimalist.
Table of Contents
The Meaning of "The Dinner Party"
"The Dinner Party": Global Derivation
"The Dinner Party": Place in Modern Art
Chicago History
Growing into Her Own
The Art Works (Illustrations)
From the Paper "The vulvar ornamentation of "The Dinner Party" places Judy Chicago firmly in a long line of sculptors who represented this essential aspect of female-ness across cultures. Sheila-na-gigs "closely resembled the yonic statues of Kali which still appear at the doorways of Hindu temples, where visitors lick a finger and touch the yoni 'for luck.' Some of the older figures have deep holes worn in their yonis from much touching." This also imitates the death goddess Kalika "evidently remembered in Ireland as the Caillech or 'Old Woman,' who was also the Creatress and gave birth to all the races of men." Whether or not Chicago was conversant with the totality of this world-order of female genitalia and its meaning and importance, she conveyed it just as firmly as had the abundant sheila-na-gigs of Ireland."
Abstract This paper provides a quick look at basic Chinese culture for a traveller or businessman. It explains that Chinese customs are rooted in thousands of years of tradition. Therefore, etiquette is socially ingrained and in many instances, immutable. The writer points out that a foreigner who stays in China for any length of time or who hopes to do business with China should be respectful and observant of Chinese manners.
From the Paper "Chinese thinking styles have been found to be different from Western style of thinking. A study of Chinese corporate executives by Francesco Sofo and Ting Wang showed that the Chinese subjects showed a "high" style of thinking, characterized by analysis and critique: Chinese people will not immediately agree to an issue before thinking about it carefully and questioning all possibilities. Blind faith is not common. Similarly, Chinese executives enjoy implementing plans and creating rules, as long as their social position requires it. Because Chinese culture is hierarchical, it is important for people to be aware of and respectful of different roles and levels of power. Moreover, Chinese culture is less individualistic than American culture; personal progress is never placed above the progress of the organization. Chinese people generally frown upon open displays of anger or any other strong emotion and are indirect in their modes of communication. Directly insulting a person is one of the strongest taboos; "losing face" is an insult to a person's honor and integrity."
A look at so called queer films in relation to the heterosexual nuclear family, and how homosexual relationships are changing the makeup of the traditional nuclear family.
900 words (approx. 3.6 pages), 4 sources, 2005, $ 35.95
Abstract The reinforcement of a heterosexual paradigm dominant in the first gay films was very much criticised by the media. This criticism failed to recognise that 'Dona Herlinda and Her Son' and 'The Wedding Banquet' are movies situated within the realms of heterosexual norms, but movies such as Gus van Sant's 'My Own Private Idaho' and Jonathan Demme's 'Philadelphia' were radically changing queer filmic representation.
From the Paper "Critics are quick to attack the reinforcement of a heterosexual paradigm dominant in early queer films. However, this judgment forgets that while more mainstream films, such as 'Dona Herlinda and Her Son' and 'The Wedding Banquet', were situated within heterosexual norms, a new queer cinema was slowly but surely radically changing queer filmic representation. The success of Gus van Sant's 'My Own Private Idaho' and Jonathan Demme's 'Philadelphia' could be in part attributed to simultaneous comic representations of queer struggles. So, while American culture was preoccupied with a single queer struggle, the AIDS crisis, other cultures explored the impact of homosexuality on the family unit and on reproduction in particular."
