Abstract
This paper will give a brief overview of the early Renaissance, high Renaissance, the Mannerisms, late Gothic and Renaissance of the north. By discussing the similarities of these works of art a better understanding can be made of these different art periods and their relation to one another. Through the different masterpieces of art there will be an examination of the artist and how they related to their times in their work.

Abstract
This paper examines the life of King Akhenaten who came to power in c.1352 B.C.E. and ruled Egypt for seventeen years. Akhenaten was a firm believer in "maat" or divine truth and centered his religion around this. His divine truth policy changed art and culture in Egypt. This paper considers these changes, in particular the effect on art at the time by reviewing certain works of art from that time period.

From the Paper
"Akhenaten and His Family portrays Akhenaten and Nefertiti sitting casually on their thrones playing with their three daughters. The sun disk Aten reaches down his beams; the beams end in hands that tough the royal's, some hands holding Ankh's. The scarves and clothing they wear seems to drape and flow from their bodies. The position that the family sits in is unusually casual for Egyptian art, as compared with works such as Menkaure and His Wife, Queen Khamereenebty ca.2515 B.C.E., which was made of slate and composed of tight, structured stance. Nefertiti's throne, with lotus and papyrus blossoms at the base, suggests a united upper and lower Egypt. "

Tags:art, aten, aton, god, history, mythology, nefertiti, religion, sun

Abstract
This paper discusses how mathematics is often treated as a distant and very different discipline from the arts even though the arts make use of mathematics in a number of ways. In particular, the paper looks at how paintings, drawings, and designs can be analyzed according to mathematical principles to see ways in which the artist balances different shapes and forms according to mathematical principles or draws on mathematical theory for inspiration. The paper also examines how the art of different periods may reflect different mathematical ideas.

From the Paper
"The classical era was one in which mathematics was used quite consciously in developing artistic styles, and some of these styles have even been named with mathematical references. The artworks of a given era reflect the formalist, social, and economic realities of the period, exemplifying the prevailing artistic styles and the social and economic structures which influence the arts. In Greek art, the Geometric period was an era which produced a good deal of pottery and other geometrically regular works. The Geometric krater from the Dipylon cemetery from the eighth century B.C. (De La Croix, Tansey, and Kirkpatrick 130) exemplifies the style of the period. The Geometric period is the name given to the era between the end of the Mycenaean age and the beginning of the Classic age. "

Tags:Fibonacci, numbers, geometry, Masaccio

Abstract
McClary brings the idea that during the early nineteenth century, concepts such as identity and masculinity were being newly defined, with art being one of the defining processes. This paper introduces some examples from art of this period, looking at the commentary of McClary to illustrate this theory. According to the paper, it is difficult for readers and listeners to separate the biographical details of the artist from the work.

From the Paper
"Schubert, on the other hand, was not a well-known composer in his own time. By the time his work became open to criticism, Beethoven's work so dominated the critical mind as the epitome of German manhood that critical response to Schubert's work was labeled feminine. If Beethoven's directness, violence, and ferocity in his music was male, surely Schubert's flexibility and lack of tonal anchoring, engendering sympathy and attraction, were female. At least, this was the way critics of the period viewed the difference."

Tags:music, symphony, subjectivity, biography, identity

Abstract
This paper explores the two major modes of Baroque art, which are allied respectively with the Catholic and Protestant churches. It defines the art of this period as having a general sense of vitality and an emphasis on creating the illusion of movement. The paper explores the Baroque painting, sculpture and architecture, including the works of Rembrandt, Velasquez and Bernini.

From the Paper
"Unless we are scholars of art history we may have a somewhat distorted view of what constitutes Baroque art, for the term is often used in common parlance to mean any artistic or decorative object that is overly ornate and adorned with as many fripperies as it can hold. However, the term has actually a very precise definition, which this paper takes up as it explores the two major modes of Baroque art, which were allied respectively with the Catholic and Protestant churches."

Tags:rembrandt, brugge, catholic, protestant, velasquez, bernini

Abstract
This paper explains that during this period both deities and ordinary mortals were depicted, but there was no homogeneity of technique, which ranged from a very natural and sculptural pottery in amphorae to a more studied and artificial style. The author points out that three of the objects represent tools. The amphora stored wine, the lekythos was used during religious ceremonies, and the krater was used to serve punch made from wine. The paper relates that, unlike the amphora, the lekythos style has only one handle, a more slender neck than an amphora, with a wider mouth, and probably held oil or perfumes, a claim that is advanced because they were often found in and around tombs that were excavated from ancient homes.

Table of Content
Background
Pottery
"The Bateman Amphora"
"The Dipylon Amphora"
"Douris Lekythos"
"Bell Krater"
Statues
"Athlete Making an Offering"
"Kouros"

From the Paper
"A late example, this torso--which is all that is left is actually less well modeled than the "Athlete". The belly and rib cage, in fact, appear to be stylized, almost abstract. It may be that the work has weathered. But probably, the more geometric, and less curvilinear, detailing on this statue was the result of a transition between the drapery and highly stylized posing of earlier eras, including the "dark times" and the early Archaic period, to the more abundantly natural depictions of the statuary of the Classical period. Kouri, which means "youths," was an art form that didn't last very long, only about a hundred years. It is thought, nonetheless, that they represented gods, warriors and, of course, athletes."

Tags:encaustic, technique, amphora, lekythos, krater

Abstract
This paper discusses several art styles as well as cultural movements, namely Baroque, Rococo, Neoclassical and Romanticism. The author provides a brief summary of each of these art movements including its timeline in popularity and gives examples of paintings that bear these signature styles. The paper also compares these art movements to one another, highlighting their differences and similarities.

From the Paper
"By the middle of the 18th century, the rediscovery of ancient Greek art and architecture turned the artistic tastes of Europe in a brand-new direction which began the style and period known as Neoclassical. Within this period's admiration for the art of Greece, a similar admiration came about for the art of ancient Rome via the excavations of the towns of Pompeii and Herculaneum in the 1730's and 1740's. Several excellent examples of this new style include the portico of the Church of Ste. Genevieve, now known as the Pantheon, in Paris, designed by Jacques Germain Soufflot (1713 to 1780)."

Tags:art history, art periods, europe

Abstract
This paper compares and contrasts two of the most famous periods in the history of Western art, namely, the Baroque and the Impressionist era. Separated literally by about two hundred years, it explains that the stylistic differences and thematic choices of these two periods speak to a fundamental ideological divide between the artists who worked in the Baroque style and those who considered themselves Impressionists. The author also discusses the overall of the two periods.

From the Paper
"The history of Western art is replete with various styles, techniques, and periods. The examination and study of any one of those periods in art history could take a lifetime. And yet, we can also learn much from a more cursory comparison of multiple periods. For that reason, I have decided to compare and contrast two of the most famous periods in the history of Western art: the Baroque and the Impressionist era. Separated literally by some odd two hundred years, the stylistic differences and thematic choices of these two periods speak to a fundamental ideological divide between the artists who worked in the Baroque style and those who considered themselves Impressionists. To begin with, it would help to have a basic sense of what the overall trends of the Baroque were compared to the Impressionist era. The Baroque period was much earlier and spread outward from Italy from the ..."

Tags:art, baroque, impressionism

Abstract
This essay provides analysis for five great art works that span different historical periods and art genres. The works of arts analyzed are Buonnarti's "The Creation of Adam," Dali's "Autumn Cannibalism," Picasso's "Guernica," Pollock's "No. 5," and Warhol's "Marilyn Monroe." The essay describes techniques and defining characteristics of each artist. Further, the essay explores components of the five genres to which the artists of these great works belong and the historical significance of each genre.

From the Paper
"With his "Autumn Cannibalism," (1936), which is located in the Josef Lebovic Gallery in Australia, Dali offers a symbol of both the conflict engulfing his mother country of Spain and of the philosophical movements underscoring the evolution of human intellectual discourse. In the intercession would be the penetrating internal searches that yielded surrealist subject matter, providing provide ample insight into society's alleged ills, at least as seen through the artist's self-impressed lens."

Tags:art history, surrealism, tradition-absent art, abstract expressionism, renaissance

Abstract
The paper considers the important aspects of Western European art. It looks at the evolution of art through the ages and the conditions which seemed to encourage artistic growth and achievement. The paper considers periods of time when certain forms of art were popular and reviews some styles in art, with special reference to the nature of realism.

From the Paper
"The history of art, worldwide, is a large and daunting subject, one that spans millennia. Yet, the history of art in any one given era or one particular geographic location is equally expansive and daunting. This paper shall take a look at some of the overall evolution, style, and creativity that has occurred during the past few centuries in the realm of Western European art. From the Renaissance to more modern times, certain styles have been championed and fallen out of favor, the quality of art and the thought behind it has come and gone. This essay shall deal with which periods and conditions seemed to encourage artistic growth and achievement, the rise, fall, and nature of realism in art, as well as other styles and levels of quality that have appeared."

Tags:western, european, art