Abstract The paper examines the correlation between postmodern literature and postmodern architecture by reviewing three notable postmodern literary works and how their features (principally a disavowal of traditional, historical myth) may be found in three post-modern architectural marvels of today. These two disciplines are at the forefront of a new age of meta-cognition, one that rebuilds the past by de-constructing it.
From the Paper "There is, perhaps predictably, a strong relationship between postmodern literature and postmodern architecture. One says "predictably" because architects and literary artists are both sculptors and creators and are thus subject to the same broad intellectual fetishes or contretemps. With this in mind, the following paper will examine the correlation between postmodern literature and postmodern architecture by reviewing three notable postmodern literary works and how their features (principally a disavowal of traditional, historical "myth") may be found in three post-modern architectural marvels of today."
Abstract The paper discusses how Palladio was informed by the Western, classical tradition of thought which is demonstrated in his style as well as in his subject material. Sinan's biographer, however, relied on a more fluid and poetic Eastern tradition in both description and focus. The paper examines how, influenced by the burgeoning Italian Renaissance of the time, Palladio's treatise is a critical examination of classical architecture. "Memoirs of Sinan," however, represents a holistic examination of the architect's life. The paper reveals that due to the fact that Palladio's text is written in a very familiar style, researchers and students might well have the tendency to focus on it while ignoring the more complex and holistic text about an architect from Turkey.
From the Paper "To begin with, consider Andrea Palladio and his Four Books of Architecture. Palladio is one of the most famous Western architects. He constructed buildings of many types in Venice and other parts of Italy during his lifetime, 1508-1580. His Four Books on Architecture was printed in Venice in 1570 and describes a variety of aspects of classical architecture, as it was known at the time. Book I examines the preparations necessary for architectural construction as well as materials employed. Book II discusses ancient Greek and Roman private houses. Book III describes public works and civic architecture, while Books IV is specifically devoted to a discussion of ancient Roman temples and places of religious worship."
Tags: Italian, Renaissance, Turkey, construction, holistic, text
Abstract In this article the writer takes a look at the similarities that exist in architectural design and fashion design in today's highly technologically advanced and globalized society. The writer points out that fashion and architectural design have passed through many phases as design technology has furthered the possibilities in design. The writer notes that it is now acknowledged among experts in the field, that architectural and fashion design intersect quite often in today's environment of designing products that are both attractive and that will serve the owner well. This study is of a qualitative nature and collects data in the form of information in these two design fields and then conducts what is an interpretive analysis of the information garnered from this study.
Table of Contents:
Chapter One
Background
Research Design
Statement of the Problem
Purpose of the Study
Definition of Terms
Chapter Two
The Connection between Fashion and Architecture Historical Trends in Fashion & Architecture Impacts of Globalization & Technology on Design
Conclusion
Chapter Three
Discussion of Major Trends & Analysis
Data Collection - A Survey of Modern Designs, Designers, Photos, & Theory
Data Analysis - Criteria: Function versus Image-Statement
An Exploration of a Couple of Modern Japanese Fashion Designers' Work
An Exploration of Hussein Chalayan's Work
Chapter Four
Technology
Importance Of Materials
New Technologies -Quest For New Textiles
How Techno-Textiles Have Increased The Possibilities Of Both Architecture And Fashion
How Do They Work In Practice?
Chapter Five
Conclusion
Is the Interaction Between Fashion And Architecture A Positive Outcome Of Our Modern Life?
Where Do We Go From Here? What Will The Future Of Fashion And Architectural Design Look Like?
Recommendations For Future Research
From the Paper "Today's architectural design and fashion design work have penetrated each others space. Fabrics are used in fashion design to create texture, color and to bring the design elements together into a whole. Architectural design uses the materials for building in much the same way and for the same purpose as each material, whether in fashion or architectural design creates a different effect on the same design. This research views the clothing of an individual making to shelter and provides a definition of our personal space such as do architectural structures although on a much larger scale. Fashion in clothing has allowed express in society for many millions of years. Generally it is those who have attained status within their cultural grouping that have the power to become trend-setters. Furthermore, color is greatly used as a matter of personal choice. Fashions vary greatly dependent upon age, social class, generation, occupation and geography. Fashion evolves constantly particularly in a capitalist society."
Abstract In this paper the author presents a brief history of Western architecture, highlighting the major epochs in European architecture, and modern architecture in the US. The paper further discusses the function of architectural space, its use and its aesthetic. Various architectural techniques and their historical development are analyzed. The paper concludes with an an examination of modern architects, including Frank Lloyd Wright, whose designs are considered a culmination of the works that preceded him.
From the Paper "It would seem logical to start our exploration of the history of architecture with one of the greatest artists of all time--Michelangelo Buonarroti (1475--1564), regarded by many as the "father of architecture in Europe and the greatest designer of the last 500 years" (Lowry, 167). Of all his architectural designs, the vestibule of the Laurentian Library, built to house the immense collections of the Medici family in Florence, Italy, stands out above all others. This vestibule gives the impression of a vertically compressed, shaft-like space which is dominated by a vast, flowing staircase that almost fills the interior, and unlike his contemporaries, Michelangelo ignored classical architectural ideals by placing his columns in pairs which are sunk into the walls; he breaks columns around corners and placed beneath them consoles not meant as support. In essence, Michelangelo "did away with classical architecture so prevalent in the High Renaissance and greatly influenced all architectural designs and forms that followed him" (Copplestone, 178)."
Abstract In this article the writer looks at William MacDonald's review of the architectural achievements of classical Rome, 'Architecture of the Roman Empire'. The writer discusses that MacDonald contends that architecture works through a kinesthetic process by which its shapes and surfaces impact our consciousness and serve as devices of physical and mental learning. This essay explores this approach with reference to the Markets of Trajan, the generic structure of Roman baths and the Roman amphitheatres. This analysis argues, with reference to both particular structures and generic styles, that the Romans conceived of their architecture as conveying messages in stone and educating citizens and foreigners alike, in the values and culture of Rome.
From the Paper "William MacDonald, in his review of the architectural achievements of classical Rome Architecture of the Roman Empire, contends that architecture works through a "kinesthetic" process by which its shapes and surfaces impact our consciousness and serve as devices of physical and mental learning. This essay will explore this approach with reference to the Markets of Trajan, the generic structure of Roman baths, and the Roman amphitheatres."
Abstract This paper compares Gothic architecture and Renaissance architecture, showing the change that came over architecture with the shift from the more massive and decorated style of the Gothic to the cleaner classical lines of the Renaissance, a period which also borrowed from the Moslem style to make new use of the dome, as in religious buildings by Brunelleschi.
From the Paper "Gothic architecture developed from the Romanesque style and emerged in the twelfth century. It prevailed until the Renaissance beginning in the fifteenth century. Gothic architecture was marked by size and elaborate decorations. However, Gothic architecture was first defined in terms of a change in Romanesque church architecture diagonal ribs were added to the groin-vault, as was first seen at the Abbey Church of St. Denis near Paris (Frankl 1). In part because of its origins, Gothic architecture has long been associated with France and is considered a French style, though in fact, others used it as well. Gothic architecture is probably represented for many people by Notre-Dame de Paris, a facade known from countless stories and other representations as well as for itself. "
Abstract The following paper reviews the architecture of London and Paris during the period stretching from AD 1400 to 2000. The paper explores the similarities and differences between the two cities as it pertains to architecture; suffice it to say, while there are general similarities there are many more differences, and the paper explores how architectural divergences explain the differences in atmosphere and appearances between the two metropolises. At the same time the paper considers the differing architectural styles that distinguish the two world class cities.
This essay examines the Bauhaus school of architecture which originated in Germany in the 1920 and remains the most influential architectural movement.
Abstract This paper looks at the Bauhaus architectural movement and its relationship to the massive technological advances of the early twentieth century. It examines the philosophical beliefs of the Bauhaus founders and evaluates their finest achievement, the Dessau Bauhaus, which was completed in 1925. It explains how the Dessau Bauhaus achieved its celebrated status in the world of architecture.
From the Paper "In the late the 19th and early twentieth century technological advances swept across the world with an undreamed of speed. The pace at which technology reinvented culture seemed almost preternatural, and amounted to the greatest alteration in man's view of the universe since Isaac Newton (Hughes 15). The study of the modern age (1880-present) and how artistic developments viewed cultural change would not be complete without a look at architecture's role. The work of an architect will by its nature influence society more than a painting and sculpture; its size and usefulness to poeple make that a certainty. Buildings surround us, we move through them, and they are part of our everyday life."
Tags:architecture, art, Bauhuas, dessau, modern, technology, twentieth, century
Abstract This in-depth paper explores the architecture of Japan from ancient times to the present day which has changed drastically. The writer discusses how Buddhism as a religion entered Japan and brought with it the architectural influences of the Chinese and Korean cultures which Japan adopted and made its own. While these historical monuments still remain and are cherished this form and material of their creation are no longer used. This paper examines the architectural artistry in Japan which is described as a dynamic art form that reflects the society and era in which it was introduced. Topics covered in this report include: Thesis Statement Abstract Influences Background Analysis Conclusion Thesis Support References
From the Paper "Under the influence of the West, modern Japanese architecture has come to regard rigid, steel-frame concrete-stiffened construction as the exemplar. Not only is the idea of balancing poles quite alien to this rigid style of construction, but, more fundamentally, this tradition, which regards a building as semi-permanent and therefore fixed and immutable, simply cannot accommodate the notion of a structure that moves about. Symbolically it is possible to present that the hanging pillar represents the final stage in the evolution of the shinbashira as a religious symbol. If the anchored pillar is seen as representing the gods dwelling within the earth and the pillar on a stone base as representing the gods on the earth, the suspended pillar may be taken to represent the gods of the skies."
Abstract This paper discusses Canada Place which is located on the waterfront of downtown Vancouver. It specifically discusses the history behind the construction of the building and the architectural design. The paper goes on to describe public opinion of the architecture of the structure, as well as the opinion of architectural critics.
From the Paper "Architecture in Vancouver In this essay I review Canada Place, a very unusual building situated at the bottom of Howe Street in Vancouver, British Columbia, Canada. I consider this to be a post-modernist building. Canada Place is located on the waterfront of downtown Vancouver. It was built for "Expo 86" - the World Fair that was held in 1986 in Vancouver. The objective was an attempt to rival the impressive Sydney Opera House in Australia. The outcome was a somewhat strange looking building that elicits a wide variety of responses that run the gamut from admiration to disgust.The only thing it does not evoke is boredom. People have compared it to a tent, a camping trip, an insect and a sailing ship. "
Abstract This paper examines how architecture is inseparable from its social purpose and from its environmental setting. This concept is demonstrated through first examining the function of architecture and how the impact of a specific function directly impacts those who come in contact with a given building, and then by describing how the building impacts the local environment.
Abstract The paper defines what postmodernism in the field of architecture is by looking at the Milwaukee Art Museum designed by Spanish architect, Santiago Calatrava. The paper begins by looking at what postmodernism is in general, defining the term and movement. Then the paper looks at what postmodern architecture is, in relation to modernist design. Finally, the paper examines it in the light of Calatrava's 2001 building.
From the Paper "The cool kids call it "po-mo." The literate among us toss the term around at wine-and-cheese parties. The academics who tower over us apply it to children's cartoons and sketchy literature and nauseating paintings, as if they know some secret, tucked away in some ivory tower that the rest of us are missing. The rest of us, in the meantime, wonder whether there is a hyphen, a space, or nothing at all in the term that we all know as "postmodernism." The prefix "postmodern" has been used to describe, analyze and tag just about every work of art or academic pursuit during the past half century."
Abstract This paper answers a series of questions about architecture and the study of architecture and considers some of the elements of design that can be better understood with the study of other disciplines. In this paper, the job of the designer is seen as the designer bringing some kind of order to the design, and training for this has to extend beyond simple aesthetics and extend to a knowledge of mechanics, philosophy, psychology, and other disciplines that can aid in the process and make the finished design both appealing and useful.
From the Paper "Design is both a task and a goal, for it takes elements that are not ordered and gives them order. This can be in architecture, urban design, or the design of spaces, furniture, products, mechanisms, and so on. In each case, the designer brings some kind of order to the creation, and training for this has to extend beyond simple aesthetics and extend to a knowledge of mechanics, philosophy, psychology, and other disciplines that can aid in the process and make the finished design both appealing and useful, with "useful" broadly defined so that even if it refers to the design of a garden made to be soothing, that fact makes it useful. Design thus entails first understanding the elements to be included in the design and then the effect that the design will have on the human beings who experience it."
Abstract This paper looks closely at the emergence of sustainable architecture and its function in the 21st century. The paper is broken down into three parts: the philosophy, the materials utilized and the importance of the design of sustainable architecture. To aid in this analysis, three central sustainable architects are also included in this research.
From the Paper "Sustainable architecture has become a movement within architecture in this last century. In accordance with recent environmental movements, sustainable architecture attempts to save and share resources, to save and spare economically. King writes that the "shift to a sustainable, ecologically restorative way of life in city and countryside, guaranteeing fair shares of resources and opportunities across space and time, will involve the bitterest struggles over material interests" (9). This mentality is fundamental to the conservation and continuation of our species. It incorporates a new element of creativity into the work of an architect, which can be a rejuvenating element, as the art of architecture is as old as they come. The use of such designs into the 21st century shows a respect for our children and an equal respect for our earth, and, as our materials begin to ..."
Abstract Greek architecture is very important to understanding Greek society more generally. With this in mind, the paper examines the interesting economic, political and religious considerations or motivations which went into the construction of works which stand even today as symbols of architectural beauty and excellence. In particular, the paper looks at how the cost of building materials determined the early construction of Greek public structures, most notably temples. The paper discusses how a vigorous and wealthy Greece sought to communicate this wealth through the conspicuous construction of unforgettable marble public buildings.
