Abstract
This paper discusses the 1997 movie, "The Edge" starring Alek Baldwin and Anthony Hopkins. The paper explores the use of symbolism and the types of conflicts found in the movie, such as man vs. himself, man vs. nature and man vs. man.

From the Paper
"In the movie, "The Edge", starring Alek Baldwin and Anthony Hopkins, the bear symbolizes nature's true power over man. The bear provides the main source of conflict in the movie. Nature is seen as the enemy of the millionaire and his employee as they struggle with hunger, cold and a man-eating bear when their plane crashes in a remote part of the Alaskan wilderness. The bear is indifferent to the weather and satisfies its hunger by consuming one of the three survivors of the plane crash..."

Tags:The edge, movie, anthony hopkins, alek baldwin, reviews, criticism, comments, plot, allegory, recurring themes

Abstract
This paper outlines and analyzes the relationships of the characters in the movie, "Legends of the Fall". The writer shows how each individual character is connected to all the others and the changing of those relationship throughout the film. The relationships covered in this heavy drama include man and woman, man and brother, father and son, and more.

From the Paper
"Set in the Rocky Mountains of Montana in the early 1900s, The Legends of the Fall is a tale of love, betrayal, and brotherhood. After being discharged, Colonel Ludlow (Anthony Hopkins) decides to raise his three sons in the wilds of Montana, where they can grow up away from the government and society he has learned to despise. There are several different relationships in the film and are each developed as the story progresses. I intend to separate them into several chronological groups, the first being the relationship of the boys growing up and their family life."

Tags:communication, fall, interpersonal, movie, montana

Abstract
This paper gives a short history of Susan B. Anthony and her contributions to women's rights and women's suffrage. The paper includes a biographical sketch of Anthony and her growing concern with injustices in American society.

From the Paper
"Susan Brownell Anthony was a true American political pioneer and iconoclast. Anthony dedicated her life to achieving universal suffrage or the right to vote for women in the United States. In doing so she upended the norms of the day and shed light on one of the great injustices committed by our nation. While she died before achieving her goal, her efforts were instrumental in raising the public consciousness and elevating women from their status in the ... s as second class citizens This paper will provide a biographical sketch..."

Tags:susan b anthony, history, suffrage, women's rights

Abstract
This paper discusses how much of the imagery in Gerald Manley Hopkins' poetry is written in bad-taste and how much of this bad-taste involves the sexual urge in some way. Through an analysis of some of his poems, it looks at how Hopkins was phonocentric poet and how it is possible to trace moments of bad-taste in specific, recurrent sound-patterns. It examines the bad-taste in Hopkins' consistent allusion to the pleasurable act in terms of his idiolect, his poetics and the running tropes that facilitate bad-taste in his poetry. It concludes with the idea that Hopkins was, indeed, a poet of Baroque bad taste.

From the Paper
"In the final line of the third stanza, the two modes come together in the word "burn", which matches the brevity of the b with the dragging of the urn. The unification of these sounds is significant. It reveals the word "urn", in "burn" as in a vessel used for preserving the ashes of the dead; this links with "ash", and picks up on "beadbonny", wherein "bonny" becomes "bony". (Perhaps the "bead" in "beadbonny" picks up on the Old English form of the word, meaning prayer"). This layer of meaning is only uncovered if one follows closely the sound patterns in the poem. "

Tags:etymology, homosexuality, repression, sexuality, taste, victorian

Abstract
This paper examines how the new age of scientific certainty in the 19th and 20th centuries generated feelings of doubt about Christianity and its validity. In particular, it looks at how, amid the industrialization and the progressive transformation of the world, modernist writers, such as Gerard Manley Hopkins and William Butler Yeats, explored their beliefs and faith in a higher power. It analyzes how Hopkins's poem, "God's Grandeur," celebrates the greatness of God and Christianity, while Yeats's "The Second Coming" depicts the chaos of his time and questions the role of Christianity and the Christian values of the 20th century. It shows how the poems of both Hopkins and Yeats acknowledge the presence of a higher power through religious allusions, imagery, and the context in which the poems were written.

From the Paper
"Understanding the meaning behind Yeats "Second Coming" entails knowledge of the context, which illuminates the speakers' quest for a higher power. The poem is dated 1919, a year after the end of WW1, the war that came to be known as "The Great War" (Longman, 925), and characterized by its chaos, atrocities and complete destruction. The speakers' says, "Things fall apart; the center cannot hold" (3), referring not only to the global conflicts of his time, but also to the advance in technology that mechanized warfare and led to a frightening number of deaths (Longman, 926). In addition, advance in science not only contradicted the traditional understanding of the universe, but also contradicted religious beliefs, hence the feeling of things falling apart, a sense of loss of control and the imagery of the spiral of the center unable to hold."

Tags:god, grandeur, christianity

Abstract
While Alfred, Lord Tennyson's "In Memoriam" and Gerald Manley Hopkins's sonnets appear to be complete opposites in terms of their development, both poets have a common theme involving a firm connection to God running throughout their works. The paper shows that, specifically, within the hopeful parts of their works, both poets relate to God through the same type of philosophy and dispel newly found scientific reasoning that the existence of man is but a meaningless and random occurrence using science's own language. It shows, too, that in the doubtful parts of their works, both connect to God through feeling him in their pain and woe.

Paper Outline:
I. Introduction
II. Hopkins's Philosophy in "God's Grandeur" and "As Kingfishers Catch Fire"
III. Tennyson's Philosophy in "In Memoriam" Part 95 and 118
IV. Hopkins Direct Connection to God through Suffering in "Carrion Comfort"
V. Tennyson's Connection to God through Suffering in Parts 1 and 124 of "In Memoriam"
VI. Conclusion

From the Paper
"This revelation (described by Tennyson in the footnote) is instated by the "repeating [of] my own name two or three times" similar to Hopkins's idea of instress, Tennyson describes entering a state of intense "consciousness of individuality" where he comes to a realization of man's place in the world as his individuality "seemed to dissolve and fade away into boundless being" (pg. 95, footnote 1). This boundless being matches closely with Hopkins's idea that when looking at any object's (including one's own) inscape a person sees God's plan and purpose for that object within the scheme of the time and the universe."

Tags:carrion, gerald, grandeur, kingfishers

Abstract
The paper relates that Gerald Manley Hopkins' use of vocabulary, rhythm techniques and innovative poetry writing styles makes him one of the most influential poets in history. The paper explains Hopkins' innovations of sprung rhythm, his use of vocabulary and rhyme and his idea of 'inscape' and 'instress', two words to describe the inner nature of his poetry.

From the Paper
"Gerald Manley Hopkins was born in Stratford, England in 1844. His father was a writer of poetry and technical books, so one can see where he got his unique gift of poetry. As a young boy, he already showed a great attraction to poetry, and he received many awards throughout his school career. His life had a great impact upon his poetry. He converted to Roman Catholic at the age of twenty-two, and was estranged from his family. He ended up burning many of his early poems because he felt poetry was not the proper selection for a serious religious man."

Tags:sprung, rhythm, vocabulary, rhyme, inscape, instress

Abstract
This research examines the streamlining and standardization of the existing enrollment system at Johns Hopkins University. The research is sets forth the features of the present JHU student enrollment and tracking information system and then discusses why the new system, centralized and driven by online-network technology, would be better than the present one. The research presents a strategy for justifying and implementing the transformation from a project-management standpoint, with a view toward assuring that the online system will satisfy the requirements of all user/stakeholders in the project (full-time students, part-time students, prospective and former students, faculty and administrative staff).

From the Paper
"In Phillips's evolutionary model of a software upgrade project, the first phase of operations involves evaluating user needs. But in model Phillips describes does not capture an undertaking as far-reaching as the one envisioned by JHU, a multidepartmental, multitiered, multilocation enterprise (1999, pp. 283ff). We have also seen that PTE and SPSBE, to name two organizational entities, have made a significant investment in technology- and Internet-driven student recruitment and services. Department-specific needs may vary, but it is certain no department will want to relinquish current capabilities and access. The new system will have to elicit cooperation and collegiality if implementation is to proceed efficiently and apace."

Tags:IS, PTE, Lotus, Notes, Phillipps

Abstract
"Matthew Arnold, in "Dover Beach" (1848?), and Gerard Manley Hopkins, in "God's Grandeur" (1877), are both concerned with the question of the presence of God or religious faith in the world.

From the Paper
"Matthew Arnold, in "Dover Beach" (1848?), and Gerard Manley Hopkins, in "God's Grandeur" (1877), are both concerned with the question of the presence of God or religious faith in the world. Neither poet actually asks a question, however, as Arnold sees the "Sea of Faith" withdrawing from the world, while Hopkins enthusiastically perceives God's presence in everything around him. Both poets, however, see human failure to appreciate God as part of the problem of their own times. But where Arnold sees the only option as withdrawal from a world with neither "certitude, nor peace, nor help for pain", Hopkins regrets the blindness of human beings who have come to dissociate themselves from God, even though He is always there in the world. A comparison of the two poems demonstrates not only the difference in their views of religion but the manner in which these ..."

Abstract
The paper relates that the central theme of this film is based on the romantic struggles of Pablo Picasso (Anthony Hopkins), as he constantly causes intrigue in his many female relationships. The paper describes how this film explores the romantic troubles of Picasso, but it does not always reflect the background of his art in relation to the romantic drama in his life. The paper explains that although the movie does reflect his career and his rise to fame, the film mostly revolves around Dora Maar (Julianne Moore) and his turbulent relationship with her.

Tags:picasso, art, painter