Abstract This paper argues that Francis Scott Key's 'The Star Spangled Banner' is an elegant and patriotic tribute to the United States, but the fact is that in our modern era, as leaders of the free world, our national anthem should not be a tribute to victory in war, which is not an acceptable message for the "leader of the free world" to maintain. The author states that, instead, the United States should adopt a national anthem that promotes (1) equality among all men and women of all races and (2) peaceful world diplomacy. The paper stresses that America's fundamental ideology of extending its powerful influence all over the globe, continuing the long-standing tradition of imperial thinking, must change if it is avoid catastrophe: Changing its imperialistic war anthem is a small but significant step.
From the Paper "Part of the problem is that this tendency of Americans to have a superiority attitude is so deeply ingrained that we are not even aware of its dangers. The perception among Americans that we have the right to interfere in other countries affairs is so fundamentally ingrained in the way we view the world that many of us are unaware of it. Furthermore, it is little things which subtly shape our views of the world - our national anthem could certainly be included among a long list of American traditions that uphold this traditional ideology. But now, as we move into the new millennium, the way in which we handle foreign affairs is unacceptable, and a change in our national anthem would be a message not only to other countries, but to ourselves, that we do not intend to support or participate in imperialistic bomb diplomacy."
Tags: war, equality, peace, fundamental, patriotism
Abstract This paper deals with how Ayn Rands? two main characters in her novella, "Anthem", compare to the Greek Gods which they got their names from. It includes detailed information about the myths of Gaea and Prometheus and a general outline of the novella, "Anthem". The paper explains why Ayn Rand chose the names of the two Greek Gods for her characters. The paper includes two pictures of the gods Prometheus and Gaea.
From the Paper "In her novella, Anthem, Ayn Rand chose the names of two very popular and important Gods from ancient Greek myths for the names of her two main characters, Equality 7-2521 also known as Prometheus or the Unconquered, and Liberty 5-3000, also known as Gaea or the Golden One. Prometheus, the Greek God, was known as "The Rebel God". He was the wisest Titan and the son of Iapetus and Klymene. His name means "forethought", because he was able to foretell the future."
Abstract This paper will analyze the poem "Anthem for Doomed Youth" by Wilfred Owen. By making a study of alliteration in this poem, as well as symbolic analysis of the text, we will discover what elements of poetical device are present in Owen's poem.
Abstract This paper examines the poem "Anthem For Doomed Youth" by Wilfred Owen and evaluates the use and effect of literary devices and forms while also showing the interaction of explicit and implicit meanings within the poem. It also refers to the historical and cultural factors that affect the production and reception of the poem. It looks at how the poem is about the first world war where over ten million people died and was written by Wilfred Owen who served as an officer. It shows how
Owen, wrote poetry through out his war years, used his experience of battle and its aftermath as his inspiration, having experienced many horrors on the front line.
From the Paper "The intention of the different styles of imagery is used in conjunction with other different techniques used throughout the poem. The purpose of which is to firstly shock, horrify and perhaps overwhelm in the first two quatrains and then to create great feelings of sorrow in the sextet. This is achieved, as visual imagery requires more time to summon in the mind then auditory imagery with the descriptions in the sextet being more about humans and feelings they require greater time and focus, they are more personalised and so produce more distress."
Abstract Wilfred Owen's poem, "Anthem for Doomed Youth," is a poem that explores the dark and painful side of war. The paper explains that this poem is interesting in that it is constructed in a traditional sonnet form, which is a form generally associated with love and the positive aspects of being in love. The writer points out, however, that the sonnet operates in the opposite way uncovering the devastating effects of patriotic love. Through irony, imagery, personification, metaphor, and other literary devices, Owen brings the sonnet to life by paralleling the experience of war with a funeral.
From the Paper "The poet utilizes irony with the very structure of the poem, which is a variation of a traditional sonnet. The rhyme scheme of the poem is ababcdcdeffegg with an iambic pentameter rhythm. While the poem may have the form of what we generally associate with love poetry, the meaning of "Anthem for Doomed Youth" revolves around anger and sorrow. It is important to note that these emotions stem from the patriotic love that is often used to sell war to men too young to comprehend the risk involved in fighting. Here the love is short-lived and pretentious at best. This irony helps the poet express his overall feeling of indignation and disgust at war."
Abstract This paper studies Ayn Rand's dystopian novel "Anthem". The book is written as the journal of Equality 7 2521, a man struggling with his individuality, his will and his concepts of good and evil. The paper details the book's plot line, which is based on Equality's long and arduous -- though ultimately triumphant -- journey of self discovery. The paper shows how Equality overcame guilt, deprivation, punishment, banishment and betrayal and in the process formulated his own definitions of truth, freedom and love.
From the Paper "Ayn Rand's Anthem is a dystopian story written in the form of a journal kept by Equality 7 2521, a man born to an oppressive, backwards collective state set in a bleak unnamed place and time. This society, whose most recent technological advance is candlelight encourages conformity and drudgery and suppresses individuality and progress. Here, friendship and love, curiosity and creativity, and any display of self will or preference is punishable in the Palace of Corrective Detention. The punishment for swiping candles, alone, is ten years detention. In this world, there is no encouragement or even concept of self. "There is no transgression blacker than to do or think alone." Individuals refer to themselves as "we" and to other individuals as "they." In fact, the word "I," is not known to most, and to speak this word is the worst possible transgression. "There is no crime punished by death in this world, save this one crime of speaking the Unspeakable Word.'"
Abstract This paper takes a look at the theme of the individual versus society in the work of Salinger and Rand. The paper discusses how in both books, the protagonist is a talented and articulate nonconformist who cannot fit into current societal constructs of identity, and wishes for an alternative venue in which he can express his true self. The paper uses the example of the normal, adolescent isolation and angst of the character, Holden Caufield, in Catcher in the Rye" and the abnormal anthem of pain of the character, Equality 7-2521, in "Anthem".
From the Paper "Holden's likelihood of eventually becoming integrated into adult society is underlined because he does possess strong ties to his family. Although Holden spends much of the novel of The Catcher in the Rye wandering, he is always wandering to somewhere--eventually back to the apartment of his mother and father. Although Holden criticizes his brother, he clearly loves his sister, and dreams about being the title catcher in the rye, who saves children from feeling pain. "I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff--I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all." (Salinger 173) Even Holden's sister Phoebe, a child herself, criticizes Holden's fantasy as crazy, noting how simplistic and stark it is, compared with the moral complexities of the adult world. The world, the book suggests, is not nearly as 'us versus them' as Holden's adolescent viewpoint suggests. Although Holden dislikes his current place in society, change is inevitable given the nature of the aging process. But Equality 7-2521's society stifles such familial feelings that allow persons such as Holden to come to terms with their difficulties. Equality is raised in an impersonal setting, a nursery with no fathers or mothers. "
Abstract This paper discusses the main theme of the novel which deals with an individual's struggle in a society that is governed by the idea of collectivism. It looks at the main character of Prometheus and how he initially rejects his individualism as a curse, through the events in the novel he comes to understand both the evil of the society and the power of the individual ego.
From the Paper "The society in Anthem is one that is controlled by the World Council. The World Council yields power so great that it does not even allow people the opportunity to think. Consider Prometheus's words in the opening of the book, "and the World Council is the body of all truth." The World Council's power is also shown in the motto that is painted on the wall of the Council, "We are one in all and all in one. There are no men but only the great WE, One, indivisible and forever." We also see it in the Great Truth, "that all men are one and that there is no will save the will of all men together.""
Tags: novel, collective, individual, struggle, personal, growth, power
An examination of how World War I poetry changed as the war developed through a review of William Butler Yeats' poem "An Irish Airman Foresees His Death" and Wilfred Owens' "Anthem for a Doomed Youth".
1,150 words (approx. 4.6 pages), 4 sources, 2002, $ 44.95
Abstract This paper examines the poetry of World War One and how it changed as the war dragged on. The author notes the optimism and patriotism of the prewar years, and compares it to the poetry of the war's last days, which spoke only of disillusionment, hopelessness, betrayal, and despair. William Butler Yeats' poem, "An Irish Airman Foresees His Death" and Wilfred Owens' haunting "Anthem for a Doomed Youth" are emphasized, for they reflected the horror and futility of war, and spoke for the millions of young soldiers who had rejected the mindless patriotism of 1914 and had come to understand the hellish reality of inevitable death in battle.
Abstract This brief paper examines the tone of individualism, which is expressed through imagery and word choice in the book, "Anthem," by Ayn Rand. The paper also refers to issues of individualism from everyday life, such as man versus government and man versus society.
From the Paper "With this dictating system, morals and ethics are recessive qualities that men do not even know exist. Rand expresses the Deep Loss of Moral Rights Imagery through the basic system in which the people live, for they are "one" in all and "all" in one (RAND 19). This explains that there are "no men" but only the great "WE," which ironically happens to be "one" and "indivisible" (RAND 19). Everyone views everyone as a whole: no individualism, conceited perspectives, or even self-pride."
Abstract This paper explains that the song "Fight the Power" (1989) by Public Enemy was radical not only for its lyrics but also for being the linchpin of the movie "Do the Right Thing", giving voice to ideas and emotions that many African-Americans had only thought or expressed to each other. The author points out that Public Enemy not only embraced radical thought with "Fight the Power" but also combined politics, hip hop and anger to create a rap anthem that was aggressive and honest. The paper concludes that, after living in the shadow of the Civil Rights Movement and its message of getting along and nonviolent protest, the song urged blacks to use their voices as weapons and to reject the status quo. Lyrics included.
From the Paper "Chuck D's opening verse begins with traditional hip hop lyrics designed to the get crowd moving and excited, which matches nicely with the opening musical sequence, which is loud and forceful. There is no build up, musically, which is one of the first hints that "Fight the Power" is more than just another rap song about partying or showing off. However, by the end of the first verse it becomes clear that "Fight the Power" has a more significant, radical agenda."
A review of three poems, Stephen Crane's "Do Not Weep, Maiden, for War is Kind," and Wilfred Owen's two works "Anthem for a Doomed Youth" and "Dulce Et Decorum Est."
846 words (approx. 3.4 pages), 0 sources, 2008, $ 30.95
Abstract This paper discusses the harsh and unbecoming realities of war by reviewing three poems. The author summarizes two works of Wilfred Owen, "Anthem for a Doomed Youth" and "Dulce Et Decorum Est", as well as Stephen Crane's "Do Not Weep, Maiden, for War is Kind." The paper explains how both Owen and Crane use irony in their poems to describe war and describes the similarities that these poems have - premature loss of life and that there is nothing glamorous and exciting about war. The author advocates that these poems can serve as cautions to the seriousness or war and conflicts.
From the Paper "In the end, these poems all describe men who die too young. Many times, men die for causes that are not even relevant to them; or sign up for a war in a disillusioned state. They often think war is glamorous and exciting; even a death in battle is exciting. However, they fail to realize the seriousness of being injured, the despair that they cause their loved ones, or the fact that death may come slowly and quite painfully. It is apparent that these poets all understood that war is serious, and that there is nothing kind about it. Therefore, these works all serve as cautious warnings to the seriousness of war and conflicts."
Abstract The paper examines the poems, "Anthem for Doomed Youth" by Wilfred Owen and "The Charge of the Light Brigade" by Alfred Tennyson. The paper specifically compares and contrasts the attitudes of the poets towards death in war.
From the Paper "In his poem The Charge of the Light Brigade, Alfred Tennyson praises the brave soldiers ("When can their glory fade, O the wild charge they made") and celebrates the glory of war despite the fact that this attack was an error. But he does not show directly to the reader the reality of the slaughter by using euphemisms like "into the valley of death", "into the jaws of death" and "into the mouth of hell".
"The reader has not the time to realize what is happening because he is carried along by the rhythm of charge of the poem : "Half a league, half a league, Half a league onward..."
We can see the courage of the soldiers who, even if they know that the orders are wrong, are loyal to their country and chiefs and carry it ("Not tho' the soldier knew Some one had blunder'd"). This obedience of the British soldiers front to death is quite amazing : without considering the danger of the situation ("Their's not to make reply, Their's not to reason why, Their's but to do and die") they go "Into the jaws of death". Unhappily, though they are heroes, we can see that they are killed very quickly ("while horse and hero fell...")."
Tags: death, war, soldiers, funerals, religion, heroes
Abstract This paper discusses the history of the song known as "Dixie," the creation of which is credited to Daniel Decatur Emmett. The writer provides a brief overview of Emmett's career, and the unique musical style of "The Original Virginia Minstrels," a blackface group that he formed in 1843 which became immensely popular almost instantly and sparked similar groups across the nation. "Dixie," which Emmett composed in 1859, and which seems to be about the positive side of slavery, quickly became popular in both the Southern and Northern states. It became the subject of bitter controversy, as, during the Civil War, both armies used the tune to march their troops to battle. By the end of 1861, the South had claimed the song as theirs, and General Pike composed new verses with warlike terminology. The paper concludes that "Dixie" is still at the center of a massive controversy, since it is now considered to be racially biased, even though that was not its original intention.
From the Paper "During the Civil War, songs not only gave beat and cadence to the soldiers' marching, but they also reminded the soldiers what they were fighting for. Some were sentimental songs, such as "When This Cruel War is Over" and "When Johnny Comes Marching Home" while others were published songs that were cleverly adapted by soldiers such as Stephen Foster's "Hard Times Come Again No More" was renamed as "Hard Crackers Come Again No More" (Rockenbach 1). As the Civil War split the nation, it seemed as though everything in America was taking a side: states, soldiers, even songs."
Tags: music, African American, racism, white supremacy, lyrical spirituals discrimination
Abstract With a career spanning over 20 years, and a string of hits that remain sporting event anthems, Queen still remains one of the most beloved rock bands of all-time, even after the tragic death of Freddie Mercury over ten years ago. This essay discusses everything a person could want to know about this legendary group. Within the essay you'll find the humble origins of the four band members in Britain, their struggle to get noticed by the public, their eventual rise to super-stardom, and the eventual tragic death of Freddie Mercury at the hands of the AIDS virus. It also includes a bit of post-Queen information on the surviving members of the band and what they have been up to in the years since.
From the Paper "Throughout rock and roll history, Britain has produced some of the most important and revolutionary acts. There's been the controversial bad boy genius of the Rolling Stones, the front-running of "glam rock" by David Bowie, and of course the unparalleled skill and style of the Beatles. These artists, along with many others who have come out of Britain, have made important political and social statements with their music that captured the hearts and minds of their generations and beyond. However, one of Britain's most legendary acts often didn?t have very much to say at all in terms of politics, or trying to revolutionize the music industry. Instead, this group focused on becoming what is arguably one of the best disposable pop groups ever, and one of the greatest bands at performing true ?stadium rock.? This group was Queen, and they were embraced as one of England's most cherished bands (probably second only to the Beatles), while even finding moderate success in America as well."
Tags: champions, classic, Freddie, heavy, Mercury, metal, music, opera, Queen, rock, roll
