Abstract
The following paper will argue that Freud's conclusion that people do not look at work as a pathway to happiness is something Marx can easily explain using his concept of "alienation"; that is to say, Marx believed to his dying day that the separation of the worker from the products of his labor, the relentless monotony of the shop floor, and the dehumanizing nature of being simply one more cog in a huge industrial machine producing mass-consumption goods at a break-neck pace all made "work" the last thing any laborer wanted to deal with; with their wages meager and with the opportunities for advancement slender (if not outright non-existent), being an every-day "worker" or "laborer" brought with it low-level desperation, frustration and unhappiness. Interestingly, as the first part of this paper will make abundantly clear, Freud does not seem to share the same convictions of Marx when it comes to the evils of the capitalist order - especially when the matter turns to whether or not private property should exist. In the end, Karl Marx would find it perfectly understandable why people hate work - and he would no doubt find it odd that Freud could not conceive of private property as being a major reason why this is so.

From the Paper
How Marx Would Explain Freud's Contention that People Do not Look at Work as a Pathway to Happiness The following paper will argue that Freud's conclusion that people do not look at work as a pathway to happiness is something Marx can easily explain using his concept of "alienation"; that is to say, Marx believed to his dying day that the separation of the worker from the products of his labor, the relentless monotony of the shop floor, and the dehumanizing nature of being simply one more cog in a huge industrial machine producing mass-consumption goods at a break-neck pace all made "work" the last thing any laborer wanted to deal with; with their wages meager and with the

Tags:marx, happiness, work

Abstract
The author of this paper sets out to prove that Edgar Allan Poe did not ascribe to Freud's theory that man has an unconscious desire to die, despite his preoccupation with death in his poems. By elaborating on Freud's theory, the author shows how Poe did not desire death but instead sought a change of condition from sorrow to joy.

From the Paper
"Poe s overwhelming desire for release from suffering, even temporarily, is as great as his overwhelming anguish and loneliness. But he continues to reject death by rejecting the Raven which symbolizes and portends it. And even in the unconscious state, he is inclined towards former joy in the company of Lenore rather than towards a voiding of that joy in the voiding of life in or through death. Hence, Freud s assumption on a death wish fails."

Tags:Lenore, libido, The, Raven

Abstract
This paper is a consequence based argument that conveys a point of view for the right to die. It uses consequences, ethics, religion and philosophy to discuss the issues surrounding death and dying.

From the Paper
"Moral absolutism sometimes called a deontological approach to ethics suggests that there are eternal moral values and eternal moral principles that are applicable everywhere .This is an accepted position oft hose who believe in a God who .."

Tags:Death with dignity, right to die, eithanasia, ethic, relativism, teonological, pain and suffering, patient choice

Abstract
In this article, the writer discusses the symbolism of the brook in Franz Schubert's song cycle, 'Die Schone Mullerin'. The writer demonstrates that the brook is portrayed as a symbol of enormous power and great beauty. This paper includes the basic story of the composition. Further, the writer discusses some biographical information on the composer.

From the Paper
"While Schubert is known as a great symphonic composer, he is also responsible for the development of a great deal of chamber music and lieder or songs that often represented a cycle telling a story of a romantic or even highly erotic nature. In this essay, one particular Schubert composition will be examined ... "

Tags:symbolism, music, Franz Schubert, Die Schone Mullerin

Abstract
In this article, the writer discusses that in the award-winning documentary, 'An Inconvenient Truth', former Vice-President Al Gore explains the magnitude and consequences of the global warming crisis, but he also offers encouragement, and promises the possibility of resolution. The writer discusses this documentary regarding the global crisis.

From the Paper
"His narration is passionate but factual as he describes how and why this global crisis has developed, and calls for unified action to deal with it. This courageous and compelling documentary fully deserves the Academy Award it won last spring and the attention it has received, for humanity is indeed facing a crisis and the immediate action called for in 'An Inconvenient Truth' is an absolute necessity. "

Tags:an, inconvenient, truth

Abstract
This paper discusses Al Gore's Oscar winning documentary film about global warming, "An Inconvenient Truth," explaining its assertions and the impact on the writer. The paper discusses the urgency expressed in the movie.

From the Paper
"Former Vice President Al Gore teamed up with director Davis Guggenheim to create the movie "An Inconvenient Truth", an informative documentary on global warming that begins with a breathtaking look at the planet Earth from the moon, taken on Christmas Eve. This is contrasted with the most recent photo of Earth taken by a human being in space, showing the reduction in polar ice caps and the encroachment of the oceans on land masses. Augmented by a composite of photos taken by..."

Tags:Al Gore, An Inconvenient Truth, global warming, film, documentary

Abstract
This paper reviews Henry James' "An International Episode" about the interaction of Americans with Europeans. It uses extracts from the text and comparisons with Henry James' other works to show that the images in "An International Episode" tend to concentrate on literal images with very few perceptual or conceptual images. It also discusses how there are also numerous comparisons and contrasts to be made with another of his works "The American Scene".

From the Paper
"James is apt to use heat and light (or their opposites) for images of New York in The American Scene. This is also the same in An International Episoe. New York is, variously: ?fervid (temperature)?; crude (light); and "insufferably hot". These negative images are explicitly replicated through phrases such as "that tiresome New York" (An International Episode 61). It is quite unusual for James to use negative images of New York for this period since, as is the case in Washington Square, he was generally rather fond of New York up until his last visit there in his twilight years. Thus, An International Episode, differs significantly from The Jolly Corner, which is almost autobiographical at times."

Tags:freud, imagery, lacan, europeans, london

Abstract
This paper discusses and reviews the theme of death and dying in Sherwin Nuland's book, "How We Die". The paper explains that the book looks at the effects that death and premature dying have on the patient and the patient's family. The paper also looks at the psycho-emotional effects of dying described in the book as well as how the book describes the process of dying and death from a medical perspective.

From the Paper
"How We Die" by Sherwin B Nuland is a text describing the mechanisms of a number of diseases or conditions that lead in many instances to premature death and which, in all cases, are accompanied by a number of disabling physical effects and equally traumatic psychological impacts experienced by the patient and his or her family. Nuland, himself a surgeon and medical educator, is as concerned with describing the psycho-emotional effects of dying as he is with describing the..."

Tags:dying, death, book review

Abstract
The paper reveals that what makes Beethoven's Ninth Symphony so remarkable is that its composer was deaf when he wrote and performed it. The paper discusses the hasty, ill-timed and imperfect execution of the symphony in Vienna and the critical audience responses to his final symphony. The paper also discusses how other critics, however, received the premiere of the Ninth Symphony favorably, demonstrating the deep respect for Beethoven by acknowledging the difficulties associated with staging a live concert while being unable to hear anything.

From the Paper
In spite of the optimism surrounding it, staging the premiere in Vienna turned out to be disappointing for the composer. For one, Beethoven could barely conduct his own symphony. His hearing loss was by 1824 so complete as to render his conducting practically useless. Beethoven still took to the stage and engaged in what have been called "over-the-top theatrical gesturing" while musicians paid attention to the timekeeping gestures of the concertmaster Michael Umlauf (Huscher, 2007). Umlauf did not steal the stage from the verable Ludwig von Beethoven, though.
"Ludwig von Beethoven's Ninth Symphony was his last, completed and performed in 1824 in Vienna. Incorporating a Friedrich Schiller poem "An die Freude," ("To Joy"), Beethoven set a theme for one of the most magnificent classical choral compositions. The integration of choral elements into a symphony was wholly unique: the first time a composer had ever undertaken a task so ambitious. The Philharmonic Society of London commissioned the symphony in 1817, and Beethoven took six years to compose it. The symphony undulates, proceeding through moments of restive peace and near-quietude to shockingly loud crescendos. However, what makes Beethoven's Ninth Symphony so remarkable is that its composer was deaf when he wrote and performed it. The composition and premiere of the masterpiece proved an enormous struggle for the hearing-impaired musician."

Tags:concert, vocals, musicians, An die Freude

Abstract
This paper provides a brief biography of Karen Horney and then discusses the significant contributions that she made to humanism, self-psychology, psychoanalysis, and feminine psychology. The writer explains some of her theories regarding neurosis and relationships and her refutation of Freud's theory of penis envy. The paper concludes that although she died before the feminist movement, her views on feminine psychology helped promote gender equality.

Outline:
Background
Theoretical Perspective
Contributions to the Field of Psychology
Conclusion

From the Paper
"Perhaps one of the most prominent theories to this day is her theory of neurosis. Horney viewed these neuroses as a sort of coping mechanism that is a large part of normal life. She identified ten neuroses, including the need for power, the need for social prestige, the need for affection, and the need for independence. She argued that individuals cope with the anxiety produced by feeling unsafe, unloved, and unvalued by disowning their real feelings and developing elaborate strategies of defense. (Horney, 1942) Karen Horney also followed much of Freud's theory, though she disagreed with his views on female psychology."

Tags:neurotic, anxiety, projection, externalization, self-realization, justification