Abstract
A study of two killings of young warriors form the crux of the military drama in the battle between the Trojans and Latins. These killings in Homer's 'The Iliad' and Virgil's 'The Aeneid', despite their similarities, are viewed in entirely different ways from a literary perspective. The Aeneid is in many ways a re-tread of Homer's Iliad, and Turnus' killing of Pallas is reminiscent of Homer's Patroklos being cut down in his prime by Hector. In keeping with this comparison, before his death, Pallas begins the battle of Book Ten by helping Aeneas, leading on the battle, and enabling Aeneas to gain a great advantage in the war. This comparison between the two works of literature is also indirectly reinforced when the Latin soldier Liger refers to the great warriors of the Greeks with disdain when taunting the Trojans.

From the Paper
"At the beginning of Book Ten of the Aeneid, Jupiter washes his hands of interfering in the affairs of men. "What each man does will shape his trial and fortune." (X.160) This could very well provide an epitaph for the entire chapter. In this chapter, two killings of young warriors form the crux of the military drama in the battle between the Trojans and Latins. But these killings despite their similarities are viewed in entirely different ways from a literary perspective. What does this statement mean? According to the point of view of the ancient Romans, all killing was hardly considered bad or brutal. Warfare and military prowess was a way of life. But not all murders were created equal. This can be seen in a comparison of Aeneas' killing of Lausus (X, 703-832; 943-1141) with Turnus' killing of Pallas (X, 501-702)."

Tags:Aeneid, Iliad, Jupiter, military, warriors, men, Romans, murder, crux

Abstract
This essay identifies and analyzes the most important elements of the Roman identity portrayed in the Aeneid. The paper discusses the history of the Aeneid, as written by Virgil, as well as the history of the times in which it was written. The paper then discusses the story that Virgil presents of the legendary ancestor of Rome, Aeneas.

From the Paper
"Roman Identity and the Aeneid This essay identifies and analyzes the most important elements of the Roman identity portrayed in the Aeneid. Virgil wrote the Aeneid in the last quarter of the first century BC. It was just after the Roman Republic had collapsed and the Roman Empire began. It tells the story of the legendary ancestor of Rome, Aeneas and his travels to Italy. It is Aeneas who embodies the spirit of "Roman identity". He is show as a hero who is very devoted to his country and goes off on the journey for the better of his people."

Tags:virgil, aeneid, romanidentity

Abstract
This paper discusses the empowerment of women in Virgil's 'The Aeneid' and Ariosto's 'Orlando Furioso.' The paper further examines the depiction of women in both works, citing them as unusual for their time since they are more powerful than the to the men to whom they are juxtaposed both works.

From the Paper
"Both Virgil's 'The Aeneid' and Ariosto's 'Orlando Furioso' depict an empowerment of women that is unusual for their day. At a time when most women were regarded as dainty flowers in need of men's protection there are women in both works that hold sufficient power to master the men in the plots. Not only are the women more powerful than the men they are juxtaposed with in the stories, they have in some respects taken on the characteristics..."

Tags:Aeneid, Orlando Furioso, Virgil, Ariosto, empowerment, women, men, warrior

Abstract
This paper examines the parallels between Homer's "The Iliad" and Virgil's "The Aeneid.", The paper especially highlights the deaths of Hector and Turnus in battle, the intervention of the gods on behalf of the protagonists, and the conflict between the public and private realms.

From the Paper
"There are a number of parallels between Homer's "The Iliad" and Virgil's "The Aeneid", among them similarities between the heroes Achilles and Aeneas and the warriors they conquer, Hector and Turnus. Both heroes slay their foes in battle. Aeneas kills Turnus and Achilles kills Hector. Another similarity is that the gods intervene in both battles, taking sides and assisting the warrior they favor. Minerva comes to Achilles' assistance appearing to Hector as Deiphobus and causing him to engage in the..."

Tags:Iliad, Aeneid, Hector, Turnus, battle, Homer, Virgil, gods

Abstract
This paper compares and contrasts Homer's epic poem "The Iliad" with Virgil's epic poem "The Aeneid". The paper looks at how both deal with man's actions and the machinations of the gods.

From the Paper
"Whereas Homer's epic poem titled "The Iliad" essentially describes the death of one civilization and its conquest by another, Virgil's "The Aeneid" celebrates the foundation of Rome by one of the heroes who survived the Trojan defeat. Both of these epics from the classical world are introduced with reference to the fact that they will sing or celebrate the actions of heroes. It will be argued herein that both of these works are presented by their authors in epic form..."

Tags:Homer, The Iliad, Virgil, The Aeneid

Abstract
This paper briefly reviews the choices made by a character in Virgil's Aeneid - specifically, the Trojan king Priam. The writer discusses that as becomes apparent, Priam makes two choices - the first to not kill Sinon, the second to interpret the death of Laocoon as a warning from the gods that the Trojan horse should be permitted inside Troy - that lead to the sacking of his city and to his own demise.

From the Paper
"All human affairs are, of course, about choice. Virgil's 'Aeneid', the classic telling of the founding of Rome by the Trojan prince Aeneas, is a great human drama that revolves, in large measure, around the choices human beings make - either by themselves or with the prodding of the Gods. This paper, in perhaps an unconventional departure, will focus upon the choices made by Priam in the final hours of his kingdom. Specifically, this paper will focus upon two choices made by the Trojan king that sealed his fate - and the fate of his city."

Tags:virgil, aeneid, choices

Abstract
A paper that traces the significance and comparative structure of the work of Homer and Virgil as presented in the epics "Aeneid" and the "Illiad".

Tags:aeneid, illiad, epics

Abstract
The paper discusses the concept of honor in Homer's "The Iliad" and Virgil's "The Aeneid."

From the Paper
""The Iliad" and "The Aeneid" are undoubtedly two of the greatest epics ever written. They form part of the foundation from which the entire western classical tradition was erected and are considered to be among the world's canonical masterpieces. Both epics are focused on the exploits of a man who is half-god and half-mortal, in "The Iliad" the Greek hero Achilles is the focal point of the narrative; in "The Aeneid" the Roman hero Aeneas is the principal actor."

Tags:honor, iliad, aeneid, achilles, aeneas, homer, virgil

Abstract
This paper discusses how in Virgil's "The Aeneid", the character of Dido plays an important role in Aeneas' heroic journey. It looks at how Dido becomes Aeneas' lover, and falls madly in love with him, which ultimately leads to her demise. The paper also discusses whether or not Virgil meant for Dido to evoke the reader's sympathy and contends that through an examination of Book IV, specifically, one can determine through Virgil's use of language and metaphor that Dido is indeed meant to be pitied, perhaps to further illustrate the sacrifices Aeneas has to make to succeed in his quest.

From the Paper
"First of all, it is important to note Virgil's use of diction when referring to the character of Dido. For instance the use of the metaphor, "She feeds the wound within her veins; she is eaten by a secret flame," creates a very vivid and strong image, almost like Dido is being tortured (IV, 2-3). This clearly evokes a sympathetic reaction from the reader, as Vigil makes it clear that Dido's love for Aeneas is causing her extreme pain. Interestingly, the motif of fire comes up quite often in the novel; for instance, "unhappy Dido burns" and "Her mind is helpless; raging frantically, inflamed..." (IV, 90, 402-403). These references to fire or flame in Book IV seem to foreshadow Dido's death as she "mounts in madness that high pyre," and is ultimately consumed by flames (IV, 893). It is also ironic how in Virgil's description, the flame of love seems to cause Dido more pain than the actual fire of her death."

Tags:Aeneid, love, quest

Abstract
The writer of this paper reviews and analyzes the "The Aeneid" by Virgil. The tale of "The Aeneid" centers on Aeneas, a Trojan warrior that transforms from being a victim to becoming the hero that conquers Italy. This paper details how the tale of "The Aeneid" exposes the many factors that influenced Roman life during the first century. The writer examines the literary style of the epic while comparing it to various works of writing by Homer. This paper also touches on the life of the author, Virgil, who was born in Mantua in 70 BC. This paper ponders the impact of Virgil's work of literature which reflects a time of civil conflict and social and political change in Roman history.

Table of Contents:
Introduction
Historical Background
Research
Interpretation
Conclusion
Works Cited

From the Paper
"The literary style of the epic should be noted because unlike the Homeric epics, The Aeneid was didactic in its purpose. Such literary works were often used to express moral and philosophical messages. It is written in dactylic hexameter and, in O'Brian's opinion, it was "perhaps the most technically perfect poet in the history of western literature. It has even suggested that Virgil's perfection exhausted the possibilities of the hexameter at the same time as it created an overwhelming audience expectation for it." Virgil also employs vivid imagery, characterization, and similes to enhance The Aeneid. While it is important to recognize the originality of Virgil's epic, it would be unfair to ignore the outside factor that influenced The Aeneid."

Tags:roman, literature, latin, review, analysis, history