Abstract
The paper discusses how Luis Barragan is famous for his architecture that seeks to use light, water and open natural spaces in order to portray the Mexican culture in a contemporary, but non-conforming way. The paper relates that one of the crowning achievements for Barragan was winning the international Pritzker Prize for Architecture in 1980. The paper explains Barragan's objectives of blending his surroundings within their natural element, adding bright colors to enhance the setting, having beautiful serene gardens in which the resident's could enjoy life and always having his designs show their Latin American connections.

From the Paper
"Luis Barragan's development and reformulation of Mexican architecture was an endless artistic search for a contemporary expression of Mexican culture" (Underwood). Beginning in the 1920's and continuing all the way until Barragan's death in 1988, his quest for this contemporary expression led him to many different countries, cultures and to interact with many different people from various walks of life, especially those individuals who were artistic or were, themselves, striving to leave their artistic mark on society. Barragan was able to accomplish that objective which is evident by the works of architecture he left behind."

Tags:natural, beauty, gardens, culture

From the Paper
"In the course of the twentieth century architecture, like most aspects of culture, has been marked by increasing homogeneity across national lines. As Ricoeur points out, the universalizing of culture is in some ways an advance for humanity but it also constitutes "a sort of subtle destruction" in which local sources of stylistic innovation are gradually repressed as universal styles of architecture, art, food and just about every aspect of culture take over. There is a tension between local culture and this universalizing trend that cannot be resolved in favor of one side or the other. The tendency of styles and forms to spread quickly from one area to another will only increase and regional culture has become "something which [must] be self-consciously cultivated." Regional architects must, therefore, strive to combine the assimilation of international styles with..."

Tags:BIOGRAPHIES

Abstract
This paper is a biography of the best selling Latin artist, Luis Miguel. This paper traces his many achievement up to the release of his November 2001 album "Mis Romances".

Abstract
This paper discusses how, in "The Bridge of San Luis Rey", Thornton Wilder is trying to explore, with the reader, the meaning of life. It looks at how Wilder explores the theme of his novel through the point of view of a third person, Brother Juniper, who witnesses the collapse of the bridge of San Luis Rey and the death of five people. It also examines how the use of sunlight is symbolic of enlightenment and the message that the meaning of life is found among the living.

From the Paper
"Just as the reader begins to feel that the purpose of life is to discover the meaning of love and the importance of expressing it unreservedly, Wilder raises another complication. The Marquesa is never given a chance to begin anew as she dies on the Bridge of San Luis Rey a few days later. The conflict begins again. What is the meaning of life? If the narrative is taken at face value, it all seems rather senseless, for after all, where is the point in achieving self-realization literally at the point of death? Unless, Wilder intended the reader to derive the meaning through evoking a sense of sympathy for the character of the Marquesa or even a sense of outrage at the waste."

Tags:live, death, brother, juniper

Abstract
In this paper, the writer contends that a common thread throughout the works of writer Jorge Luis Borges is a distrust of order, predictability and linearity as related to memory. To illustrate this contention, the writer examines short stories by Borges: "Funes the Memorious", "Tlon, Uqbar, Orbis Tertius", and "The Circular Ruins". The paper concludes that Borges reads as being averse to totalizing order, which creates a complex literary oeuvre that charms and yet disturbs the reader, which thus offers new paths to understanding this world.

From the Paper
"Borges also challenges the merit of the imagination and the danger of reliance upon memory in "Tlon, Uqbar, Orbis Tertius". This story is a sustained portrayal of imagination through Borges' traditional short-story format. It tells the tale of an imaginary country created by an underground society of individuals. This country, Uqbar, is a small part of a world called Tlon, created by the Orbis Tertius, or secret creators."

Tags:extremes, reductio ad absurdum, minimalist faculties trickery

Abstract
This paper explores the outlook of Jose Luis Borges on the role of the writer in his native Argentina. In the paper, he asks what are the Argentine traditions,responding that they are all of Western culture, which he finds alarming. It is clear that Borges is here aligning his home tradition with the values of Western culture, though it also appears that he is elevating Argentinian expression to a higher plane and stating that his people have more right to this tradition than do others.

From the Paper
"Jose Luis Borges considers the role of the writer in his native Argentina. He first asks what are the Argentine traditions and then states, I believe our tradition is all of Western culture, and I also believe we have a right to this tradition, greater than that which the inhabitants of one or another Western nation have . . . For that reason I repeat that we should not be alarmed and that we should feel that our patrimony is the universe; we should essay all themes. . . (Borges 185) It is clear that Borges is here aligning his home tradition with the values of Western culture, though it also appears that he is elevating Argentinian expression to a higher plane and stating that his people have..."

Tags:borges, argentine, writer

Abstract
This paper explains that Jorge Luis Borges is a novelist known for using subjects that question God's existence and essence of life and that these themes appear in his short story, "The Lottery in Babylon". The author points out that, in the story, which is told in the first person point-of-view, the narrator is part of what is happening within the story but, despite his understanding of the people, cannot fathom the addiction of the community people to the lottery. The paper relates that "Lottery in Babylon" is full of symbolism and metaphors. For example, the term 'lottery' represents taking chances and the term 'company' represents God. The paper includes several quotations.

Table of Contents:
Introduction
"The Lottery in Babylon" - An Analysis
Plot
Theme
Conclusion

From the Paper
"Lottery, as seen by the narrator's eyes, has undergone various evolutions. First, it was just like a very simple game played by the commoners. Then, the number of people who loved playing it increases, hence the rules of the game was changed. At first, the lottery only involves rewards that would be received by, of course, the winner. But when the game was eventually changed, punishments and irrelevant rewards were introduced. When still more and more people continue playing the game, the rules regarding the people who could join the game also changed."

Tags:narrator, game, themes, metaphors, addiction

Abstract
The paper discusses the theme of the play and various critics' thoughts on the theme and meaning of the work. Luis Valdez writes about Chicano issues. He uses the play to point out the inhumanity of the people who hire Mexicans and how the administration ignores their problems. Critics have called it one of the most important Chicano plays ever to be written.

From the Paper
""Los Vendidos" (the Sellouts) takes place on Honest Sancho's Used Mexican Lot, a "used car lot" that supplies Mexicans to government workers who need token brown-skinned people to fill various roles. Miss JIM-enez is a secretary looking for a Mexican for Governor Regan's office. Someone who will not stand out too much, but will show the Governor has a "brown-skinned" person on his staff. Dark, but not too dark, and suave. "Beige, just the tone" (Valdez). He will be beige in his politics too, a "yes" man to the white politicians who keep him around so they look good."

Tags:awards, government, workers, california, administration, problem, play, injustice, prejudice, mexican-americans, sellouts, melting, pot, stereotypes

Abstract
This paper looks at the contributions of Luis Bunuel, director of the Surrealist film "Un Chien Andalou"; (An Andalusian Dog) and Orson Welles, director of the American classic film, "Citizen Kane". It shows how both directors have given significant input to the history of film that are currently and still in practice.

From the Paper
"Luis Bunuel is a Spanish director who was known primarily for his contribution the Surrealist movement that emerged along with the French Impressionist movement during the latter part of 1920s. "Un Chien Andalou" (An Andalusian Dog), which was produced in the year 1928, marked the beginning of the use of surrealism in films. During this time period, surrealism is fast becoming a popular movement, and is prevalent in the visual arts, such as the paintings of Andre Breton and Salvador Dali. Incidentally, Dali is influential in Bunuel's works because his works include those of Dali's paintings, one of which was shown in "Un Chien Andalou." The Surrealist movement is characterized to be the anti-thesis of the normative formula of most films. Instead of adapting a narrative form and style, Surrealist films are antinarrative, and appeals mainly to the subconscious thoughts of people. Surrealist works are also devoid of logic, as can be seen in Bunuel's portrayal of a woman sucking the toes of a statue, and the popular scene wherein Bunuel himself cut with a razor the eyeballs of a woman. These scenes are evidently devoid of any logic, and in fact, surrealist films do not aim to explain at all whatever message (if there is a message) a film has."

Tags:Chien, Andalou, Citizen, Kane, Surrealist, movie

Abstract
This paper examines the life and work of Fray Luis de Leon who was both a scholar and an artist. It explains that he was a man who came to represent the most learned elements of his time. It explores his ability to encapsulate his personal history and some of the darkest elements of Spanish history in the Renaissance.

From the Paper
"Fray Luis de Leon was both a scholar and an artist a man who came to represent the most learned elements of his time as well as encapsulating in his personal history some of the darkest elements of Spanish history in the Renaissance. This paper examines his ..."

Tags:inquisition, Castilian, poetry