Abstract
This paper discusses Nagel's view of absurdity and his explanation of it. The paper also discusses three responses to absurdity. The paper asserts that while we coexist with absurdity as Nagel maintains, it is not radical absurdity in the sense of sub specie aeternitatis.

From the Paper
"This paper will discuss Nagel's view of absurdity and his explanation of it. I will also discuss the three responses to absurdity. While we coexist with absurdity as Nagel maintains, it is not radical absurdity in the sense of sub specie aeternitatis. Nagel (31) provides a definition of absurdity when he states then "a situation is absurd when it includes a conspicuous discrepancy between pretension, or aspiration and reality". The whole of life is absurd when we observe that there is some pretension or aspiration which is interrelated with the continuum of human life. It is not enough that..."

Tags:meaning, absurd, strategies

Abstract
The paper relates that significant changes in drama and theatre occurred during the 20th century and particularly after World War II. The paper discusses one typical example of these profound changes that was the theatre of absurd. The paper relates that the term, coined by Martin Esslin in the book of the same title, is used for a theatrical and drama "part of 'anti-literary' movement of our time" (Esslin, 26). The paper explains that the theater of absurd is not an organized movement or school, rather it is a term used to designate a set of plays that "most sensitively mirrors and reflects the preoccupations and anxieties, the emotions and thinking of many of their contemporaries in the Western world" (Esslin, 22).

From the Paper
"Significant changes in drama and theatre occurred during the 20th century and particularly after World War II. One typical examples of these profound changes was the theatre of absurd. The term, coined by Martin Esslin in the book of the same title, is used for a theatrical and drama "part of `anti-literary' movement of our time" (Esslin, 26). The theater of absurd is not an organized movement or school. Rather it is a term used to designate a set of plays that "most sensitively mirrors and reflects the preoccupations and anxieties, the emotions and thinking of many of their contemporaries in the Western world" (Esslin, 22). Despite this..."

Tags:beckett, absurd, waiting for godot

Abstract
An existentential nihilist paper on Albert Camus's essay on "An Absurd Reasoning." The paper focuses on Camus' major theme of absurdity with its relation to life and suicide. The paper uses quotes from Camus and examines the concepts of society and its ideal ethics.

From the Paper
"Existential nihilist philosopher and 1957 Nobel Prize winner for literature, Albert Camus wrote an essay entitled "An Absurd Reasoning," where he suggests suicide is a solution to the absurd. As horrifying as it may sound and as absurd as it may seem, surprisingly, there is logic to his rather depressing theory. Due to society's concept and interpretation of suicide, Camus theory may and most likely be ignorantly disregarded. However, the purpose of this essay and perhaps also the impact may in doubt be able to reach upon and grasp further than the concepts of society and their ideal ethics. In order to grasp Camus theory, one must not understand but rather identify absurdity with its own parallel connection to the self. Without a reason to live and the absurdity in the pursuit of meaning, a simple conclusion may be drawn rather than sought, where suicide is the solution to the absurd."

Tags:absurdity, philosophy, reason, The, American, Dream

Abstract
This paper discusses how in "The Myth of Sisyphus," Camus identifies the absurd hero who can survive amidst chaos. The absurd hero neither conforms to social rules, and religion as a means to deny the chaos, nor chooses suicide as a means to escape it. In particular, it looks at how Camus exemplifies his hero as Monsieur Meursault in the novel "The Stranger" and how Meursault shows every characteristic of the absurd hero. It examines how he revolts, is free and passionate, but never explains his actions nor those of others.

From the Paper
"A third characteristic of an absurd hero, as stated by Camus, is that of passion. Camus describes passion as the pursuit of a life rich with diverse experience, the counter to what the French refer to as "metro, boulot, dodo," subway, work, sleep. Meursault lives his life full of experiences. He goes swimming with friends (19-20, 34, 47). He attends movies with Marie and his friend Emmanuel (20, 34). He can be seen hopping on a truck for fun with Emmanuel (25-6). Meursault is not completely wrapped up in his work. He has a rich life with many experiences, not the least of which being killing a man and discovering the beauty of life while in prison."

Tags:Sisyphus, revoltant, chaos

Abstract
The paper explores the theme of the absurd in Voltaire's "Candide", Balzac's "Pere Goriot" and Kafka's "The Trial" in reference to their respective landscapes, situations and characters. The paper explains that the point of writing with the absurd is to present an accurate portrayal of life, with all of its degrading and humiliating parts. The paper also brings out how all three of these novels conclude with the protagonists' self-realization.

From the Paper
"In Kafka's novel The Trial, the main character Joseph K, or simply K lives through a series of unfortunate events of which the first he is accused of some ambiguous crime on his 30th birthday. One year later he is killed in the name of the law and K, for his part does not object to the killing. The absurd as a theme in this event is very overtly portrayed. The ambiguous nature of the actions of the other characters in the novel prove to be ridiculous and a definite parody of real life trial situations. The trial itself is a charade because everyone in the courtroom including K already know the outcome; they are merely going through the actions because it is something of a tradition to do so. Thus, the characters are focused, not on the truth of the matter, did K commit a crime, but merely on the trial itself and their part in the facade."

Tags:landscapes, situations, characters, self-realization, human, nature

Abstract
The purpose of this paper is to discuss Absurdist (Existential) theatre and four works by "Theatre of the Absurd" playwrights. The works used are "Victoria Station" by Harold Pinter, "The Zoo Story" by Edward Albee, "The Philadelphia" by David Ives and "Sure Thing," by David Ives. Specifically, it discusses hopelessness and meaningless as a base plot for the "Theatre of the Absurd" and how these two concepts reveal themselves in the works.

From the Paper
"All four of these plays are by authors considered to write for the "Theatre of the Absurd" movement, which began in the late 50s. It is a movement concerned with the absurdity and absolute pointlessness of life. Many playwrights participated, including Samuel Beckett, Harold Pinter, Eugene Ionesco, Jean Genet, and Edward Albee. "The 20th century's most popular non-realistic genre is absurdism. The root 'absurd,' connotes something that does not follow the roots of logic. In the Absurdist school of drama, this holds true. Existence is fragmented, pointless. There is no truth so the search for truth is abandoned in Absurdist works. Language is reduced to a bantering game where words obfuscate rather elucidate the truth. Action moves outside of the realm of causality to chaos. Absurdists minimalize the sense of place. Characters are forced to move in an incomprehensible, void-like realm" (Sosnowski)."

Tags:absurdist, existential, playwright, Victoria, Station, Harold, Pinter, Zoo, Story, Edward, Albee, Philadelphia, David, Ives, Sure, Thing, hopelessness, meaningless, base, plot

Abstract
This paper analyzes Lawrence Ferlinghetti's poem, "Constantly Risking Absurdity", noting that the simile used in the poem, 'the poet is like an acrobat', emphasizes that the whole poem is a metaphor comparing a poet to an acrobat. The paper then goes on to discuss various elements of the poem including the use of free verse, and irregular words and sounds across the verses. The paper also notes that the poem uses short lines and that it is a challenge to read. The paper explains that this challenge relates to the theme of the poem and is similar to the process of writing a poem.

From the Paper
"The poet-figure is characterised throughout the poem. As the acrobat performs his tricks we discover the similarities between the poet and him. The line 'climbs on rhyme' expresses how a poet uses rhyme to link his lines as he climbs down the poem, while an acrobat climbs a ladder to perform his tricks. The poet-figure is 'balancing on eyebeams'. The poet and the acrobat rely on their audience's recognition. The audience's gaze keeps the acrobat in the air and the poet's admires keeps his spirits high. The line 'paces his way' emphasises how cautious poets and acrobats need to be in their professions. An acrobat has to pace himself as he crosses the tightrope and a poet can definitely not rush through the poetry process."

Tags:tightrope

Abstract
This paper disagrees with Robert Cohen's argument in "Oedipus and the Absurd Life" that Oedipus is a bullheaded, unschooled primitive and his persistence brings about his downfall. The primary source is Sophocles' "Oedipus Tyrannus."

From the Paper
"In Robert Cohen's Oedipus and the Absurd Life, Cohen's estimation of Oedipus in Oedipus Tyrannus is frequently harsh. As Cohen writes Oedipus is stubborn, bullheaded, frequently stupid, often rude and admittedly and unashamedly..."

Tags:Oedipus, King, fate, pride, character, leadership, human understanding, Sophocles

Abstract
Description of the concept of aburdity and its history as a literary idea. Broad analysis of how character of Meursault embraces this view of an absurd life. Specific analysis of key incidents which highlight this in the text.

From the Paper
"Absurdism is a literary idea that began to grow in the 1920s and prospered as people sought to explain the wars and hardships that plagued the world at that time. Its basic principle is that life doesn't matter. People are powerless to really change their lives or the lives of others, and so humanity is basically useless. No matter how brilliantly or terribly we live our lives, whether we are a doctor or a murderer, we will eventually die and be left with nothing. The world is therefore meaningless, but humanity is constantly trying to explain its own existence. People are searching for something they can never possibly find. It is an absurd search."

Tags:meursault

Abstract
This paper will compare and contrast the two essays: "A Few Words About Breasts: Shaping Up Absurd" by Nora Eptron and "The Importance of Dissimulation" by Shirley Abbott.