Abstract
The paper compares and contrasts the abstraction of death in the poems "Driving Through Minnesota During the Hanoi Bombings" by Robert Bly and "War Photographer" by Carol Ann Duffy. The paper portrays how the points of view of the authors of these poems reflect the abstraction of death from first world perspectives.

From the Paper
"The poem "War Photographer" by Carol Ann Duffy relates the abstraction of war and its consequences through the "lens" of photography as an artistic medium. Many of the poems themes revolve around the photo development process of the Vietnam War, which take place in a dark room. Although the "photographer' being used in this poem has seen the horrors of war, the abstraction of death is clearly the process of viewing and processing the images that are dislocated from the battlefields."

Tags:Vietnam, War, battlefields, lens, perspective, medium, images

Abstract
In this paper, the thematic use of the abstraction of reality through video games has been compared in the film Wargames and the novel Ender's Game. These differing mediums provide the ideological problem of video games versus reality concept, which provide extremely dangerous uses of computers for David and Ender. Although David avoids nuclear war, Ender is not so lucky, as his training simulation was a very real war with millions of deaths committed at the remote Battle School.

From the Paper
Thank you for purchasing a customized research paper from Essay Experts LLC. We strive to deliver to our customers the most accurate and up-to-date research each and every time we prepare a custom work. Your Writer ID: #255 Order ID: 13005 Topic: Humanities Disclaimer: This document should be used in precisely the same way you would use any article you might find in your local research library. Remember, you must cite it properly just like you would any other source listed in your bibliography. If you have any questions regarding citing

Tags:wargames, ender, badham

Abstract
The paper discusses how realism was also considered to be illusionism ("Relationships", n.d.) and this was because in realism, the artist made every attempt to create the illusion that what was being seen was as though the viewer were looking through a window into a moment in life. The paper describes how illusionism required a strong focus on shadow and light, as well as the composition of the figure in relationship to the canvas.

From the Paper
"Realism was also considered to be illusionism ("Relationships", n.d.). This was because in realism the artist made every attempt to create the illusion that what was being seen was as though the viewer were looking through a window into a moment in life. Illusionism required a strong focus on shadow and light, as well as the composition of the figure in relationship to the canvas. In the painting by Ingres, the painter has utilized black background in order to give the illusion that the subject is close in proximity to the viewer. The line of the drapes serves to draw the viewer's eye closer to..."

Tags:art, painters, history

Abstract
This paper discusses two of the leading abstract artists in America in the Twentieth Century, Georgia O'Keeffe and Ronnie Landfield. This paper takes into consideration their subjects, styles, and how they differ, with O'Keeffe beginning work as a more realistic painter until various influences pushed her more toward abstract art, though even then she tended to mix her styles and to paint her abstractions in a concrete and rather realistic manner, and with the leading figure in what is known as Lyrical Abstraction.

From the Paper
"His compositions, executed in the gentle vibrancy of stain painting, are stylization of landscapes. Yet, in no real sense is there a dependence on observation from nature. His landscapes present no identifying details, they are not individualized by topographical details and cannot be located in the world . They are generically landscapes, landscapes only by principles of composition and according to the interpretive reflex by which we necessarily read any horizontal division as a horizon line (Cohen para. 7)."

Tags:abstract, o'keeffe, landfield

Abstract
The paper attempts to illustrate how ideas and conceptions of abstract art have changed and developed since the early years of the twentieth century. The paper compares two modern abstract artists, Frank Stella and Robert Pepperell, with more traditional views of abstract art, such as those of Wassily Kandinsky. The paper shows how contemporary abstract artists still adhere to the formal and stylistic tenets of early abstraction but without the idealism that had initiated the abstract art movement.

Outline:
Introduction
Brief Overview of Abstract Art
Modern Abstract Artists: Frank Stella and Robert Pepperell
Conclusion

From the Paper
"Abstract art is commonly defined as, "art that does not depict objects in the natural world, but instead uses color and form in a non representational way." (NationMaster Encyclopedia: Abstract art). This definition does not deal with all the issues surrounding the meaning and understanding of abstract art and there is a great deal of dissension and argument among critics and art theorists about the nature and meaning of the term 'abstract'. However, the general view is that abstract art is essentially non-representational and non-objective. It is also seen from an artistic viewpoint as an attempt to provide an understanding of the world and reality that cannot be obtained by the methods and techniques of representation."

Tags:style, technique, idealism, expressionism, perception

Abstract
This paper explains that Frank Stella, born in 1936, influenced by the flag paintings of Jasper Johns, emerged in the 1960s as a leading example of Post-Painterly Abstraction, a reaction against Abstract Expressionism. The author relates that Andy Warhol's Pop Art applied a commercial art style to painting, as he appropriated subject matter from the pulp media. Warhol creating a style out of his own non-involvement with the material and his attempt to produce works that were machine-like, thus separated from the artist. The paper recounts that Roy Lichtenstein (1923-1997) is known for his series of paintings as a comic strip working with stencils to make rows of over-sized dots, forming his paintings of prints and making them look like a huge mass publication product.

Table of Contents
Frank Stella
Andy Warhol
Roy Lichtenstein

From the Paper
"Lichtenstein similarly imitated objects of popular culture, as in his comic-strip paintings taken from comic books and the like, or from his series of advertisements recreated on canvas, such as "Girl with Ball" (1961). Warhol's "Marilyn" images were mechanically reproduced and celebrated the machine element both in the way they were created and in the way they imitated a strip of motion-picture film, which is a mechanical means for reproducing movement. Lichtenstein in "Girl with Ball" and similar images recreated the mechanical look such newspaper print ads have in their original state, as if created by an off-set process that leaves the image flat, with texture showing through from the paper, or the canvas, and with a limited palette in keeping with the tri-color off-set process."

Tags:reproduction, newspaper, post-painterly, comics, marilyn

Abstract
This essay examines ideas expressed in "An Essay Concerning Human Understanding" by John Locke, specifically his theories on abstract ideas. The essay explores the explicit language of Locke to discover the deeper, more significant meanings. The essay also describes Locke's main theory as stating that all ideas form a greater, more complex abstract idea and that this theory stems from the basic principle that it takes words to form an idea, and multiple ideas to form an abstract idea.

From the Paper
"To begin with, Locke is making the finite assumption that "general natures are nothing but abstract ideas." With this statement he is clearly defining his proposal for ideas overall. His wording is complex but his issue is that of simplicity, really. Locke is saying that all ideas are simply part of a greater, more grander idea, that is yet to be expounded upon. He is truly citing the chicken and the egg theory, here."

Tags:philosophy, philosophy of abstract ideas, complex abstract idea, critical philosophy

Abstract
The paper relates that abstract art can trace its origin to the later part of the 19th century when artists began to move away from simply imitating the physical world and they began to use only color, shape and form to explore new artistic expressions. Hence, the paper notes that modern abstract art can be called non-representational and non-objective. The paper looks at one of the most important movements of modern abstract art which was the De Stijl group in the Netherlands, which began in 1917.

From the Paper
"Abstract art can trace its origin to the later part of the 19th century when artists began to move away from simply imitating the physical world. Cubist and futurist paintings for example "represent highly abstracted interpretations of the material world" (Arnason, 217). The abstract painters began to use only color, shape and form to explore new artistic expressions. Hence, modern abstract art can be called non-representational and non-objective. One of the most important movements in the development of modern abstract art was the De Stijl group in the Netherlands, which began in 1917. The group wanted to create "the art `for clarity, for..."

Tags:abstract art, art, mondrian

Abstract
This paper discusses the life of Jackson Pollock, (1912-1956) who is one of the central figures in the development of the strictly American art movement called Abstract Expressionism. Included are biographical information, description of major works, quotes from Pollock and his critics describing his innovative drip painting style, a brief description of the major motion picture made of his life, and an "art inventory," or comprehensive analysis of the 1953 painting called "Easter and the Totem".

From the Paper
"American painter, Jackson Pollock, born in Cody, Wyoming in 1912, was a troubled genius who became known as a quintessential abstract expressionist in the art world of the twentieth century. Pollock, a freedom seeking rebel, was instrumental is the development of the distinctly American abstract expressionist movement in the United States. He became notorious for his drip painting methods and his huge canvases layered with paint and embedded objects. Pollock, known for his emotional volatility and heavy drinking, seen as a phony by some, and a hero by others, used his innovative, individualistic and uninhibited style to birth a new artistic genre in post World War II America."

Tags:abstract, art, easter, expressionsim, totem

Abstract
A look at the impact of world wars on abstract expressionism, a genre of art. The author examines what paintings under this genre represent and how they come to play significant roles in the expression of historical events.
Table of Contents

I. Introduction

A. Brief definition of abstract expressionism

B. Examples of other relationships between artistic movements and political happenings

1. Romantic movement

2. Vietnam

C. Brief description of the effects of World War

1. effects on the U.S. economy/politics

2. effects on the people

D. Thesis as to the relationship of World War II and the rise of Abstract Expressionism

1. Three major influences

a. immigration of European artists, writers, intellectuals, scientists

b. the Surrealist movement

c. ancient influences (art)

II. Body

A. Before World War II

1. Depression

2. Thirty Years War

3. World War I

B. Historical Roots

1. the 1930s

a. political happenings/economy

b. art & the relationship between the two

2. late 1930s early 1940s

a. political happenings/economy

b. art & the relationship between the two

C. Intellectual Roots

1. Themes of Abstract Expressionism

a. the return to origins

b. the human continuum

c. conflict and the dualistic pattern of human life

d. opportunities/new beginnings

2. Heritage (Ancient influences)

3. Nature

4. the subconscious

D. Artists

1. Gesture

a. style

b. specific artists

2. Color Field

a. style

b. specific artists

3. In-between

a. style

b. specific artists

III. Conclusion

A. The evolution of art starting from the period of the 1930s (WWI, Depression, etc.) to

after World War II

1. Content

2. Purpose

3. Style

B. How World War II molded Abstract Expressionism and how the artists drew from World War II

1. the people's responses to the war

2. united aspects of the art that showed a general feeling towards WWII

C. How, by the rising of Abstract Expressionism, modern art was affected, and how it

changed the way that people expressed their sentiments

From the Paper
"At first, there was an initial resistance to Abstract Expressionism, but by the 1950s it was recognized as the dominant force in American painting, encouraged by the government while being considered a symbol of American cultural freedom.For the first time ever, American art received widespread and serious attention in Europe. Abstract Expressionism can hardly be characterized as a single movement due to the diversity of the art it encompasses. Despite this variety, Abstract Expressionist paintings share several broad characteristics they are basically abstract, emphasizing free, spontaneous, and personal emotional expression, and they exercise considerable freedom of technique in order to attain this goal. The artists of this period manipulate the physical variables of the paint in order to convey expressive qualities, often on large canvases to give the visual effects an engrossing power. Abstract Expressionist artists can be divided into three categories based on style - gesture painting, such as done by Jackson Pollock, color field painting as done by Mark Rothko, or an in-between style as done by Robert Motherwell."

Tags:art, history, movements, paper, term