Abstract In the article, the writer provides an in-depth research study on the Tariff of 1828, known as the Tariff of Abominations. The writer discusses that this tariff was a significant precursor to Southern secession and the Civil War. The writer also discusses this tariff as an important indicator of the rise of Jacksonian democracy in America.
From the Paper "The Civil War and the secession of the Southern states that preceded it is most often seen as the most significant rebellion against the federal government in American history. The decades prior to Civil War however are just as significant as the sectionalist battles that raged and nearly broke apart the Union. One of the key issues during this period that incited debate between federalism and state sovereignty was the so-called Tariff of Abominations."
Tags: tariff of abominations, civil war, states' rights, secession, nullification, andrew jackson, calhoun, tariff of 1828
Abstract A paper about the story of "Metamorphosis" by Frank Kafka. The breadwinner of the family becomes the unwanted, the abominable, and the unforgivable member of the family through the process of metamorphosis into a bug, a cockroach, or insect.
How nationalism led to secession. Examining slavery as a basis for southern society. Looks at tariff of Abominations, nullification and Compromise of 1850.
1,575 words (approx. 6.3 pages), 1 source, 1997, $ 55.95
From the Paper "The purpose of this research is to examine the policies and programs promoted by southern nationalists in the United States from 1830 to 1861. The plan of the research will be to set forth the context in which southern nationalism arose in the U.S., citing specific features of its development, and then to discuss the degree of success on the part of southern nationalists in advancing their agenda.
Growth of Southern nationalism 1830-1860 has to be placed in the context of the transformation of American society and political economy as a whole and in the South in particular. Southern nationalism from the 1830s to 1860 really began in 1820, with the Missouri Compromise, the first major controversy over the American West and slavery. The question was whether slavery would be allowed in new states admitted from the area of the Louis.."
Abstract This paper presents the ideal society according to Huxley's futuristic fiction novel. In Huxley's vision, one of the main positions is that in the future, "civilization" will require strict government regulation of all facets of life"birth, social caste, behavior, relationships, education, and even death"to maintain order and worldwide peace. The paper discusses how this absolute control is achieved through a variety of actions that, upon examination by any member of today's society, seem a monstrous abomination of human free will?yet to Huxley's characters are unquestioned, necessary and even desirable.
From the Paper "For instance, children are programmed from birth with guidelines set forth by the government (the State). Some of this training is implemented through subliminal messaging: recorded phrases repeated softly while the children sleep. One such message involved class distinction. In Brave New World, there are five classes to which one can be born: from the highest, Alpha, to the lowest, Epsilon. In one scene, a group of students visit the nursery, where they hear this message being played to a roomful of sleeping Beta infants: ?"Oh, no, I don"t want to play with Delta children. And Epsilons are still worse. They"re too stupid to be able to read or write"I"m so glad I"m a Beta.? (19)"
Abstract In "The Scarlet Letter", a tale of deception, hypocrisy and revenge, Nathaniel Hawthorne reveals some of the minor flaws of human nature as well as a very dark and vile side of it. The paper analyzes the characters of three protagonists in the novel who commit sins: Hester Prynne, Arthur Dimmesdale and Roger Chillingworth. The paper shows that whereas two of these characters commit their sins as an innocent mistake, only one deliberately and continually transgresses in an abominable endeavor for self-gratification.
From the Paper "Hester and Dimmesdale both commit adultery and they deeply regret it. They regret a sin that should not affect anyone beside themselves, and is the business of no other but the two of them. Meanwhile, Chillingworth perpetrates a sin that is so devilishly planned out, it focuses on the wounding of Dimmesdale. It is no longer a matter of revenge. It is a scandalous means of survival by watching the anguish of helpless people. This leech is not satisfied until he has brought destruction upon Dimmesdale. He relishes and remains lively in his old age only by sucking out energy from the feeble Dimmesdale. Chillingworth's sin is by far the worst because, unlike Hester and Dimmesdale's sin, its sole objective is of the injuring of another human being."
Abstract This paper examines how quite a fuss has been raised over Eve Ensler's production of "The Vagina Monologues" (V Monologues) because of its overt and explicit depiction of the female genitalia. It looks at how the appropriateness of the subject matter is questioned, as is the necessity for it to be circulated, mass produced, and performed. It shows how there are proponents for both sides of the issue, arguing equally as fiercely that the monologues are either essential to the liberation and independence of women or abominable to traditional standards of morality and modesty, and how both sides see this work as a key artifact, either to identify with or protest against. The paper is written from an anti-feminist viewpoint and picks apart the "Vagina Monologues", citing the play as an example of societal decay. It also looks at the play as a part of pop culture, contrasting the play from the vantage points of feminism vs. anti-feminism.
From the Paper "One primary goal of the monologues was to circulate the word vagina making it commonplace as a part of everyday conversation. An example of this is Ensler's admittedly common use of the word vagina. Ensler says vagina because she fears what we do not speak we forget and the thought of forgetting about vagina scares her (xx, 3). The question arises as to whether or not the term vagina is even important. Is the word vagina important because Ensler tells us it is important? While she drills through her monologues how important the word vagina is in reclaiming ourselves as women, can she get past the cultural biases which have been in place for so long by simply saying her work is important? Those identifying with her stance would agree based upon the thought circulating the word "vagina" is liberating."
Abstract This paper explains that incest ranks as the most abominable of sexual offenses, especially since it often involves abuse of minors and often is one of the best-kept secrets within a family. The author points out that victims are often blamed within their families and obtaining a conviction through the courts is a long and tedious process; however, relatively recent laws in Montana, Canada and Washington State are now condemning the rapist in these cases of incest. The paper stresses that victims are affected for the rest of their lives with a variety of behavioral disturbances such as eating disorders, prostitution, frigidity and sometimes unwittingly encouraging incestuous behavior in their own families; nonetheless, recovery is possible with work with professional help, often at least two years of psychotherapy.
From the Paper "Within families, many simply try to get rid of the products of such taboo unions through abortion, adoption, or abandonment in children's homes, once again punishing the innocent rather than the culprit. In some nations, despite the universality of the taboo nature, in cases of incest young female victims can expect to be thrown out of their family's home without any means of support while their adult attackers are given all time and leeway to sell their property and organize a living for themselves elsewhere."
Abstract In this paper, the writer discusses that both Contraceleon and Pheidippides in the dramas 'Wasps' and 'Clouds' by Aristophanes reflect a decay in moral values through greedy behaviors. The writer points out that the relation that both of these characters share regarding their fathers is disrespect and selfishness. The writer discusses that without a basis for attaining wisdom and moral behaviors, both Contraceleon and Pheidippides reflect an abominable disrespect for their elders, and only for the lavishness of their own greedy lifestyles in a higher-class perspective.
From the Paper "This drama study compares the character Contraceleon and Pheidippides in the dramas: "Wasps" and "Clouds" by Aristophanes. In both of these characters there is a wanton depreciation of moral values and respect for their elders, which ultimately reflects Aristophanes cynical evaluation of the Athenian youth of his day. By comparing both Contraceleon and Pheidippides in these plays, there is a distinct lack of respect for their fathers (elders), which demote the value of Socratic wisdom and morality in Greek society. In the play "Wasps" by Aristophanes the character Contraceleon portends rash and cynical attributes to his father, Philocleon, who is a practitioner of law. By confining his father to their home, Contraceleon is used by Aristophanes as a youth bent on distorting the good moral values of law in Athenian courts."
Abstract The paper provides a review of an article researching nursing. The paper analyzes the article in terms of its design, sampling, methodology and results and offers recommendations for research improvement. The paper presents a summary that evaluates the strengths and weaknesses of the research conducted. The paper concludes that the article reviewed was an abomination in terms of research best-fit practice.
From the Paper "Fairly critiquing an investigator's research endeavor is a task that must be taken seriously. Although it is quite easy to have an opinion of another's research, it is something quite different to be able to evaluate the research activity in terms of topic specificity and soundness, intent or purpose, data analysis and informational importance. When embarking upon a critical analysis of another's work, the reviewer must, at all times, adhere to the basic principle of prudent evaluation; namely, evaluating the structure of the research upon which scientific conclusions are drawn."
Abstract In this paper, the theme of colonialism is represented within 'Heart of Darkness' by Joseph Conrad and 'Things Fall Apart' by Chinua Achebe. Comparably, both of these novels reflect the misinformation about cultural values that both English and Africans experience in their daily lives. In the case of Marlow he finds English colonialism abominable, but ultimately does very little to counter act English society values. In the case of Okonkwo, he disagrees with the submissive polices his tribe enacts to help the Ibo tribe survive.
From the Paper "In this literary analysis the two novels 'Things Fall Apart' by Chinua Achebe and 'Heart of Darkness' by Joseph Conrad will be analyzed. The two themes of these novels reflect the horror of colonialism, and the ruthless nature of governments that are presented in these texts. In relation to this the theme of colonialism, the characters in the novels reflect youthful rebellion against their oppressors. In essence, the theme of colonialism and the youthful rebellion against colonial principles can be compared and contrasted within these two novels. In the novel 'Things Fall Apart', Achebe reflects on how the main character relates to the colonial domination that is now imposed on the Ibo tribe in Nigeria."
Abstract This paper reviews of how and why America is indebted to African-Americans in many ways, whether it is because of statesmen like Frederick Douglass or brilliant scientists like Percy Julian, African Americans have given much to the United States and have not always been recompensed for doing so. This paper looks at one African American contribution (its music) and trace its origins back to West Africa. Along the way, the paper also notes how the abomination of slavery ironically blessed America with a musical tradition that has become an imperishable part of its cultural mosaic.
Abstract This paper discusses how, when King Lear abdicates the throne and invests his daughters with power, he unwittingly ushers in disorder, chaos and discord and how the language used unequivocally conveys turmoil inflicted by the female. Goneril and Regan are ambitious, unscrupulous, they precipitate unrest and perpetrate violence. It looks at how the discomposed state in the kingdom, in the family and in the individual is gendered female where Shakespeare depicts the frequent disorganization and distempers as originating in the woman. It also discusses how witches, perverse goddesses, omens of ill-portent are images employed by Shakespeare to further illustrate and impress the state of anarchy and the reign of abomination.
From the Paper "Sexual disorder and sexual immorality in Lear are more ascribed to the female. The whore and the adulteress are dissolute women given to desire and lust - objectionable qualities in women. Gloucester proudly boasts that Edmund's mother was a whore who gives birth to a deviant, bastard child. Goneril refuses to accommodate Lear's one hundred knights for she fears that the palace be degraded to a "brothel". This opinion is loaded with irony since she prostitutes herself for power and later for her paramour, Edmund. The palace is already tainted with whoredom. Blind Fortune who curses and dooms the downtrodden at her very caprice is called "that arrant whore who ne'er turns the key to the poor". Likewise Cordelia calls blind Fortune "False Fortune" which signifies that she is an adulteress who is unfaithful to her conjugal pledge. "
Abstract The paper examines the characters of Jane and Rochester as portrayed in Franco Zefferelli's 1996 production of "Jane Eyre." The paper contrasts Rochester's power with that of Jane Eyre. The paper explains that the fact that being a man in the 19th century was sufficient to give Rochester the power to define rationality and sanity, while at the same time allow him to behave abominably towards women.
From the Paper "Charlotte Bronte published her novel Jane Eyre in 1847. Men in this time period had complete control of all aspects of society, including money, education, commerce, politics, and inheritance. The character Edward Rochester, after a difficult start, has become the epitome of this kind of powerful man, and indeed he may be said to embody the kind of rationality and power we associate with Enlightenment era men. Yet of course this power and rationality was a product of the intensely patriarchal society that shaped it. Rochester's power, and his ability to define what is rational and sane, may thus be said to be at the expense of women such as Jane Eyre, who are eminently rational, yet who lack power."
Abstract This paper discusses three women in William Shakespeare's "Othello" and their different relationships with the men they love. It looks at Desdemona and her adoration of Othello, at Emilia and her loyalty to the abominable Iago and finally at Bianca as the sensual mistress of Cassio. The paper describes the characters' love throughout the play and looks at the various outcomes of that love.
From the Paper "Cassio, Othello's lieutenant, is a young blade, the dashing, handsome man whom Iago admits has virtues that Iago cannot match. (V:i:18-20) In Bianca, he has a mistress rather than a wife, apparently a prostitute (IV:i:95-96), and while his actions suggest that he is reasonably fond of her (III:iv:167-78), he apparently does not intend to marry her (IV:i:116-117, 120-22, 124-26, 128-30), and while he will try to attend to her when he can (III:iv:176-77), he offers her no assurance that he will give her anything more than a handkerchief he has happened upon. (III:iv:186) When he gives this to her, she is jealous, that this is something from another woman, but there is a youthful innocence and exuberance in her remarks, not the burning rage of Othello's jealousy. (III,iv:178-81; IV:i:147-161) She becomes a tool in Iago's scheming, as he speaks of her to Cassio, while Othello believes that the conversation is about Desdemona. (IV:i:94-144) Although she ordinarily treats love as a mere commodity (Kernan), when she finds Cassio wounded, she seems genuinely concerned for him. (V:i:115-20) Iago turns his malice on her, suggesting she had a role in the attack, which is all Iago's doing. (V:i:85-86, 100-01, 104-10, 116) She recoils at the accusation, but can do little about it. (V:i:122-23)"
Tags: mistress, Iago, Cassio, adoration, character
Abstract In this article, the writer points out that many scholarly articles and studies of 'Twelfth Night' tend to downplay the literary importance of the play by categorizing it as a genial and charming play. The writer maintains that there is not anything inherently abominable about being either genial or charming, but these two words do not do justice to Shakespeare's deceptively "light" play. 'Twelfth Night' is not a tragedy, but this does not prevent Shakespeare from exploring, through comedy, several fundamental themes of human existence: love, grief, and desire. This paper analyzes Shakespeare's exploration of these existential themes as they appear in 'Twelfth Night' and argues that the playwright, through comedy, unveils the ludicrousness and inappropriateness of extravagant and sentimental emotion.
From the Paper "The question and the man who asks it barely register in Orsino's mind, but he is quick to pull out his readily available stock of conventional wisdom as soon as he breaks his reverie, and responds to Curio's question with a trite metaphor on love and hunting. No wonder, then, that the servants show signs of impatience and restlessness: their master is luxuriating in a state of complete self-absorption, and the outside world (or the beings that inhabit it) have ceased to exist. Of course, this matters not at all to the extravagant Orsino, as he is completely clueless as to what transpires around him and simply lacks the energy (in the manner of all love-sick gentleman) to engage in hunting or other depleting physical activities.
"Olivia, too, embodies these same characteristics, and it is perhaps unfortunate that the two do not make their own happy ending. Similarly to her determined pursuer, Olivia's emotional "disorder" reveals itself through her conversations with Cesario. The reader knows, before even encountering Olivia, that she is in mourning for a beloved brother. "
