Abstract
This paper discusses two of the main characters in the Tennessee William's drama "A Streetcar Named Desire". This paper also discusses some of the sources available reviewing this play. The sources used provide excellent insight into the study of "Streetcar Named Desire" and into the playwright himself. The paper also reviews some of William's other works.

From the Paper
"'A Streetcar Named Desire' by Tennessee Williams has an interesting title that first attracted me to his play. After reading the first few lines, I found myself interested because the description of the setting had details that captured my attention further. Williams uses words such as "raffish charm" (Williams 1797) and "quaintly ornamented gables" (Williams 1797) that paint a picture of the section of New Orleans where the action starts. The action of the characters led to questions in my mind after I finished reading the play. This play raised many questions about the human spirit and the ways that people deal with situations that they face. The two sisters in the play, Blanche and Stella, were raised in similar circumstances. Why did these two sisters deal with life in ways that are so different? The relationship between Stella and her husband also presents important questions."

Tags:streetcar, named, desire

Abstract
This paper is a critical analysis of Tennessee Williams "A Streetcar Named Desire", focusing on the character Blanche and what she symbolizes.

From the Paper
"In A Street Car Named Desire, Tennessee Williams displays the character Blanche having many issues. She tells fibs to protect herself from being looked upon disapprovingly. But her secrets are unveiled when Stanley, Blanche's brother-in-law, bumps into a couple of Blanche's acquaintances. Blanche symbolizes all beautiful women who are insecure because they have something they cannot let go or hide from."

Tags:analysis, blanche, desire, literary, named, streetcar, symbol, symbolism

Abstract
Williams's play, "A Streetcar Named Desire," is the story of the final decay of Blanche DuBois, a woman who fell from grace until finally losing her mind. This paper focuses on Blanche's lies and how Williams symbolized them in several different ways, including the use of light. It shows how, throughout the entire play, Tennessee Williams uses light to symbolize Blanche's deceptions as they differentiate from the actual truth that is slowly revealed.

From the Paper
"A Streetcar Named Desire is a great play, where Tennessee Williams uses many different types of symbols and metaphors for other things in the play, and his usage of light to show Blanche DuBois' artificial realism was incredible. The way that each event in the story where Blanche was involved directly with lighting led up to a later important event in the story keeps the reader interested. Blanche's lies were eventually her undoing, if she had gone to visit her sister and been able to stand in the open light and face the truth about her life, she may have been married to Mitch. However she was scared of what she would see if stayed in the light, and more scared of what other people would see in her, so she hid in the metaphorical shadows created by Tennessee Williams and tried, unsuccessfully, to live in her false reality."

Tags:american, desire, light, literature, named, streetcar, sybolism, tennesse, williams

Abstract
This analysis of Tennessee Williams' drama "A Streetcar Named Desire" focuses on the idea of power and conflict as it is played out between Blanche DuBois and Stanley Kowalski. The analysis maintains that the powerful brutes of the world like Stanley are responsible for the destruction of hope and innocence in tender individuals like Blanche.

From the Paper
"A central theme of Tennessee Williams' drama "A Streetcar Named Desire" revolves around innocence and reality, one that plays itself out in the conflict and struggle for power between Blanche DuBois and her brother-in-law, Stanley Kowalski. After being subjected to a variety of men in her life, Blanche DuBois is scared and scarred. She visits her sister Stella in the hopes of building a new and respectable life for herself with a suitor. However, Blanche continues to remain lost in an..."

Tags:sex, physical lust, illusions, pretensions, control, rape, insanity, South, Williams, Streetcar, desire

Abstract
The paper analyzes Tennessee Williams' play "A Streetcar Named Desire," and the destruction of the three main characters of Blanche, Stella and Stanley by their inability to control their sexual desires. The writer discusses how Blanche ultimately goes mad, Stella retreats into this naive world and STanley becomes the animal Blanche seemed to unleash in him. The way Blanche got to New Orleans and the name of the street all three live on is also discussed.

From the Paper
"Bathing and drunkenness are two common threads exposing sexual tension in the play A Streetcar Named Desire by Tennessee Williams. Even the title of the play suggests the sexual tension between the characters. There are three main characters in the play: Blanche, Stella and Stanley. All three are driven by their sexual desire. Blanche is running away from her past that is filled with sexual promiscuity including a sexual relationship with one of her male students. Stella is so attracted to Stanley physically that she loses all perspective regarding her sister and her marriage. Stanley is a dockworker so filled with sexual prowess that...."

Tags:instinct, desire, dead

Abstract
The paper discusses how the play "A Streetcar Named Desire" by Tennessee Williams depicts sexuality and class struggles in relation to American society in the 1940s. By understanding the polar extremes of both Kowalski and Blanche, the paper explains that there is an irreconcilable difference between the two that result in tragedy. In this manner, the paper discusses that the theme of sexuality and class struggle is central to the importance of this play as it relates the honest intensity of life in America.

From the Paper
"In this dramatic study, the play "A Streetcar Named Desire" by Tennessee Williams will be analyzed to reflect the importance of sexual freedom and societal barriers that are broken down in this masterpiece. By accessing parts of the play, as well as critical views on sexual liberation in William's perspective, this play was important and innovative in depicting male/female relationships in the atmosphere of the 1940s theater. The play "A Streetcar Named Desire" became the basis for modern playwrights to formulate new opinions about sexual behaviors and how men and women interact. The difficulties associated with other romantic plays of this time period, relate the overly dramatic and unrealistic views of life for working class people."

Tags:williams, streetcar, play

Abstract
The paper discusses how the greatest debate among critics of "A Streetcar Named Desire" may be about who the hero of the play is, Stanley or Blanche. The writer proposes that both are heroes and that the play is a classical tragedy. The paper explores how both Blanche and Stanley fit the pattern for a classical tragic hero. They both have goals, which they themselves compromise because of a tragic flaw. The writer argues that what is unique to "A Streetcar Named Desire" is that there are two heroes, rather than one. The paper examines how their two tragic flaws have to combine in order to create the downfall of each of the heroes.

From the Paper
"Stanley conforms almost exactly to the idea of a tragic hero. Not only does he have a clearly defined goal, but that goal mirrors the goals of the heroes that have come before him. Stanley's goal is the preservation of his kingdom and protecting it from outside threats. Of course, Stanley's kingdom is somewhat smaller than other heroes in literature; rather than an empire, Stanley's kingdom is a two room walk-up apartment in New Orleans. In addition, rather than ruling over thousands of subjects, Stanley rules over Stella. Therefore, Blanche's threats to Stanley's kingdom take on an almost petty cast; she drinks his liquor and takes up too much space in his small apartment."

Tags:protagonists, personal, weakness, rape, violence

Abstract
This paper considers two films based on plays by Tennessee Williams, "Cat on a Hot Tin Roof," and "A Streetcar Named Desire." The paper describes "Streetcar" as a dark, gloomy film, dominated by the brutish husband Stanley, who eventually rapes his sister in law, Blanche. The paper looks at "Cat on a Hot Tin Roof," and how Big Daddy is dying of cancer, while his family fights over their inheritance long before he dies.

From the Paper
"Two of Tennessee Williams' most notable plays have been made into movies that have become classics. "Cat on a Hot Tin Roof" and "A Streetcar named Desire" bring these plays to the screen. While both are good movies, "Cat on a Hot Tin Roof" has an element of truth that "A Streetcar Named Desire" lacks. In both movies, family members gather during crisis. In "Streetcar", Blanche DuBois moves in with her sister, Stella, and Stanley, her animalistic abusive husband, played in the movie by Marlon Brando in what became one of his most famous roles. The fragile Blanche falls play to the brutish Stan, who rapes her, so shattering his mental balance that she descends mentally and emotionally to a point that she is institutionalized.

Tags:williams, film, outhern

Abstract
This paper provides a character-focused, critical analysis of "A Streetcar Named Desire," a 1947 play by American playwright Tennessee Williams. The paper follows the plot as the main character, Blanche Dubois, descends into madness while she struggles under the poisonous manipulations of her brother-in law, Stanley Kowalski. The paper discusses Williams' use of contrasting elements, such as his setting selection of New Orleans, a city of powerful contrast, with modern life infused with poverty and a gritty realism contrasting with the refinement and dignity of the old world. The paper concludes that the characters of Blanche and Stanley have only one commonality - their desire to win over Stella, thus depriving the other of her presence.

From the Paper
"In many ways, Stanley and Blanche do indeed appear to be competing for Stella. Both seem to need her focus solely on themselves. It is unclear, however, whether this is because they truly love Stella or whether they just wish to deprive the other of her. The incident regarding the loss of Belle Reve indicates this, and Stanley's insistence on adherence to the "Napoleonic Code" highlights that he feels what is Stella's is his; that they share a stronger connection than the sister's do. Instead of an inheritance shared between Blanche and Stella, it would be the property of Stella and Stanley; in essence, he is trying to distance Blanche from her sister."

Tags:Blanche, Dubois, Stanley, Kowalsk, Stella

Abstract
The following paper is a short analytical and interpretive essay of the views and values of "A Streetcar Named Desire" in terms of the ideas, conventions and beliefs that the text appears to explore, endorse, challenge or leave unquestioned. Themes that are touched on in this paper are-- truth versus fiction, reality verses fantasy, ambition verses imagination, and lust verses love. The way in which Williams uses symbolism to parallel the conflict within a character and between characters, to the conflict in American society's views and values, invites the reader to draw their own conclusions from the text.

From the Paper
"The rape seems to signify the final destruction of Blanche's fantasy world. As Stanley acknowledges, the two were on a collision course from the beginning. Blanche is neither adaptable nor one of the strong. Blanche enters entirely into her world of self-deception. Fate is cruel, and human desire often leads to death. Everything that Blanche wants from life seems to crumble in front of her. She fights to save her Old Southern roots and the family mansion, but loses them both. She fights to regain her self-respect and Stanley destroy all attempts at this. She fights to hold on to her sanity amidst mounting disasters, but loses that battle as well."

Tags:brutality, modern, age, sexuality, powerful, genteel, literature, play, drama